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Literary fashions come and go, but some hang around longer than others, like Gothic literature which has existed ever since The Castle of Otranto in 1764. During this long while, it has spread from England, to the rest of Great Britain, and across to the continent, and off to America and Australia, filling in the gaps more recently. Most of it is in English, but hardly all, and it has adopted all styles, from romanticism, to modernism, to postmodernism and even adjusted to feminist and queer literature, and science fiction. We have all, read some Gothic tales or if not read then seen them in the cinema, since they adapt well to film treatment, and it would be hard to find anyone who has not heard of ghosts and vampires, let alone Count Dracula and Frankenstein. On the other hand, some of us are inveterate Gothic fans, reading one book or story after the other.

The Historical Dictionary of Gothic Literature follows this long and winding path, first in an extensive chronology and then a useful introduction which explains the nature of Gothic and shows how it has evolved. Obviously, the dictionary section has entries on major writers, and some of the best-known works, but also on geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction. This is provided in over 200 often substantial and always intriguing entries. More can be found in a detailed bibliography, including general works but also more specialized ones on different styles and genres, and also specific authors. This book should certainly interest the fans but also more serious researchers.

• Sales Rank: #2291457 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2012-12-19
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x 1.31" w x 6.36" l, 1.30 pounds
• Binding: Hardcover
• 376 pages

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From Booklist
As noted in the introduction, the term gothic is culturally complex, and its meanings have varied greatly across the 400 years of its persistence in the English language. This compact volume spans the history of gothic literature from its appropriation in the mid-eighteenth century to the recent publication of the Twilight series. Hughes, professor of gothic studies at Bath Spa University, interprets the term literature liberally; among the 200 entries, Scooby-Doo and Buffy the Vampire Slayer are represented, along with The Castle of Otranto and The Turn of the Screw. The A–Z entries cover a variety of works (books, magazines, movies, and television shows are all represented) as well as central figures (Robert Bloch, Angela Olive Carter, Edgar Allan Poe) and a number of different themes and literary conventions (Doppelgánger, Ghost stories, Gothic hero, Southern gothic, Queer gothic). There is a good deal of international information here as well (Australian gothic, Irish gothic, India). Entries range from a paragraph to two pages and include a wealth of see also references in bold. Accessible enough for casual fans of the genre, the book is also suitable for more serious research, with a detailed chronology, an extremely thorough introductory essay, and a bibliography that includes critical and historical works. Recommended for academic and large public libraries. --Lindsay Harmon

Review
As noted in the introduction, the term gothic is culturally complex, and its meanings have varied greatly across the 400 years of its persistence in the English language. This compact volume spans the history of gothic literature from its appropriation in the mid-eighteenth century to the recent publication of the Twilight series. Hughes, professor of gothic studies at Bath Spa University, interprets the term literature liberally; among the 200 entries, Scooby-Doo and Buffy the Vampire Slayer are represented, along with The Castle of Otranto and The Turn of the Screw. The A–Z entries cover a variety of works (books, magazines, movies, and television shows are all represented) as well as central figures (Robert Bloch, Angela Olive Carter, Edgar Allan Poe) and a number of different themes and literary conventions (Doppelgánger, Ghost stories, Gothic hero, Southern gothic, Queer gothic). There is a good deal of international information here as well (Australian gothic, Irish gothic, India). Entries range from a paragraph to two pages and include a wealth of see also references in bold. Accessible enough for casual fans of the genre, the book is also suitable for more serious research, with a detailed chronology, an extremely thorough introductory essay, and a bibliography that includes critical and historical works. Recommended for academic and large public libraries.
(Booklist)

VERDICT Don’t be afraid! Purchase for public and academic collections supporting a liberal arts curriculum. (Library Journal)

This dictionary is a good introduction to themes, authors, and terminology of Gothic literature for high school and undergraduate students. Hughes puts his extensive knowledge of this genre to good use in this broad work. The dictionary itself features a chronology, a substantial and informative introduction to the Gothic, a dictionary of terms, and a concluding bibliography. The latter is worth noting. Hughes breaks down entries for further reading by topic and Gothic author, rather than arranging entries by author's last name. This arrangement will allow users of this dictionary to find further reading on their topics very easily. As the title indicates, this dictionary focuses on literature, as opposed to the recently revised The Handbook of the Gothic, edited by Marie Mulvey-Roberts, which broadened its focus to include topics like film. Despite this, the two works have considerable crossover; many terms about the Gothic appear in both. In fact, Hughes contributed entries to the Handbook. The Historical Dictionary will be useful for libraries that lack a reference guide for the Gothic or libraries looking to update their reference collection. Summing Up: Recommended. Lower-division undergraduates and general readers. (CHOICE)

About the Author
William Hughes is Professor of Gothic Studies at Bath Spa University. He is the author or editor of 14 books, including Beyond Dracula: Bram Stoker’s Fiction and its Cultural Context and Fictions of Unease: The Gothic from Otranto to The Ex-Files. He also served as joint president of the International Gothic Association and is the founder editor of the Association’s journal, Gothic Studies.

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Adolescence is a time of growth, change, and confusion for young women. During this transition from childhood to adulthood, sex and gender roles become more important. Meanwhile, depictions of females―from the hyper-sexualized girls of music videos to the chaste repression of Purity Balls―send mixed messages to young women about their bodies and their sexuality. Over the last several decades, authors of young adult novels have been challenged to reflect this concern in their work and have responded with varying degrees of success.

In Learning Curves: Body Image and Female Sexuality in Young Adult Literature, Beth Younger examines how cultural assumptions and social constraints are reinforced and complicated through common representations of young women. Each chapter analyzes a recurrent theme in the history of young adult literature, including issues of body image, pregnancy, abortion, lesbianism, and romance. By examining selected novels for their sexual content, situating them within their social and historical context, and analyzing their discursive qualities, the author reveals the multitude of complex ways that society depicts teenagers and their sexualities and offers a critique of patriarchal culture that gives value to the female experience.

• Sales Rank: #3284093 in Books
• Published on: 2009-07-09
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .63" w x 5.87" l, .70 pounds
• Binding: Hardcover
• 166 pages

Review
Younger's superb overview of young adult books on body image and female sexuality in young adult literature has much to recommend it. . . . This guidebook to females in young adult literature is highly recommended. (American Reference Books Annual)

Drawing on a diverse set of texts spanning almost 70 years - including well-known classics, novels now out of print, and series fiction - she makes a compelling case for the cultural and developmental significance of this body of work.... The book makes a unique contribution in recognizing this vastly understudied field. (H.M. Bittel CHOICE, June 2010)

. . . An intriguing read and a fine addition to a professional library . . . (VOYA, December 2009)

About the Author
Beth Younger is assistant professor of English and women's studies at Drake University.

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When in 1902 Owen Wister, a member of the Eastern blueblood aristocracy and friend of novelist Henry James, became a best-selling novelist with the publication of The Virginian, few readers would have guessed that a new kind of American literature was being born. While Owen Wister was enjoying his success, Edwin S. Porter in New Jersey was filming the first cinema Western The Great Train Robbery, which would usher in a new era both of movies in general and of Western movies in particular. Both events would lead to a century of cultural fascination with stories of the old West.

The Historical Dictionary of Westerns in Literature tells the story of the Western through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on authors such as Owen Wister, Zane Grey, Max Brand, Clarence Mulford, Ernest Haycox, Luke Short, Dorothy Johnson, Louis L'Amour, and Cormac McCarthy.

• Sales Rank: #5313747 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2010-09-20
• Original language: English
• Number of items: 1
• Dimensions: 9.59" h x 1.07" w x 6.60" l, 1.60 pounds
• Binding: Hardcover
• 408 pages

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Review
Historical Dictionary of Westerns in Literature is an installment in Scarecrow's Historical Dictionaries of Language and the Arts series. Author Varner, professor of English at Abilene Christian University in Texas, has previously edited Westerns: Paperback Novels and Movies from Hollywood (Cambridge Scholars, 2007) and authored the Historical Dictionary of Westerns in Cinema (Scarecrow, 2008). Varner has followed the standard structure of the series and includes a chronology, an introduction, and an extensive bibliography in addition to the alphabetically arranged entries....As with other books in this series, the bibliography is a valuable resource for researchers, including as it does primary sources (the westerns), critical and theoretical approaches to westerns, historical studies of westerns, casebooks of criticism, and biographical and critical studies of individual authors. This work is recommended for academic and large public libraries. (Booklist)

Western novels often are dismissed as serious literature. While many Westerns do indeed consist of predictable plots and cardboard characters from the Old West, this book by Varner (Abilene Christian Univ.) offers a historical and literary context that convincingly broadens readers understanding of, and appreciation for, a surprisingly diverse and sophisticated body of work. Although the first classic Western, Owen Wister's The Virginian, was published in 1902, a detailed chronology begins much earlier in 1682 with publication of a captivity narrative. These narratives and other precursors to Westerns are referenced in entries such as "Pre-Westerns," but the focus of this dictionary is on classic Westerns and their contemporary descendants, including "antimyth Westerns" and "alternative Westerns." Hundreds of entries range from authors, titles, and series to new trends, stock characters, themes, criticism, and historical events. Although far from comprehensive (e.g., no entry appears for Western Story Magazine), this book, as Varner indicates, is not intended as exhaustive. Rather, it is a source that "suggests areas of importance" and "points to significant people, novels, themes and critical issues." An extensive bibliography provides title lists for major authors and resources for further study....Varner is also the author of The Historical Dictionary of Westerns in Cinema in the same series. Summing Up: Recommended. (CHOICE)

Most of us today are probably more familiar with Westerns on the screen than in print, and this book is a useful corrective in shedding light on the books that often underlie the films. (Reference Reviews)

About the Author
Paul Varner is professor of English at Abilene Christian University in Abilene, Texas. He is also the author of Historical Dictionary of Westerns in Cinema (Scarecrow Press, 2008).

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While Iceland is the second largest inhabited island in Europe, with only 313,000 inhabitants in 2007, the Icelanders form one of the smallest independent nations in the world. Around two-thirds of the population lives in the capital, Reykjavík, and its suburbs, while the rest is spread around the inhabitable area of the country. Until fairly recently the Icelandic nation was unusually homogeneous, both in cultural and religious terms; in 1981, around 98 percent of the nation was born in Iceland and 96 percent belonged to the Lutheran state church or other Lutheran religious sects. In 2007, these numbers were down to 89 and 86 percent respectively, reflecting the rapidly growing multicultural nature of Icelandic society.

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• Sales Rank: #5731473 in Books
• Published on: 2010-05-10
• Released on: 2010-05-10
• Original language: English
• Number of items: 1
• Dimensions: 8.68" h x .83" w x 5.70" l, .87 pounds
• Binding: Paperback
• 342 pages

About the Author
Gudmunder Hálfdanarson is professor in the Department of History at the University of Iceland.

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The A to Z of the Hong Kong S.A.R. and the Macao S.A.R. includes maps, photographs, a list of acronyms, a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, and events as well as political, economic and social background. However, unlike the rest of the series, all these sections are presented in duplicate: one for Hong Kong and one for Macao. The authoritative analysis and informative data presented clearly elucidate the unique situation of these two territories.

• Sales Rank: #5810176 in Books
• Published on: 2010-04-01
• Released on: 2010-04-01
• Original language: English
• Number of items: 1
• Dimensions: 8.60" h x .92" w x 5.80" l, 1.30 pounds
• Binding: Paperback
• 426 pages

About the Author
Ming K. Chan is a research fellow and an executive coordinator of the Hong Kong Documentary Archives, Hoover Institution, Stanford University.

Shiu-hing Lo is associate professor in the Department of Political Science, University of Waterloo, Canada.

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!! Download PDF Miklós Rózsa's Ben-Hur: A Film Score Guide, by Roger Hickman

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In 1925, MGM produced a screen version of Lew Wallace's best-selling novel, Ben-Hur: A Tale of the Christ, which became a classic of silent cinema. Nearly 25 years later, the biblical epic was remade by William Wyler and received an unprecedented 11 Academy Awards, including one for Miklós Rózsa's music. Indeed, the score for Ben-Hur is one of the greatest achievements in Hollywood film music. In this book, Roger Hickman focuses on the confluence of traditions, trends, and innovations that shaped Rózsa's score.

Hickman provides an overview of Rózsa's music into the 1960s, looks at the composer's musical influences and the development of his distinctive style, and examines how Rózsa applied these compositional techniques to film scoring. The author then explores the Ben-Hur phenomenon and traces the development of the story and its musical traditions from the original novel into the 21st century. Hickman also examines the conventions of epic films and ties these influences together with a detailed analysis of the score. Miklós Rózsa's Ben-Hur pays tribute to not only one of the great film scores but also to one of Hollywood's most influential composers.

• Sales Rank: #2397294 in Books
• Published on: 2011-03-15
• Original language: English
• Number of items: 1
• Dimensions: 8.70" h x .41" w x 5.63" l, .52 pounds
• Binding: Paperback
• 176 pages

About the Author
Roger Hickman is professor of music at the Cole Conservatory of Music. He is the author of Reel Music: Exploring 100 Years of Film Music (2006).

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3 of 3 people found the following review helpful.
Great Commentary on Rozsa's Ben-Hur Score
By Eydichi
This book elicits on-the-money details regarding Rozsa's composition aesthetic. While it does reiterate information already documented in Rozsa's autobiography, A Double Life, it does supply additional information for those of us who are avid fans of his work. The only negative is that it doesn't contain any full orchestral excerpts. I long for the day when the full orchestral score will be made available for study.

1 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Great book - very informative about not only Ben-Hur but Miklos Rozsa's compositional style as well!

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Films that dramatize historical events and the lives of historical figures―whether they are intended to educate or to entertain―play a significant role in shaping the public's understanding of the past. In A Biographical Encyclopedia of Scientists and Inventors in American Film and TV since 1930, A. Bowdoin Van Riper focuses on the dramatized portrayals of a particular group of historical figures―scientists, engineers, and inventors―that have appeared on American film and television screens. This volume analyzes individual portrayals, the public images of particular scientists and inventors, and the ideas about science and technology that, collectively, they represent.

In this first in-depth study of how historic scientists and inventors have been portrayed on screen, Van Riper catalogs nearly 300 separate performances and includes essays on the screen images of more than 80 historic scientists, inventors, engineers, and medical researchers. The individuals covered include Isaac Newton, Benjamin Franklin, Thomas Edison, Albert Einstein, Marie Curie, Dian Fossey, and Bill Gates.

Arranged chronologically by the subject's date of birth, entries for each individual explain their major contributions to science and technology, analyze the ways in which they've been portrayed in film and on television, and conclude with a complete list of screen portrayals and a discussion of suggestions for further reading. A Biographical Encyclopedia of Scientists and Inventors in American Film and TV since 1930 will be of interest to anyone concerned with the depiction of historical events and historical figures in film and television, and to anyone interested in the public understanding of science and technology.

• Sales Rank: #5180961 in Books
• Published on: 2011-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.43" h x 1.16" w x 6.38" l, 1.50 pounds
• Binding: Hardcover
• 342 pages

Review
Today's films and TV programs abound with fictional scientists and inventors, but presentations depicting actual people in these professions are considerably fewer in number. Although not all performances are true to the original model, the media's influence on the public perception of scientists and inventors can be significant. This phenomenon interests historian Van Riper, whose research focus includes the social and cultural dimensions of modern science and technology. For this book, he limits his examination to well-known scientists and inventors presented in US films made and distributed since 1930 and in widely broadcast TV programs. Documentaries are not included, but animated depictions of named people are. Van Riper has come up with a list of more than 80 individuals, ranging from Hippocrates and Aristotle to Steve Jobs and Bill Gates. They are grouped into four periods: "Ancient through Enlightenment," "The Nineteenth Century," "The Twentieth Century to 1945," and "The Twentieth Century after 1945." A short, readable biography and evaluation of performance appearances is given for each individual, along with a short list of screen citations and list of books for further reading. While the biographies make good reference points, the introduction, which is a detailed analysis of the collected data, will be of most interest to historians of science. Summing Up: Recommended. Upper-level undergraduates and above; general readers. (CHOICE)

The coverage by Van Riper, a historian who specializes in science and technology, is amazingly thorough and complete....This unusual but excellent book is recommended for large film and science collections. (American Reference Books Annual)

A well laid out book which will be read with interest by various audiences. It certainly belongs in institutions running film studies and media courses. It would also prove a useful source work for students with assignments demonstrating how Hollywood depicts certain trades and roles. The biographies are certainly sufficiently detailed to make this book a useful source on the various scientists and inventors. Overall a very interesting work and a jolly good read! (Reference Reviews)

About the Author
A. Bowdoin Van Riper is a historian, whose research focuses on the social and cultural dimensions of modern science and technology. He is the author or editor of five books, including Science in Popular Culture (2002) and Rockets and Missiles: The Life Story of a Technology (2007).

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Witchcraft has proven an important, if difficult, historical subject to investigate and interpret over the last four decades or so. Modern historical research into witchcraft began as an attempt to tease out the worldview of ordinary people in 16th- and 17th-century England, but it quickly expanded to encompass the history of witchcraft in most cultures and societies that have existed with scholarly studies now extending back to the time of earliest law code that punished sorcery, the Babylonian Code of Hammurabi (1792-1750 B.C.E.), and forward to the last witchcraft cases in England, those of Helen Duncan and Jane Yorke, tried in 1944. There has also been a significant amount of interest in the development of the modern religion of witchcraft, or Wicca, as various forms of neo-paganism continue to attract adherents.

The second edition of Historical Dictionary of Witchcraft covers the history of the Witchcraft from 1750 B.C.E. though the modern day. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on witch hunts, witchcraft trials, and related practices around the world. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of witchcraft.

• Sales Rank: #3653527 in Books
• Published on: 2012-10-25
• Original language: English
• Number of items: 1
• Dimensions: 9.31" h x 1.06" w x 6.25" l, 1.20 pounds
• Binding: Hardcover
• 292 pages

From Booklist
The second edition of the Historical Dictionary of Witchcraft covers the history of witchcraft from 1750 BCE to the present. Entries in this historical dictionary range from a short paragraph to a page. There are liberal cross-references within the articles, although they don’t have citations. The bibliography is extensive and includes citations from twenty-first-century print sources. The main focus is Europe and North America, but there are articles covering the rest of the world. There are more entries as well as updated citations in this edition, so libraries with the first edition may want this as a replacement. Recommended for public and academic libraries. --Kathleen Stipek

Review
For those libraries needing a comprehensive overview of this topic it would be a good addition to public and academic libraries. (American Reference Books Annual)

The second edition of the Historical Dictionary of Witchcraft covers the history of witchcraft from 1750 BCE to the present. Entries in this historical dictionary range from a short paragraph to a page. There are liberal cross-references within the articles, although they don’t have citations. The bibliography is extensive and includes citations from twenty-first-century print sources. The main focus is Europe and North America, but there are articles covering the rest of the world. There are more entries as well as updated citations in this edition, so libraries with the first edition may want this as a replacement. Recommended for public and academic libraries. (Booklist)

Part of Scarecrow's "Historical Dictionaries of Religions, Philosophies, and Movements" series, this second edition (1st ed., by Bailey, CH, Jul'04, 41-6237) has the usual arrangement of chronology, entries, and bibliography divided into subjects. Written by Durrant (Univ. of Glamorgan, Wales) and Bailey (Iowa State Univ.), the content is a conglomeration of material on ancient roots, historical European witchcraft, and demonology; similar beliefs in other cultures today (such as in the Caribbean and various African nations); and the modern religion of Witchcraft. Entries are short, with no bibliography, and include cross-references in the usual dictionary style. In the introduction, series editor Jon Woronoff seems to take a somewhat jocular attitude to the subject, assuring readers that the content is relevant and "far from hocus-pocus." With most of the entries focused on the history of western European witchcraft, this work will be of interest primarily to historians rather than practitioners or scholars of contemporary religious Witchcraft. Summing Up: Recommended. (CHOICE)

About the Author
Jonathan Durrant is senior lecturer at the University of Glamorgan where he teaches courses on early-modern history.

Michael D. Bailey teaches medieval history at Iowa State University.

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** Ebook Free Anglo-Zulu War, 1879: A Selected BibliographyFrom Scarecrow Press

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The Anglo-Zulu War was one of many colonial campaigns in which the British Army served as the instrument of British imperialism. The conflict, fought against a native adversary the British initially under-estimated, is remarkable for battles that included perhaps the most humiliating defeat in British military history-the Battle of Isandlwana, January 22, 1879-and one of its most heroic feats of martial arms-the defense of Rorke's Drift, January 22-23, 1879. While lasting only six months, it is one of the most examined, studied, and debated conflicts in Victorian military history.

Anglo-Zulu War, 1879: A Selected Bibliography is a research guide and tool for identifying obscure publications and source materials in order to encourage continued original and thought-provoking contributions to this popular field of historical study. From the student or neophyte to the study of the Anglo-Zulu War, its battles, and its opponents to the more experienced historian or scholar, this selected bibliography is a must for anyone interested in the 1879 Anglo-Zulu War.

• Sales Rank: #5162754 in Books
• Published on: 2011-06-01
• Released on: 2011-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.31" h x 1.68" w x 6.13" l, 1.90 pounds
• Binding: Paperback
• 684 pages

Review
If not yet the U.S. Army’s answer to Jeremy Black, he [Harold Raugh] is certainly prolific, with over 740 articles and book reviews to his name....Intended as a research guide and aimed at the academic library market, Harold Raugh’s Anglo-Zulu War, 1879 is an impressive compilation and an invaluable tool for further research. (Soldiers of the Queen)

Raugh’s exhaustive bibliography of the Anglo-Zulu War of 1879 is an astonishingly thorough guide to this conflict, for it not only chronicles the aforementioned famous battles but places them into the broadest possible historical context. In this regard, Raugh’s book is an invaluable tool for studying and researching the Anglo-Zulu War. His chapters are both chronological and topical, and identify a rich variety of source materials and hard-to-find publications. For example, Raugh’s guide begins with a general bibliographic overview of the political and economic background to the war. It then proceeds with an outstanding bibliography on the rise of Shaka and the Zulu kingdom. On the war itself, Raugh divides his chapters into the two phases of the conflict and goes on to provide extensive citations on the following: the war’s impact on popular culture; autobiographies, biographies, journals, and letters of the major participants; regimental and unit histories; soldiers’ letters published in newspapers; selected illustrations from contemporary periodicals; and a large variety of archival sources, including British and Natalian Parliamentary Papers and personal and unofficial documents from the United kingdom and South Africa. Raugh even includes miscellaneous lists on poetry, films and television, music and dances, and websites. Many of the citations are annotated and all entries are numbered for easy referencing. Overall, this comprehensive bibliography should stand the test of time as the best publication of its kind on the Anglo-Zulu War. (Journal of Military History)

The compiler of this book.... was well equipped for the arduous task of locating every single scrap of recorded information about the campaign of 1879 – every book or article, every contemporary newspaper article, film, television programme, unpublished thesis or archive collection of contemporary letters and papers that he could find.... I think that we can reasonably assume that Dr. Raugh has trawled up all the original source material that exists. (Reference Reviews)

This is the first bibliography of the Anglo-Zulu War of 1879. After an overview of the war, the bibliographic material is divided into the following sections: overview; rise of the Zulu Nation 1819-1878; Anglo-Zulu War, Phase 1 with, among others, subsections for specific battles; Anglo-Zulu War, Phase 2 with, among others, subsections for the death of the Price Imperial and the capture of Cetshwayo kaMpande; colonial troops; miscellaneous aspects such as naval brigade, medical support, literature, and more; autobiographies, biographies, journals, and letters; regimental and unit histories; soldiers’ letters published in newspapers; selected notices and illustrations from contemporary periodicals; British and Natalian Parliamentary papers; government and official documents; personal and unofficial documents, United Kingdom; personal and unofficial documents, South Africa; and personal and unofficial documents, other repositories. There is an author/editor index included. The Anglo-Zulu War of 1879 was a short colonial campaign that was much debated in Victorian military history. This book is intended as a research guide and tool to identify obscure publications and source materials. (American Reference Books Annual)

About the Author
Harold E. Raugh Jr. serves as the Command Historian, U.S. Army V Corps, Heidelberg, Germany. He is a retired U.S. Army Lieutenant Colonel of Infantry, the author or editor of five previous military history books and over 700 articles and book reviews, and a Fellow of the Royal Historical Society.

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0 of 0 people found the following review helpful.
Comprehensive
By Amazon Customer
The Anglo-Zulu War of 1879 has been a very popular subject in recent years and in need of a comprehensive bibliography. This book fulfills the need. The author has read widely on the subject and is able to offer worthwhile annotations. Of course, there can never be too many annotations, but this volume has enough of them to merit description as an annotated bibliography. Although titled a "selected" bibliography, a book of this size plainly aims to be comprehensive. Whenever I see select with a bibliography not obviously short, I assume the author is asking the reader to believe that any omissions are deliberate. This book is good enough to drop the selected. There is a single significant problem and that is limiting the index to authors' names. This makes items without a name difficult to find as well as creating extra work for the user seeking an item written by a prolific author. Nevertheless, all of us interested in the topic are indebted to the author.

0 of 0 people found the following review helpful.
A "Must Have" Book
By Rei Fluf
The 1879 Zulu War, although relatively short, continues to fascinate historians and enthusiasts alike today. Anyone wanted a study guide to published and unpublished material should have this book. The scope and variety of its contents, and value to researchers and historians, cannot be undervalued. One noted reader has written: "You have, most certainly, produced the Mendelssohn of the AZW [Anglo-Zulu War]; the bench mark for all future book references regarding this campaign. For a book collector such as myself, this is an invaluable addition to one's library. By your extending the book to incorporate so many aspects of Zulu history (and so adding vital background detail) adds to the book's 'must have' status."

1 of 2 people found the following review helpful.
The Best Publication of its Kind on the Anglo-Zulu War
By History Enthusiast
"Raugh's exhaustive bibliography of the Anglo-Zulu War of 1879 is an astonishingly thorough guide to this conflict, for it not only chronicles the aforementioned famous battles but places them into the broadest possible historical context. In this regard, Raugh's book is an invaluable tool for studying and researching the Anglo-Zulu War. His chapters are both chronological and topical, and identify a rich variety of source materials and hard-to-find publications. For example, Raugh's guide begins with a general bibliographic overview of the political and economic background to the war. It then proceeds with an outstanding bibliography on the rise of Shaka and the Zulu kingdom. On the war itself, Raugh divides his chapters into the two phases of the conflict and goes on to provide extensive citations on the following: the war's impact on popular culture; autobiographies, biographies, journals, and letters of the major participants; regimental and unit histories; soldiers' letters published in newspapers; selected illustrations from contemporary periodicals; and a large variety of archival sources, including British and Natalian Parliamentary Papers and personal and unofficial documents from the United kingdom and South Africa. Raugh even includes miscellaneous lists on poetry, films and television, music and dances, and websites. Many of the citations are annotated and all entries are numbered for easy referencing. Overall, this comprehensive bibliography should stand the test of time as the best publication of its kind on the Anglo-Zulu War."
-James O. Gump, Journal of Military History, October 2011

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* Download PDF Andre Kostelanetz on Records and on the Air: A Discography and Radio Log, by James H. North

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Andre Kostelanetz On Records and On the Air is a comprehensive discography of the commercial recordings of the Russian/American conductor and radio personality, Andre Kostelanetz. James H. North has collected all his recordings, spanning the range from popular to classical. Organized chronologically by album, North provides the complete details of each recording: composer, song title, timing, date and site of the recording session, producer of that session, and matrix numbers, as well as every American issue of each recording. Several appendixes organize the information alphabetically by composer, song title, and album title, giving references back to the discography by date of recording. Available downloads from the Internet are included in the song title appendix. Two further appendixes deal with Compact Disc issues and with V-Discs, the records created by the United States Army and Navy for worldwide distribution to members of the Armed Forces during World War II.

Initially a request from the Andre Kostelanetz Estate, who has generously supported this work, the discography grew to include a complete coverage of Kostelanetz's appearances on the radio, from the 1920s through 1980 (plus a few on television), as North discovered that Kostelanetz's radio career was as important as his records to music in America. More than 1,000 broadcasts are covered, including both his radio shows and his concert broadcasts with symphony orchestras, and the contents of each program are listed where known. An important extra in the book is a survey of Kostelanetz's career and an evaluation of his achievements, contributed by noted radio historian Dick O'Connor. A foreword by the Archivist and Historian of the New York Philharmonic, Barbara Haws, completes this reference tool, which will be invaluable to the millions of fans who welcome the opportunity to peruse the details of one of the most beloved figures in music.

• Sales Rank: #5862066 in Books
• Published on: 2010-11-22
• Original language: English
• Number of items: 1
• Dimensions: 9.38" h x 1.20" w x 6.48" l, 1.72 pounds
• Binding: Hardcover
• 412 pages

About the Author
James H. North has been a music critic for 22 years, writing primarily for Fanfare and Classic Record Collector. He is the author of New York Philharmonic: The Authorized Recordings, 1917-2005: A Discography (Scarecrow, 2006) and Boston Symphony Orchestra: An Augmented Discography (Scarecrow, 2008).

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4 of 4 people found the following review helpful.
This comprehensive volume contains a list of records, but even more info on his radio broadcasts
By Steve Ramm
I have to be up front about this review and admit that - even though I'm a music journalist - I have an indirect connection with the subject. Conductor Andre Kostelanetz was a cousin of mine on my father's side. I only got to see him and meet him a few times during his life and have only recently re-connected with the remaining members of his family. (The Kostelanetz archive was transferred to the Library of Congress last year.)

This nearly-400-page volume by James North utilized both the Kostelanetz archive and the catalogs of Sony Music (the successor to Columbia Records, the label that Kostelanetz recorded for exclusively during is 50 year recording career.). The "Discography" actually only fills the first 78 pages. It's the Appendices that provide much of the "meat" of North's research. Here you will find the listings of Album Titles, a listing by song titles, another by composer and even a list of V-discs that were recorded for armed services use during World War II. More than 180 pages are filled with "Kostelanetz on the Air", providing details of the conductor's long running radio program as well as concerts that were recorded around the country and his television appearances.

The book was commissioned by the Kostelanetz Estate but will be of good use for classical music collectors and researchers as the conductor - mostly affiliated with the New York Philharmonic - commissioned important works by Aaron Copeland, William Schuman and others. Those interested in knowing more about Kostelanetz should also check out [...]

Steve Ramm
"Anything Phonographic"

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