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Butterfly McQueen Remembered, by Stephen Bourne
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Butterfly McQueen will always be remembered for her first screen role―as Scarlett O'Hara's hysterical servant girl, Prissy, in Gone With the Wind (1939)―and for her most famous line in the Civil War epic: "I don't know nuthin' 'bout birthin' babies!" Though many criticized her for playing an offensive caricature of black womanhood, film scholar Donald Bogle claims her performance is "a unique combination of the comic and the pathetic." Tired of playing what she called "stupid maids," however, Butterfly turned her back on Hollywood in the 1940s and spent the next fifty years in obscurity. On several occasions she tried to revive her theatrical career, but her identification with Prissy made it difficult for her to be taken seriously by producers and casting agents. Mostly she supported herself by taking menial jobs.
In the 1970s she was active in social work projects in Harlem, and was awarded a degree by the City College of New York. In 1989, as one of the last surviving members of the cast of Gone With the Wind, Butterfly happily participated in the film's 50th anniversary celebrations. At the time of the celebrations she said: "Now I am happy I did Gone With the Wind. I wasn't when I was 28, but it's part of black history. You have no idea how hard it is for black actors, but things change, things blossom in time."
In Butterfly McQueen Remembered, author Stephen Bourne, who corresponded with Butterfly for many years, draws upon two decades of research to document her life and career. From her memorable role in one of Hollywood's greatest films to her last big screen appearance opposite Harrison Ford in The Mosquito Coast, the details of McQueen's life are captured in this intimate portrait. Bourne chronicles the ups and downs of this talented and generous woman's life, both in front of the camera and far from its glaring spotlight.
- Sales Rank: #1892634 in Books
- Brand: Brand: Scarecrow Press
- Published on: 2007-10-09
- Original language: English
- Number of items: 1
- Dimensions: 8.96" h x .46" w x 6.04" l, .65 pounds
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
Review
An intimate portrait of McQueen's life and career. (Library Journal, 11/1/2007)
Stephen Bourne's memoir of this great performer is well researched and beautifully written - as one would expect from this biographer. It's also a chilling tale of how Hollywood destroys its own and one that deserves to be read by actors and fans of McQueen alike. (Patrick Newley, The Stage, 2008)
Bourne pulls all into perspective and reveals a talented but unfulfilled actor who was frustrated and denied by larger systems and institutions; an altruistic survivor who later became an anti-poverty activist. All Black actors working in Hollywood should read Bourne's biographies on McQueen and Ethel Waters (2007). Film historians and anti-racist educators should place these works as staples on Black History booklists. It is a solidly crafted work on an enigmatic Black woman. (Black and Asian Studies Association Newsletter, July 2009)
Bourne's Butterfly McQueen Remembered is a much-needed entry in the history of American and black American culture and artistic production . . . The chronicle of McQueen's journey as a performing artist will be valuable in stimulating new scholarship in the history of black theater and is a rich resource for those looking at the history of black creativity in Hollywood. It is likely to inspire further inquiry into the early twentieth-century work of lesser known black theater artists and into the complex climate endured by black actors in Hollywood. (Black Camera, Winter 2009)
Stephen Bourne's portrait of this remarkable woman is not just a study of her life, work and beliefs. It is also a more general account of the plight of African American actors in the Hollywood studio system and a re-examination of the nature and meaning of their performances. (Film & History: An Interdisciplinary Journal, October 2008)
About the Author
Stephen Bourne is a regular contributor to Black Filmmaker magazine and has been interviewed in several documentaries, including Black Divas (1996) and Paul Robeson: Here I Stand (1999). He is the author of Black in the British Frame: The Black Experience in British Film and Television (2001), Elisabeth Welch: Soft Lights and Sweet Music (Scarecrow, 2005), and Ethel Waters: Stormy Weather (Scarecrow, 2007).
Most helpful customer reviews
11 of 11 people found the following review helpful.
ELUSIVE BUTTERFLY
By Tee
Butterfly McQueen must sure rank with the most famous supporting players in film history thanks to her landmark work as the deliriously (and deliciously) dizzy Prissy in the classic GONE WITH THE WIND. The great irony in this was at the time she was almost completely overshadowed by Hattie McDaniel's historic performance in the same film as well as the other players with much larger roles. Author Stephen Bourne notes just how little was written on Butterfly before the 1970's in his research with many books and articles on the film completey ignoring her, others showing her picture but not crediting the actress!
Bourne is a British writer who has been a major fan of GWTW and in particular McQueen since he first saw the film as a young teenager in the early 1970's. Bourne eventually became pen friends with Miss McQueen and author of several articles on her. Miss McQueen's is the latest in Bourne's series of biographies on pioneering female African-American entertainers.
This is a slender 142 page book but then it can't have been easy to write a book on someone who appeared in less than a dozen films and always in supporting roles. Indeed, one of the chapters is about her more famous costar Hattie McDaniel and the ten illustrations in the book feature one shot without Butterfly of the main three GWTW female cast members. Yet Bourne has done a very good job of telling the life tale of this elusive actress from her courageous walk away from films determined to get away from maid parts even when this meant a great personal financial loss to her work as a "beautifier" for Harlem and other black communities. Butterfly never married, there were apparently no major romantic involvements, she seemed despite her warm personality exceptionally reserved and distant, truly intimate friends appear to be rare. She did confide without elaboration to one friend "I've been hurt" and certainly her life does suggest someone who may have been traumatized on some level. She was however a very giving woman and it is quite touching to learn at the time of her tragic death in a home fire there were yet unmailed checks to charities in her home.
The dizzy character of Prissy won Butterfly much affection from moviegoers but also contempt from some black audiences who felt she was playing a belittling character. These may have included Lena Horne whom Butterfly claimed called her "a dog" to her face although Bourne quotes some Horne partisans questioning it In any case, in the 1970's Horne publicly praised McQueen for her work on behalf of the black community in one magazine article. This was in the 1970's when Butterfly was happily getting new respect for the fine comic layers of her performance and even reviving her career, putting together a rather successful nightclub act and accepting an occasional acting gig including one children's television show that earned her an Emmy for her performance.
I was especially pleased to see Bourne including Butterfly's "essays" in this book. I've long heard of these pamplets/mimeographs on a variety of subjects Butterfly wrote in later years and apparently gave out at her appearances or through the mail. Some are less than a page, others quite longer but all offer fascinating insights into her opinions ranging to costars to race. It's as close to an autobiography as we will ever get from her and I am happy they have been preserved in book form now. BUTTERFLY MCQUEEN REMEMBERED is a nice and often moving tribute to a lady who did they very best she could give the limitations of the era.
3 of 3 people found the following review helpful.
Butterfly McQueen Remembered by Stephen Bourne
By J Worrell
Butterfly McQueen's biographer Stephen Bourne may not "know nuthin' `bout birthin' babies" but delivers a damned good biography on the neglected Afro-American actor who is finally receiving the critical attention for her unique contribution to American cinema.
Solidly written with meticulously researched information, rare stills and personal correspondences, Bourne maps Thelma, alias "Butterfly" McQueen's life from her humble beginnings in the pre-Civil Rights South, to a brief Hollywood career in the 1940s, historical neglect, and her tragic death in 1995.
Bourne pulls all into perspective and reveals a talented but unfulfilled actor who was frustrated and denied by larger systems and institutions, an altruistic survivor who later became anti-poverty activist.
McQueen admits that in her early years she knew little about slavery or Black militancy. Like many other Black actors of the period, she was compliant with the Hollywood system, not militant, or always critically conscious of Hollywood's filmmaking practices. Thus, like many other Black actors, she became complicit and "trapped" within the white hegemonic constructs of Hollywood filmmaking. She could not see, of course, the long-term ideological effects her performances would have on future actors and Black female representation.
Bourne openly discusses Hollywood racism and white privilege that limited McQueen's Hollywood chances and those of contemporaries Theresa Harris and Jeni Le Gon.
Bourne discusses in substantial length Gone with the Wind's troubled production history, the behind-the-scenes of Black resistance, and the critical reception of "Prissy", McQueen's controversial character. Bourne uses this chapter to make poignant statements about Black - Jewish race relations in America.
All Black actors working in Hollywood should read Bourne's biographies on McQueen and Ethel Waters (2007). Film historians and anti-racist educators should place these works as staples on Black History booklists.
It is a solidly crafted work on an enigmatic Black woman.
J. Worrell
Canada
9 of 11 people found the following review helpful.
An objection to Graceann McCleod's "review"!
By Mr P
I am the author of Butterfly McQueen Remembered and naturally I do not agree with Gracean McCleod's dismissive and hurtful comments. Her 'review' misrepresents my work. I am not going to attempt to defend my book in the face of such damning and hurtful comments. Anyone who is interested in Butterfly McQueen should ignore this review. Please go and read the book (you can access it from your local library if you don't want to pay for it), and make up your own minds. For the record, I appreciate constructive criticism from intelligent readers, but not insensitive and lazy comments such as these. Thank you. Stephen Bourne
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