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This book examines the act of medieval re-creation as performance by focusing on the Society for Creative Anachronism (S.C.A.). It describes the group's activities and investigates its place in popular culture, looking at the S.C.A. not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be 'medieval.'
- Sales Rank: #289779 in Books
- Published on: 2009-12-29
- Released on: 2009-12-29
- Original language: English
- Number of items: 1
- Dimensions: 9.09" h x .55" w x 6.07" l, .83 pounds
- Binding: Paperback
- 230 pages
Review
Historical re-creation and re-enactment organizations of various sorts have become so popular that they constitute one of the major ways that ordinary people with a deep interest in history interact with the past. Yet the scale, complexity, and variety of this activity is hardly known to scholars, whether they study popular culture or academic history. Michael Cramer here discusses the Society for Creative Anachronism, one of the oldest and most influential of such organizations, and explains in lucid prose why its distinctive mix of re-creation, fantasy, and role-playing has attracted thousands of members over the last four decades. Cramer's analysis will prove useful to anyone interested in or working on the significance of role-playing or re-enactment in modern society. (Steven Muhlberger, Professor of History, Nipissing University)
Michael Cramer's Medieval Fantasy as Performance is a fascinating study of the Society for Creative Anachronism and its fabrication of a conception of the Middle Ages that serves the purposes of recreational medievalism. This is one of the most insightful books on modern role-playing and re-enactment that I know of, and certainly the most entertaining in its revelations of how scholars and playboys turn the imagined king game into an entire way of life! (Daniel Gerould, Martin E. Segal Theatre Center)
Taking a participant-observer's perspective, Michael Cramer vividly describes and deftly analyzes the SCA as a creative synthesis of medievalism and popular culture. Accessible and enjoyable, this book offers new insights into the phenomenon of historicist role-playing communities. (Pamela Sheingorn, Professor emerita of history and theatre, CUNY)
About the Author
Michael A. Cramer is an actor, director, filmmaker, and scholar, and he teaches communications and theatre at the City University of New York. He has published articles and reviews in Theatre Journal, Medievalism, and Sixteenth Century Journal.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Solid look at one version a modern King Game
By D. Orphal
First, bias acknowledgment. I am a friend of the author and I am a member of the Society for Creative Anachronism (SCA) that he writes about in this book.
Medieval Fantasy as Performance in an interesting look into a modern historical club that seems unique in it's blending of history, historical myth, and modern fantasy. The club is somewhere in the vast grey area between a living history club (where accuracy is paramount) and LARP (live action role play, where participants act out their characters rather than sit around a table and co-create a novel together).
The intended audience of this book seems to be members of the SCA, primarily. Secondarily, researchers in sub-culture groups would find this survey all they needed about this particular group.
The authors major strengths are his analysis of the Medieval King Game / Harvest King / Robin Hood game and relating it to the medieval-styled martial art engaged by a sizable sub-set of the SCA. While it is not surprising that a group in Berkeley CA created an anti-modern organization. It is surprising that this same group created a feudal, authoritarian regime. The author does an excellent job exploring this.
Perhaps the author is overly focused on the combat and king game played by the SCA. By his own admission, he notes that only a minority of members in the SCA engage in the king game. Perhaps it reflects not only the author's bias ( a member of the SCA and a former winner of the king game ) but also reflects an focus (some would argue over-focus) on the king game by the SCA itself.
3 of 3 people found the following review helpful.
Very facinating!
By Sha
I ordered this book to use as preliminary research. As a student of Sociology, I am finding this book opening new views to me about the SCA. The author knows what he is talking about and despite being a member of the SCA for some time, is able to critically analyze the SCA. I would highly recommend this for any scholar researching the SCA, living history groups, collective behavior, escapism and a wide range of topics. I do suggest buying used however as the price is a little steep for a 182 page book. Overall, excellent book and exactly what I was looking for.
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