Download PDF The Epic Films of David Lean, by Constantine Santas
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The Epic Films of David Lean, by Constantine Santas
Download PDF The Epic Films of David Lean, by Constantine Santas
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Widely regarded as one of cinema's most accomplished directors, David Lean helmed such classics as Brief Encounter, Great Expectations, and Oliver Twist. He twice received the Academy Award for best director, and two of his films, The Bridge on the River Kwai and Lawrence of Arabia won the Oscar for best picture. Both are featured on the American Film Institute's Top 100, with Lawrence of Arabia at number seven. Despite the awards and accolades for these motion pictures, many critics often look more favorably upon the smaller films that Lean produced earlier in his career, and in recent years his reputation as a director has diminished.
In this study, Constantine Santas seeks to restore these now undervalued epics to the elevated esteem they once held. Without dismissing the earlier works or regarding them as irrelevant to Lean's evolution as an artist, this book shows that the epics, if analyzed from certain vantage points, are as worthy as any of Lean's previous films. In addition to Lean's Academy-Award-winning blockbusters, Santas also provides close analytical looks at Doctor Zhivago, Ryan's Daughter, and the director's final film, A Passage to India.
Santas argues that the epics show a progression and refinement of Lean's work and that they are thematically broader and feature more complex characterization than his earlier films. In his analyses, Santas provides background material on the production of each epic; insights into structure, characters, techniques, and themes; and a look into the relationship between the films and their literary sources. Written in a clear and engaging manner, The Epic Films of David Lean will appeal not only to cinema students and scholars but also to the general fan of David Lean and his work.
- Sales Rank: #3321570 in Books
- Published on: 2011-09-22
- Original language: English
- Number of items: 1
- Dimensions: 9.36" h x .81" w x 6.62" l, 1.05 pounds
- Binding: Hardcover
- 240 pages
Review
This is a fascinating, accurate, and highly readable account that will be valuable in both circulating and reference collections in large libraries with strengths in film history and criticism. (American Reference Books Annual)
About the Author
Constantine Santas is professor emeritus and former chair in the Department of English at Flagler College, Florida. He is the author of Responding to Film and The Epic in Film: from Myth to Blockbuster.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Restoring the value of five epic films
By Harikleia Sirmans
As the book title suggests, The Epic Films of David Lean is a detailed study of the five epic films of David Lean, one of cinema's most accomplished directors. Lean won Academy Awards for classic films such as Great Expectations and Oliver Twist. But his career as filmmaker of the epic form took a major leap when he directed The Bridge on the River Kwai, which became an international hit and won seven Oscars. The epic filmmaking phase continued with Lawrence of Arabia, Doctor Zhivago, Ryan's Daughter, and A Passage to India. Despite the accolades and awards, these epic films had "mixed critical attention" (p. xiv) and they were viewed as "Hollywood-financed spectacles" (p. xviii). Constantine Santas takes a closer look at these cinematic works to prove that they are as worthy of attention as Lean's earliest works.
Santas focuses on the epic films after his realization that the epics refined Lean's directorial career. They expanded Lean's horizons by using compelling narratives, broader themes, complex characters, a range of landscapes, cultural differences, and filming techniques. The epics were more complex endeavors because of their greater length, expense, and effort. But they brought Lean the adulation of international audiences and the reputation of "novelist of the screen" (p. x). Lean used the epics not only to entertain large audiences, but also to connect divergent cultures. Despite of their success, the epics received adverse criticism, and critics favored Lean's earlier films. Santas hopes to restore the value of these five epics by reexamining in detail their structure, themes, characters, literary sources, history and politics, relation to earlier works, and critical responses.
Santas has achieved his goal to restore the esteem of the undervalued epics by employing analytical approach and extensive research. For each epic, he provides general background information on production including details on the crew and cast; connection of the epic with the literary work it was adopted from; historical and political aspects; structural patterns and themes; plot synopsis; and characterization. Overall, Santas has accomplished a well-researched, engaging, and convincing work that will attract cinema students, fans of David Lean, and scholars.
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