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Rabu, 20 Mei 2015

? Free PDF The Postmodern Humanism of Philip K. Dick, by Jason P. Vest

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From his 1952 short story "Roog" to the novels The Divine Invasion and Valis, few authors have had as great of an impact in the latter half of the 20th century as Philip K. Dick. In The Postmodern Humanism of Philip K. Dick, Jason Vest explores the work of this prolific, subversive, and mordantly funny science-fiction writer. He examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. In addition to an extensive analysis of the novel Now Wait for Last Year, Vest makes intellectually provocative comparisons between Dick and the works of Franz Kafka, Jorge Luis Borges, and Italo Calvino. He offers a detailed examination of Dick's literary relationship to all three authors, illuminating similarities between Dick and Kafka that have not previously been discussed, as well as similarities between Dick and Borges that scholars frequently note but fail to explore in detail.Like Kafka, Borges, and Calvino, Dick employs fantastic, unreal, and visionary fiction to reflect the disruptions, dislocations, and depressing realities of twentieth-century life. By comparing him to these other writers, Vest demonstrates that Dick's fiction is a fascinating barometer of postmodern American life even as it participates in an international tradition of visionary literature.

Sales Rank: #4216128 in Books
Published on: 2009-02-17
Original language: English
Number of items: 1
Dimensions: 9.03" h x .74" w x 6.17" l, .85 pounds
Binding: Paperback
248 pages

Review
The Postmodern Humanism of Philip K. Dick is an interesting and well-researched project with a good deal of deft close reading and thoughtful comparison. ... the detailed analyses themselves clearly demonstrate some serious thinking and reading. ... Consequently, I think that the volume's real value lies not in the overall premise, but precisely in the extended analyses of Dick's resonances with extra sf acceptance and recognition. From this perspective, the study may realistically appeal not only to sf scholars, but also to researchers of postmodernism as well as Kafkans, Borgesians, and Calvinoists. As such, is a much-needed bridge-builder not between two worlds so much as territories, one of which has had a particular tendency to treat the other with condescension. (Science Fiction Studies)

Admirable and worthwhile....The book is useful for Dick scholars and literary scholars alike because Vest offers compelling readings of Dick’s work and provokes interesting ways to think about Dick’s corpus. (The Journal of the Fantastic in the Arts)

About the Author
Jason P. Vest is assistant professor in the University of Guam's Division of English & Applied Linguistics. He is the author of Future Imperfect: Philip K. Dick at the Movies (2007).

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Selasa, 19 Mei 2015

^ PDF Download What Makes Music European: Looking beyond Sound (Europea: Ethnomusicologies and Modernities), by Marcello Sorce Keller

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We seldom consider how much we mistakenly presume in hewing to definitions of music that differ dramatically from the standpoint of other cultures. In What Makes Music European, Marcello Sorce Keller examines the limitations of accepted wisdom about the concept of music in Euro-Western culture. His investigations of the conclusions reached by music researchers of the past several decades considerably upsets the concepts relied upon by the concert-going public. Sorce Keller insightfully asks: Who makes the music? Should music be original, and how much can it be? Why do people identify with songs, pieces, styles, and repertoire? Why is music so ideological? Why do we misunderstand the music of different times and places, and why do we enjoy doing so? He also explores the juxtaposition of economy, society, and music making, as well as the concept of "illegal harmonies."

In What Makes Music European, Sorce Keller addresses the little-discussed matters that are essential to an understanding of how music intersects with the life of so many people. Readers are offered an approach for thinking about music that depends as much on its history as on the concepts and attitudes of the social sciences. What Makes Music European concisely demonstrates, to those familiar with Western music, how peculiar Euro-Western concepts of music appear from a cross-cultural perspective. At the same time, it encourages ethnomusicologists to apply their knowledge to Western music and explain to its public how much of what listeners take for granted is, at the very least, highly debatable.

Sales Rank: #5062282 in Books
Published on: 2011-11-17
Original language: English
Number of items: 1
Dimensions: 9.47" h x .98" w x 6.36" l, 1.32 pounds
Binding: Hardcover
332 pages

Review
Sorce Keller's express intention is to examine the European art-music tradition with the same tools and from the same perspectives that an ethnomusicologist would employ to examine music of a non-Western culture. The working out of this agenda does not go as one might expect. This is a fascinating, personal, broadly provocative book that can be approached by readers far beyond the discipline of ethnomusicology. The current notion of European art music, or the very idea of "music" in Europe, seems to have been constructed in the 19th century; it was tied strongly to social and economic change, among other things. Fundamental European assumptions about music (e.g., that there are musical "works" and that there are "composers" of those works), then, do not emerge inevitably from the stuff of music itself. Sorce Keller raises these issues and many more within a purview that comprehends European music's relationships with other musics and with its own history. This book is particularly appropriate for libraries with holdings in musicology, especially other volumes in the "Europea" series. Summing Up: Recommended. Upper-division undergraduates through faculty. (CHOICE)

This book is a “fun read.” Sorce Keller quotes everyone from Monteverdi, Voltaire, GarcíaMárquez, Stravinsky, and David Hume, to Clifford Geertz, Max Weber, and Groucho Marx. Looking at everything with sophistication, showing constantly the close relationship of music to the other arts and to literature, he provides frequent bits of humour and always avoids a sense of self-importance. . . Altogether, however, this is a significant contribution to the literature of music research which will also show readers from other disciplines and interests what ethnomusicology is all about.
(Yearbook for Traditional Music)

In this book the author addresses several core questions about how we define music, which he then narrows down into how European music is defined: Who makes music? Should music be original? What makes people identify with specific songs? And, why do we misunderstand music from different regions or time periods? In general, the author of this title has written essays that will help researches explore the definitions of music in Europe, and the limitations that people put on their music experiences. The book combines music with the social sciences, exploring the links between music and the economy, society, and music-making. The work is divided into three parts: 'Who Makes the Music (Why We All Are 'Composers')'; 'Originality, Ideology, and Taste'; and 'The Tangible Aspects of Music Making.' The author ends with a conclusion tying all of his ideas together as well as an appendix of journal and encyclopedia entries that were necessary to write this book, a list of references, and an index. This is a highly theoretical book that will appeal mainly to those researching at the post-graduate level.

(American Reference Books Annual)

About the Author
Marcello Sorce Keller is Board Member of the Mediterranean Institute at the University of Malta. He is the author and producer of "Note in libertà," a radio program on Swiss Italian Radio.

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Sabtu, 16 Mei 2015

> Download Ebook The Beatles' Abbey Road Medley: Extended Forms in Popular Music, by Thomas MacFarlane PhD Music Education Administrative Coordinator Dep

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In September 1969, the Beatles released their final recorded work, Abbey Road, using a variety of progressive musical ideas that expressed the group's approach to multi-track recording and offering songs that constituted a highpoint in the Beatles' musical corpus. Of particular interest is the concluding sequence of songs (tracks 8-17): seemingly unrelated fragments woven together into a musical form that has thus far defied attempts at categorization. The Beatles' Abbey Road Medley: Extended Forms in Popular Music offers an analysis of these fragments, commonly known as the Abbey Road Medley, in order to understand and explain the emergent musical form and to clarify the relationships between music recording and music composition.

Thomas MacFarlane provides an overview of the Beatles―their history and their music―within the context of popular music and culture between 1962 and 1970, paying particular attention to the production of the album Abbey Road and the pivotal role of producer George Martin on the Abbey Road Medley. After explaining his method of analysis, MacFarlane applies it to the recording and transcription of the Abbey Road Medley, examining the implications of the work's structure and demonstrating how the Beatles expanded the parameters of the popular music form by incorporating recording technology directly into the compositional process. Drawing conclusions about musical form and practice in the recording process of the 1970s and beyond, MacFarlane also suggests other examples of rock music that were influenced by Abbey Road. An appendix transcribing the author's interview with the Beatles' de facto manager Peter Brown, a selected discography, a bibliography, and a selection of photos conclude the book, which will be of particular interest to musicians and Beatles fans alike.

Sales Rank: #2706854 in Books
Brand: Brand: Scarecrow Press
Published on: 2007-11-16
Released on: 2007-11-16
Original language: English
Number of items: 1
Dimensions: 10.09" h x .57" w x 7.12" l, .99 pounds
Binding: Paperback
218 pages

Features

Used Book in Good Condition

Review
Through his analysis of the music, MacFarlane demonstrates the strong interaction between the music itself, the technology available for creating and recording music, and the personal relationships of the musicians. The well-documented tension between Paul McCartney and John Lennon about the medley approach, in particular, rises to the surface in his discussion, but MacFarlane also presents intriguing musical arguments for a greater level of cooperation and sympathy between the two on this project than is often described elsewhere…. This information will most likely appeal to an audience of music specialists rather than to the idly curious, though much of MacFarlane’s textual and onto-historical analysis will find a welcome audience with nonmusicians. In the long run, the value of this source will be in its careful documentation of the medley as a whole in an age when album tracks are splintered and shuffled into nonserial playlists, often with no respect for the compositional intent behind their original creation and arrangement. By looking at the medley as an extended popular form, MacFarlane makes a case for respecting the album and the compositional process that extends beyond the track level and by doing so encourages closer and more careful listening to Abbey Road. (Music Reference Services Quarterly)

About the Author
Thomas MacFarlane teaches courses in Music Theory and Composition at New York University while also working as a composer and a writer.

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0 of 0 people found the following review helpful.
a bit on the technical side, but a great read for a rabid beatles fan
By Karl Johnson
this was not a perfect read and would have been a little more enlightening if had studied music, but i still loved it. it was a very interesting read and helped me appreciate the medley even more. nothing like be a fan and learning new things. when i finally realized that the guitar solo in "the end" was actually a rotation between paul, george, and john, it made me love the already great little song even more and i love sharing that knowledge with new listeners! if you love the beatles or want to start loving them, this is a great read.

0 of 1 people found the following review helpful.
Don't bother
By Christine Clark
The author was reaching..

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Senin, 11 Mei 2015

** Free Ebook Historical Dictionary of Chinese Intelligence (Historical Dictionaries of Intelligence and Counterintelligence), by I. C. Smith, Nigel Wes

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Although China’s intelligence activities may not have been well documented, they can be traced back to the ancient writings of Sun Tzu, and espionage has been a characteristic of Chinese domestic politics and international relations ever since. The People’s Republic of China has long engaged in espionage, but relatively little is known about Chinese techniques, methodology, personnel, and organizations in comparison with what the West has learned about other more conventional intelligence agencies that conduct operations across the world. Whereas most intelligence services have suffered damaging defections, the number of Ministry of State Security professionals who have switched sides is relatively small, further limiting outside knowledge.

The Historical Dictionary of Chinese Intelligence covers the history of Chinese Intelligence from 400 B.C. to modern times. This is done through a chronology, an introductory essay, an extensive bibliography, and an index. The dictionary section has over 400 cross-referenced entries on the agencies and agents, the operations and equipment, the tradecraft and jargon, and many of the countries involved. This book is an excellent access point for students, researchers, and anyone wanting to know more about Chinese Intelligence.

Sales Rank: #2972364 in Books
Brand: Brand: Scarecrow Press
Published on: 2012-05-04
Original language: English
Number of items: 1
Dimensions: 9.44" h x 1.20" w x 6.49" l, 1.60 pounds
Binding: Hardcover
392 pages

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Used Book in Good Condition

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This title’s chronology mirrors its focus: one page covers 400 BCE (Sun Tzu) to CE 1913, whereas information on the 20th century occupies eight pages, and the 21st, two. The fascinating introduction contrasts Soviet and Western styles of espionage with the fundamentally different Chinese style....This volume compiles an impressive amount of data. (Library Journal)

Suitable for the reference collections of academic and large public libraries, along with specialized collections in intelligence, political science, or Chinese history. (American Reference Books Annual)

The present volume has been written jointly by a former FBI officer specializing in Chinese intelligence, and a well-known British writer on intelligence matters. They have provided about 370 articles, ranging in length from 30 to over 3,000 words....The dictionary offers extensive quotations from an MI5 briefing to British companies on the dangers of Chinese espionage. (Reference Reviews)

About the Author
I.C. Smith was one of the top investigators with the FBI for some 25 years working in Chinese counter-intelligence. In 1980 he was promoted to the FBI’s Senior Executive Service and appointed the State Department’s Chief of Investigations, Counterintelligence Programs, and Diplomatic Security. He then entered the FBI’s National Security Division and was Section Chief for Analysis, Budget and Training, responsible for liaison with foreign intelligence and security agencies and represented the FBI in the U.S. Intelligence Community and on the National Foreign Intelligence Board. Since retirement in 1998 he lectures at the Joint Counterintelligence Training Academy, the Office of the Counterintelligence Executive, and testified before the U.S. China Commission on the intelligence threat of the PRC.

Nigel West is currently the European Editor of the International Journal of Intelligence and Counter-Intelligence and teaches the history of postwar intelligence at the Centre for Counterintelligence and Security Studies. He is the author of many books, including the Historical Dictionary of British Intelligence (Scarecrow, 2005), Historical Dictionary of International Intelligence (Scarecrow, 2006), Historical Dictionary of Cold War Counterintelligence (Scarecrow, 2007), and Historical Dictionary of Sexspionage (Scarecrow, 2009). In October 2003 he was awarded the U.S. Association of Former Intelligence Officers' first Lifetime Literature Achievement Award.

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17 of 17 people found the following review helpful.
Incomplete and Lacking Thought
By Meng Peide
To put it mildly, this book is a profound disappointment after spending $65. It is more useful as an expensive index than as a handy desk reference, given the number of factual errors and holes in its coverage as well as the failure to include citations outside of a bibliography. Adding voluminous citations may seem like academic affectation; however, the mistakes and omissions do not give the authors (and by extension the publisher) the credibility to forego such transparency.

The chronology, cross-referencing within entries, and a thorough index are useful and deserve better material than contained in the book. The volume also provides useful entries on a handful of figures obscure in the West and more than a few economic espionage cases. Unfortunately, while these features may salvage a star, they are insufficient to rescue the book from its many problems.

The biggest criticism is that Smith and West's effort is horribly incomplete. Certainly any effort to cover modern Chinese intelligence history is going to involve tradeoffs, but it is hard to justify the gaping holes while there are four-page entries on PLA Air Force dogfights, irrelevant entries like Uzbekistan, and coverage of spies who did not really impact Chinese intelligence history like Richard Sorge (a Soviet intelligence officer most famous for his exploits in Tokyo in the 1930s). Below are just a few examples of omissions and problems within the text that can hardly be considered excusable:

-- Not a single military intelligence officer from the last thirty or forty years is covered, even the obvious ones where English-language information is available such as the notorious Xiong Guangkai and the recently replaced Ma Xiaotian. Both received coverage in the China Leadership Monitor run out of the Hoover Institute at Stanford. This is not an obscure publication for anyone with a professional interest in China, given that the authors are some of the leading lights of the China field, e.g. Alice Miller, Joseph Fewsmith, James Mulvenon, Barry Naughton, Li Cheng, and Michael Swaine.

-- Only two Ministers of State Security (the civilian intelligence chief) even have entries. Given that the Ministry of State Security was created in 1983 and has had only four chiefs over 29 years, it does not seem like an unreasonable expectation that all four have an entry or that the entries be more than cursory. For example, Geng Huichang is only listed as the current minister, but none of his previous positions such as head of the China Institutes of Contemporary International Relations are listed despite their presence in the public record. Additionally, the authors do not include a single vice minister, some of whom presumably have identifiable public traces.

-- Important dates in the history of modern Chinese intelligence, such as the founding of Chinese Communist Party's (CCP) first intelligence departments in the 1920s and 1930s, are not included. A lot of space, however, gets spent on entries, such as the First Opium War (1839-1842), that have only tenuous relevance for understanding China's intelligence apparatus.

-- The three PLA services (army, navy, and air force) get coverage and, despite not relating the entry to intelligence functions, they have lengthy entries that are not more valuable than a quick trip to FAS, GlobalSecurity.org, or Wikipedia. Better still, interested readers should go find the National Bureau of Asian Research's Strategic Asia 2012-13: China's Military Challenge, Dennis Blasko's The Chinese Army Today: Tradition and Transformation for the 21st Century (Asian Security Studies) or the writings on the PLA coming from the Naval War College faculty----all of which cost significantly less.

-- Famous Chinese intelligence officers get omitted altogether, such as Qian Zhuangfei and Hu Di, two of the "Three Heroes of the Dragon's Lair," while the third, Li Kenong, gets four short sentences, despite being a leading intelligence officer for 30 years. Chen Geng, one of Zhou Enlai's operational chiefs, and Pan Hannian, an important operative during the 1930s and 1940s, also go unmentioned. Readers unfamiliar with this history might see this as nitpicking; however, all of these individuals (and more) receive prominent mention in the sources Smith and West claim to cite in their bibliography. The authors excuse their lack of coverage of these people, because they claim Chinese books and memoirs do not exist----a statement flatly contradicted by China expert David Chambers who is researching this period (see his recent article on the historiography of Chinese intelligence in Studies in Intelligence).

-- Finally, if Peter Mattis is to be believed (see the Diplomat and Studies in Intelligence), then, contrary to Smith and West, the Chinese do define intelligence differently than information and probably put a greater emphasis on intelligence's relevance to decision making than their Western counterparts. Why Smith and West insist the Chinese do not distinguish between intelligence and information without noting a single Chinese source in their bibliography that might have bearing on the question staggers credulity. But it speaks to the sloppiness inherent throughout the volume.

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Sabtu, 09 Mei 2015

# Ebook The Wilderness, the Nation, and the Electronic Era: American Christianity and Religious Communication, 1620-2000: An Annotated Bibliography

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The Wilderness, the Nation, and the Electronic Era: American Christianity and Religious Communication 1620-2000: An Annotated Bibliography contains over 2,400 annotations of books, book chapters, essays, periodical articles, and selected dissertations dealing with the various means and technologies of Christian communication used by clergy, churches, denominations, benevolent associations, printers, booksellers, publishing houses, and individuals and movements in their efforts to disseminate news, knowledge, and information about religious beliefs and life in the United States from colonial times to the present.

Providing access to the critical and interpretive literature about religious communication is significant and plays a central role in the recent trend in American historiography toward cultural history, particularly as it relates to numerous collateral disciplines: sociology, anthropology, education, speech, music, literary studies, art history, and technology. The book documents communication shifts, from oral history to print to electronic and visual media, and their adaptive uses in communication networks developed over the nation's history. This reference brings bibliographic control to a large and diverse literature not previously identified or indexed.

Sales Rank: #3477883 in Books
Brand: Brand: Scarecrow Press
Published on: 2009-07-29
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.36" h x 1.79" w x 6.53" l, 2.49 pounds
Binding: Hardcover
688 pages

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Review
An especially commendable feature is O'Brien's commitment to inclusion, a determination to look broadly across the religious landscape. On this point he admirably succeeds, bringing together an extensive array of resources from across the theological spectrum that include women, as well as resources that include perspectives other than Catholic or mainline Protestant. O'Brien has produced a substantive foundation for bibliographic studies in Christian communication. This work is highly recommended for academic libraries of all types. (American Reference Books Annual)

With access to so many electronic databases, good bibliographies are hard to find today. This expansion of a previously published bibliography in 1993 provides summative annotations of published scholarly works that discuss communication methods of clergy, churches, associations, and religious publishing houses. Organized by historical periods, the bibliography includes examinations of such topics as evangelist television, Native Americans, science, captivity narratives, and slavery. While the bibliography focuses on religion, much of American life is tied to religious beliefs and activities, and as such, this work is useful for a wide range of American cultural studies. Recommended for academic libraries. (Reference and User Services Quarterly)

About the Author
Elmer J. O'Brien was a theological librarian for 35 years, serving as director of library and information services and professor of theological bibliography and research at United Theological Seminary.

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0 of 0 people found the following review helpful.
Wonderful collection of data.
By Paul David Robinson
Elmer is a friend from seminary. I wanted his book. I wanted to see what he has been doing these last few years.

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Kamis, 07 Mei 2015

!! Free PDF David Lynch: Beautiful Dark (The Scarecrow Filmmakers Series), by Greg Olson

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For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and I.N.L.A.N.D. E.M.P.I.R.E., Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.

Sales Rank: #1339505 in Books
Brand: Brand: Scarecrow Press
Published on: 2011-03-28
Original language: English
Number of items: 1
Dimensions: 8.84" h x 1.74" w x 5.92" l, 2.47 pounds
Binding: Paperback
752 pages

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Simply put, the book, "Beautiful Dark" by Greg Olsen is a work of art...The one thing that hits you about this book is the amount of passion that Olsen has put into his work....Olsen covers nearly every imaginable work that Lynch has ever done to date and does so with great enthusiasm and passion. He insightfully moves between Lynch's works with a precision that is both refreshing and exhaustive at the same time. The result is a chance between two worlds...into a place where no one has gone before....So if you were hesitating picking this one up, as Coop would say, "Every day, once a day, give yourself a present..." And grab this book today! (Brian Kursar Dugpa.Com, 10/4/08)

A thorough-going critical study of Lynch's works in all media that is firmly embedded in a clear biographical narrative and backed by lengthy interviews with almost everyone in his life....The result is exactly the kind of complex, keen-eyed but sympathetic critical biography one wishes every great filmmaker could receive. (Dga Quarterly)

With unprecedented access to Lynch, his parents, family, and colleagues, Olson has captured and defined the raw, mysterious energy that flows through the works of this iconoclastic auteur. (Zentralblatt für Geologie und Paläontologie, February 2009)

Olson's comprehensive biography of this highly original filmmaker contains a wealth of information, much of it previously unpublished. (CHOICE, June 2009)

About the Author

Greg Olson is the Film Curator of the Seattle Art Museum. He has written on film for several publications including The Seattle Times, Moviemaker, Premiere and Film Comment. He has contributed to the books Vietnam War Films and Contemporary Literary Criticism. He is a board member of the Film Noir Foundation and a juror for the American Film Institute's annual 100 Years...100 Movies television programs.

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23 of 24 people found the following review helpful.
Beautiful Dark - A work of art...
By dugpa
Simply put, the book, "Beautiful Dark" by Greg Olson is a work of art. Even though I had seen it coming for years now, I never expected it to affect me the way it did. I have to admit, that for years, being a long time fan of Lynch, I have read practically every Lynch related book, news article, and watched every interview that I could possibly get my hands on. After reading this book, I was overwhelmed to find out how much I didn't know about the man, and how much more I have come to appreciate what a beautiful person David Lynch truly is.

The one thing that hits you about this book is the amount of passion that Olson has put into this work. From the first page, Olson brings the reader into the personal world of David Lynch. Through interviews and conversations with Lynch, his family members, close friends, romantic partners, and professional colleagues, the result is an unprecedented, up close and personal view of Lynch's life that has never been seen before.

Olson crafts this work in a beautiful narrative that places the reader right up there with Lynch as he grows up and discovers art, film, music, life, and love. You are there beside Lynch through his relationships with his romantic partners, through his hardships, his pain, and his victories. At the same time, having written this book over the course of 10 years, Olson weaves seamlessly to narrate back to the perspective of a onlooker, detailing what it was like during various times over the years of how the public and media were reacting to Lynch's work, and what it was like to be alive and experiencing Lynch's work as it was happening.

Olson covers nearly every imaginable work that Lynch has ever done to date and does so with great enthusiasm and passion. He insightfully moves between Lynch's works with a precision that is both refreshing and exhaustive at the same time.

The result is a chance between two worlds... into a place where no one has gone before. Olson brings you to a seat at a table in a New York restaurant owned by Dino Laurentiis where across from you Lynch is laying his eyes on Isabella Rossellini for the first time. You are given rare access to stories from the set of Twin Peaks where we are told where the idea of creamed corn came from and what Mark Frost's reaction to it. Olson takes you on a magical journey to the set of Twin Peaks: Fire Walk With Me as you watch Lynch gently kiss Sheryl Lee on the cheek. You become an onlooker of a tragic car crash that brings Lynch and his ex-wife together to care for their daughter, Jennifer through months of multiple back surgeries. As you listen to Jennifer, you come to realize why it is so important for Jennifer to follow in her father's footsteps.

I won't spoil the any more for you, however, I will say that this book gets my highest possible recommendation. Olson goes above and beyond to bring us a rare glimpse into the life of David Lynch and brings home the goods! So if you were hesitating picking this one up, as Coop would say... Every day, once a day, give yourself a present.... And grab this book today!

3 of 3 people found the following review helpful.
Ever Wanted Someone To Explain Something But Not Ruin It?
By William M. Neal
This book is a gem. If even you're not a fan of Lynch, or movies, it can inspire you to great heights with the spiritual search of an artist...sure, there's plenty left out, and, in some cases, you really don't want to meet your heroes...but, so what? You get a sense that here is a person on a spiritual quest, not just a workaholic, or some kind of weird, driven "monster".
I've always wanted someone to tell me what they think, of what I saw, and this guy does it with elan. He goes through and, though maybe he just says his point of view, but for me, it explains a lot about the films I've seen, which, until now; a lot of them have been opaque. And, if you like a little mystery revealed, it is not so good. It's quite painful in fact. There's pain of course here, in learning of the lives of Lynch and his family and family of friends and co-conspirators, but plenty of pleasure as well. By the end of this heavy and very long (Almost 700 pages! Which read fast.) you sure wish like anything you too could write; or paint, or dream on canvas; and produce so much work that people got into it as much as you do.
Check out the book. Learn about Olson, Lynch, his family, friends, co-workers, and YOU!

1 of 1 people found the following review helpful.
"The Sunshine Bores the Daylights Out of Me"
By Suzinne Barrett
Such was a line from one of the Stones finest songs ("Rocks Off"), and it easily applies to the psyche of film director, David Lynch. His work has fascinated me for quite a while now, and it all started way back when in 1980 (or thereabouts) which was when my introduction to David Lynch took place. First saw "Eraserhead" at the Waverly in the West Village here in New York City. Clearly, I remember gazing up at the poster in the theatre window and having serious trepidation about seeing this. "Should we?" "Shouldn't we?" I was scared. Well, all I can say is there has never been another film even remotely like it. Strange doesn't even begin to describe it. Suggestion: it's not the kind of movie you can munch popcorn to because the overwhelming feeling in the audience is nausea!

Okay, onto this book. Picked this up at my local library and first off was a little surprised at the heft of this. I mean David Lynch hasn't really made that many films. What I found out was the reason for the extreme length is the author's downright ridiculous detail of all the movie plots. I would enjoy hearing about how Lynch came up w/ his screenplays and the process of filming, but not a play by play of each scene. On the other hand, Greg Olson does shed some light (no!) on "Mulholland Drive," which was a very opaque movie. I saw the film after reading the raves, but damn if I didn't have a clue what was going on. And, as par for the course w/ Lynch, this film moves at what seems a snail's pace. It drove me crazy. Actor Naomi Watts contributes here about her experience on the film and what just might be the role of her career.

No discussion of Lynch would be complete w/o including Lynch's piece de resistance, "Blue Velvet." This biography gives some nice detail of the posturing by a variety of actors to secure the truly outrageous role of Frank Booth. But there was only one man born to play that role, and that man was Dennis Hopper. And knowing a golden opportunity, Hopper simply stated to David Lynch "I AM Frank Booth." No joke - Dennis Hopper was pretty much that same drug fueled psychotic while filming Apocalypse Now! in the Philippines circa 1976.

Other interesting tangents include "Twin Peaks" and Kyle McLagen. Also, singer Julie Cruise admits she was traumatized by her working relationship w/ David Lynch. Love the music they created together and have enjoyed the CD that resulted from their collaboration. That said, this book offers a straightforward portrait of one of the weirdest directors to have ever graced this planet. My only major criticism would be tighter editing because there's TMI (too much information) about the individual films.

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While there are numerous books on art and exploitation cinema, very few attempt to examine both. Covering the first 100 years of cinematic transgressions, From the Arthouse to the Grindhouse is a collection of numerous essays representing key contributions to overlooked, forgotten, or under-analyzed parts of film history. From cult favorites like Arch Hall Jr. to revered but under-documented marquee names like Lon Chaney, filmmakers both major and minor are covered here.

Starting with a section that pairs exploitation pioneers like Dwain Esper alongside cutting edge auteurs like Erich Von Stroheim, the volume documents the bleeding edge of the high/low cultural divide. Other essays examine the sexual melodramas of Weimer German cinema, explore the concept of Borat as a model for the new standardized cult film, and discuss the films of directors Tod Browning, Pier Pasolini, and Peter Watkins. This volume also contains a section devoted to the idea of "reality" inside and outside the documentary sphere, emphasizing audiences' desire to believe that "this is really happening," whether they're horrified or titillated. Addressing many aspects of "transgression" in cinema, these essays suggest that the distance between the venues and the audiences may not be quite as wide as viewers might imagine.

Sales Rank: #3321173 in Books
Published on: 2010-07-17
Original language: English
Number of items: 1
Dimensions: 9.64" h x .95" w x 6.44" l, 1.50 pounds
Binding: Hardcover
362 pages

Review
From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century offers an interesting examination of a niche market in the film exhibition industry including exploitation films, sexual melodramas, cult films, and documentaries. (Communication Booknotes Quarterly 2011-07-01)

About the Author
John Cline is co-chair for the Transgressive/Exploitation film area for the Southwestern Popular Culture Association.

Robert G. Weiner is associate humanities librarian at Texas Tech University where he is the librarian for film studies. He is the author of Marvel Graphic Novels: An Annotated Guide 1965-2005 and editor of Captain America and the Struggle of the Superhero: Critical Essays (2009).

Most helpful customer reviews

5 of 6 people found the following review helpful.
A Lofty Exploration Of Highbrow And Lowbrow In Cinema History
By 4-Legged Defender
[FROM THE ARTHOUSE TO THE GRINDHOUSE - (2010) - Edited by John Cline and Robert Weiner] A highly articulate and informative cultural collection of essays concerning the trajectory from how cinema and movie theaters themselves went from one extreme to another through the decades, as well as profiles of certain prominent and not-so-prominent figures within the various genres that determine both art and transgressive cinema, this book will have a decidedly small audience but deserves a much greater one for a variety of reasons. As someone who has cultured a huge illumination in both fields, I learned quite a few things heretofore unknown, which is why I read these books in the first place. I'm not looking for confirmation on my studious intake; I'm searching for new insight, appreciation and historical context to complete the puzzle that has pretty much governed cinema since its infancy, and that's exploitation and transgression in film, though you'll never find a snooty Criterion release connoisseur to concur with that ideology.

The relationship between art films and trash cinema is an incestuous one that straddles a slippery slope and frequently ends up with one foot in each, and this point is driven home in several essays within. As example, post WWII cinemas (especially the smaller ones relegated to B-movies) found attendance slipping after the heyday of Horror films, and began showing inexpensive foreign films to a niche audience. Foreign films were more relaxed in matters concerning sex, were therefore unsuitable for children and, as a result, marketed to adults by hiking up the sexual aspects of these films in ad campaigns along with admission fees. Now being touted for 'adults only', over time these boundaries were being pushed in European fare as more sex was incorporated into the films during the 50's and early 60's, so they were the first to make the transition to even steamier subject matter as the decade evolved and before the MPAA was created in 1968, and then most of the cinemas hosting them logically began to showcase more 'cutting edge' movies and Eurocult oddities that later morphed into porn by the early 70's. So the arc from arthouse (foreign films) to grindhouse (adults only and porno) is clearly established, much to the chagrin of those in the former camp.

There are chapters on early exploitation pioneers like Dwayne Esper ('Reefer Madness', among others), Eric von Stroheim, Tod Browning, Doris Wishman, Lon Chaney Sr., David Friedman, Pier Paulo Passolini, 70's pornstar Jamie Gillis (now how's THAT for a jump?), Arch Hall Jr., Peter Watkins and even Borat (yes, that would be Sacha Baron Cohen's character creation) - is any of this making sense yet? Then get the book, 'cause it all falls into place very comfortably and rationally within. Other inclusions are essays on the 30's 'Erotica in the Service of Social Hygiene' flicks, notorious XXX rated films that went too far ('Waterpower', starring Jamie Gillis), Grindhouse cinemas in San Francisco, New York and Seattle through the ages, the various Mondo films and 'Faces of Death' series, snuff and fetish videos, even the Grateful Dead movie - Ok, here's where the bullet makes as many trajectory turns as those that killed President Kennedy, but it's a fascinating read nonetheless.

The casual reader and admirer of art or grind flicks will find little of obvious interest, as there are no reviews, recommendations or pictures, and doesn't make for good bathroom reading - the subject matter is taken quite seriously and is written somewhat like those doing a doctorate or thesis on these topics, but some are less lofty and lighter in tone. For those seeking to plumb the oblique strategies and obscure angles of two of the most notable and controversial forms of 20th century cinema, this is a much welcomed relief from the aisles of more-of-the-same film books on these subjects most of us have already read too many of through the years, and is a breath of fresh air even though the altitude of this oxygen gets a bit thin at times, making breathing a bit difficult. It's like climbing Everest. (Also of interest is the companion book, 'Cinema Inferno', which I just received but haven't read yet, but I'm expecting the same level of high standard). The only drawback is the incredibly hefty pricetag, but all knowledge comes at a cost... 5 stars for its strength, uniqueness and intelligent contextual framework.

0 of 1 people found the following review helpful.
Five Stars
By James Paul Harless
Interesting book, fast delivery. Thanks!

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