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Although the venue Off Broadway has long been the birthplace of innovative and popular musicals, there have been few studies of these influential works. Long-running champs, such as The Fantasticks and Little Shop of Horrors, are discussed in many books about American musicals, but what of the hundreds of other Off-Broadway musicals?
In Off-Broadway Musicals since 1919, Thomas Hischak looks at more than 375 musicals, which are described, discussed, and analyzed, with particular attention given to their books, scores, performers, and creators. Presented chronologically and divided into chapters for each decade, beginning with the landmark musical Greenwich Village Follies (1919), the book culminates with the satiric The Toxic Avenger (2009).
In this volume, any work of consequence is covered, especially if it was popular or influential, but also dozens of more obscure musicals are included to illustrate the depth and breadth of Off Broadway. Works that introduced an important artistic talent, from performers to songwriters, are looked at, and the selection represents the various trends and themes that made Off Broadway significant. In addition to essential data about each musical, the plot and score are described, the success (or lack of) is chronicled, and an opinionated commentary discusses the work's merits and influences on the musical theatre in general. The first book of its kind, this highly readable volume will please both the theatre scholar and the average musical theatre patron or fan.
- Sales Rank: #2689458 in Books
- Published on: 2011-02-18
- Original language: English
- Number of items: 1
- Dimensions: 9.46" h x 1.64" w x 6.45" l, 2.07 pounds
- Binding: Hardcover
- 522 pages
Review
In this needed complement to Larry Stempel's recent Showtime: A History of the Broadway Musical Theatre, Hischak (theater, SUNY at Cortland; Theatre as Human Action: An Introduction to Theatre Arts) surveys nearly 400 musicals, providing opening dates, authors, composers, and cast members. The synopses are concise and informative and, occasionally and enjoyably, snarky (do not invite him to your theater's production of Nunsense or any of its sequels). For the musical-obsessed and the libraries that love them, an appendix listing recordings (LP, CD, and DVD) is provided, together with a brief bibliography. Hischak explains that off-Broadway musicals offer "a more direct kind of music, dance, and comedy" than Broadway shows and often display a more direct connection to the times through music in a more intimate forum. Verdict: Your catalogers may be tempted to place this book in the reference section, but it needs to circulate because patrons will want to take it home to make lists of shows to discover, from Alfred Brooks and Ira J. Bilowit's 1958 Of Mice and Men to Menopause: The Musical. An essential purchase. (Library Journal, Starred Review)
The text opens with an alphabetic list of Off-Broadway musicals starting with A . . . My Name is Alice and ending with Zombies from Beyond. There follows a chronological year-by-year listing of Off-Broadway musicals. This is followed by an opening general historical essay and is in turn followed by a chronological decade-by-decade list of the Off-Broadway. This volume concludes with an alphabetic guide to recordings of the musicals, a bibliography, and a name and production index. These are preceded by a postscript in which the author bemoans the future of Off-Broadway theater because its very success is destroying it through roadway transfers as well as actors being recruited by cinema and television as a consequence of their off-Broadway recognition. . . . With excellent writing making it difficult to put down Off-Broadway Musicals is a fun read for both scholars and fans. (American Reference Books Annual)
About the Author
Thomas S. Hischak is the author or coauthor of more than twenty books, including Theatre as Human Action (Scarecrow Press, 2006), The Jerome Kern Encyclopedia (Scarecrow Press, 2013), and The Disney Song Encyclopedia (Taylor Trade, 2012). He is professor of theatre at the State University of New York College at Cortland.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Off-Broadway Musicals Since 1919
By Clair Sedore
As editor of world-theatres.com, I have a listing for long running shows in major cities and Broadway runs have never been a problem, but off-broadway runs were next to impossible. Off-Broadway Musicals Since 1919 has partially solved this problem. Now I am hoping that Mr. Hischak will do the same for off-broadway plays.
Similarly London has always been difficult to find number of performances. Thank God we have Playbill.com, and Broadway World for updated information.
This book is a must for reference, and I am so pleased to add it to my collection!
Clair Sedore, editor
world-theatres.com
1 of 1 people found the following review helpful.
FINALLY
By Mark A. Robinson
After years of puring through books on Broadway musicals and picking up dribs and drabs of information on Off-Broadway in the process, now there is finally a book that gives this area of muscal theatre history its proper and rightful due. A great deal of information is given about each title and clearly more than has ever before been collected in one place. If you love musical theater and want to be opened up to a whole new world of musicals you haven't read about, this book belongs on your bookshelf.
1 of 1 people found the following review helpful.
A Guide To Another World
By W. Smith
This book is entertaining, thorough, and thought-provoking. It has led me to check out several writing teams/individuals that I was unaware or barely aware of before (Elizabeth Swados, Al Carmines, Nancy Ford/Gretchen Cryer, Polly Pen, for starters). There are not really too many books out there specifically about Off-Broadway, so this is really a welcome addition to my bookshelf. And who knew that several of the early SNL writers and actors were in an Off-Broadway musical revue?
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