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Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer.

Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.

• Sales Rank: #5541336 in Books
• Published on: 2011-02-07
• Original language: English
• Number of items: 1
• Dimensions: 11.60" h x .97" w x 8.97" l, 2.46 pounds
• Binding: Hardcover
• 356 pages

Review
[The author], who has advanced degrees in music theory and composition, is a librarian with clearly excellent organizational skills. A good deal of information is packed in this volume. (Music Reference Services Quarterly)

About the Author
James Michael Floyd is the Public Services Coordinator for the Crouch Fine Arts Library at Baylor University. He is co-editor with Avery T. Sharpe of Church and Worship Music: An Annotated Bibliography of Contemporary Scholarship (2005) and Choral Music: A Research and Information Guide (2002).

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> PDF Download The Essential Criticism of John Steinbeck's Of Mice and Men, by Michael J. Meyer

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First published in 1937, Of Mice and Men has been a staple of American literature ever since. Divided by decade, The Essential Criticism of John Steinbeck's Of Mice and Men provides an overview of criticism over the 70 years the book has been in print. Michael J. Meyer has assembled significant articles and book excerpts from critics and reviewers, citing the early book reviews and highlighting some of the most significant essays.

While not all critical studies are included, those assessments not present in the text are evaluated by summaries and their bibliographic citations are given. The essays express various critical approaches, including those that criticize the book and examine what some consider the book's flaws. Ideal for research work at all levels, this volume collects in one place the most significant contributions to the study of the novel, making it a welcome addition to the canon of Steinbeck criticism.

• Sales Rank: #2993497 in Books
• Published on: 2009-04-23
• Original language: English
• Number of items: 1
• Dimensions: 9.64" h x .99" w x 6.52" l, 1.55 pounds
• Binding: Hardcover
• 364 pages

About the Author
Michael J. Meyer, now retired, was an adjunct professor of English at DePaul University and Northeastern Illinois University. He is the coeditor of A John Steinbeck Encyclopedia (2006) and author of The John Steinbeck Bibliography, 1996-2006 (Scarecrow, 2008).

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>> Download Ebook A Pete Seeger Discography: Seventy Years of Recordings (American Folk Music and Musicians Series), by David King Dunaway

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Pete Seeger is one of the most recorded artists in American history, and his recording catalog tells us not just the story of his career but the story of our culture and its political and social history. A Pete Seeger Discography: Seventy Years of Recordings is a comprehensive listing of the 45s, 78s, LPs, and CDs recorded by Seeger in his various incarnations: with the Almanac Singers, with the Weavers, as a solo artist, and with other musicians and contributors. David King Dunaway provides information, with easy to use cross-references, on rare recordings and archival collections.

The discography offers details on Seeger's recording history, including the album title, song(s), other artists on the recording, the publisher and number, and the year or exact recording date if known, as well as the original release date and the re-releases of each recording. Structured to make locating details easy for readers, the recordings are organized chronologically and categorized by albums, singles, private pressings, and foreign releases. Readers can easily cross-reference through album and song title indexes and a contributing artist index. An appendix listing the unreleased archival holdings of the Smithsonian Folkways collection under Moe Asch completes the volume, and a photospread with more than 30 of Seeger's album covers convey a pictorial recording history of this well-loved artist.

The authors gratefully acknowledge Furthermore: a program of the J.M. Kaplan Fund, for their funding assistance in preparing this discography.

• Sales Rank: #3930337 in Books
• Published on: 2010-11-12
• Original language: English
• Number of items: 1
• Dimensions: 9.46" h x 1.03" w x 6.36" l, 1.30 pounds
• Binding: Hardcover
• 316 pages

Review
This one-stop guide to all of Seeger's recorded oeuvre will prove highly valuable to American folk music scholars. Dunaway (Singing Out) divides Seeger's abundant releases into four major segments, grouping them as whole albums; singles; foreign recordings; and a very brief three-page "private pressings" list, which includes recordings never formally issued. Each segment is organized alphabetically by release title and details recording date, label, serial number, collaborator names, and complete track lists....Excellent. (Library Journal)

Through this work, the listener is empowered to evaluate and, if he or she sees fit, profit from Seeger’s remarkable and widely influential recorded legacy. (Music Reference Services Quarterly)

About the Author
David King Dunaway is professor of English at the University of New Mexico and professor of radio at San Francisco State University. He is the author of Singing Out: An Oral History of America's Folk Music Revivals (2010) and How Can I Keep From Singing: The Ballad of Pete Seeger (2008).

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~~ Ebook Free Writing Music for Television and Radio Commercials (and more): A Manual for Composers and Students, by Michael Zager

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Writing Music for Television and Radio Commercials (and more): A Manual for Composers and Students succinctly describes the process of composing and arranging commercials for these two very different media. Expanded from the first edition, this new volume provides a comprehensive overview of the commercial music business, while addressing the tools of composition and arranging and giving helpful instruction for jingle writing and composing for commercials. Michael Zager offers concise methods for analyzing commercials from a musical point of view, properly arranging instruments to get the desired sound, and correctly scoring for each instrument. He often uses interviews with professionals in the field to corroborate his information, and the chapters conclude with assignments for practice.

This second edition has been rewritten and reformatted to increase readability and use in the classroom, and it includes new chapters on theatrical trailers, video games, Internet commercials, Web site music, and made-for-the-Internet video. An included audio CD contains examples referenced in the book. This text is a necessary tool for the music student interested in the commercial and advertising business. It is also useful for composers studying film scoring, as well as advertising writers, art directors, and music producers.

• Sales Rank: #1529980 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2008-07-17
• Original language: English
• Number of items: 1
• Dimensions: 10.06" h x .66" w x 7.26" l, 1.30 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Review
Those interested in pursuing careers in this area of the music business will do well to review the final few chapters that traverse the areas of composing for radio, corporate videos, and the general business of advertising. (Film Score Monthly)

Composers and students and collections catering to them will love Writing Music for Television and Radio Commercials (And More), a detailed manual appearing in its second edition to describe the process of composing and arranging commercials for two different media, TV and radio. (Midwest Book Review)

A welcome guide for anyone wishing to make their career in the competitive world of commercial composing. It covers pretty much everything that you need to know―from the expectations of advertising agencies to the compositional techniques employed...a must for anyone angling for that new cream cheese contract. (Muso)

About the Author
Michael Zager is the Dorothy F. Schmidt Eminent Scholar in Performing Arts and professor of music and director of commercial music at Florida Atlantic University. He is the author of Music Production: A Manual for Producers, Composers, Arrangers, and Students (Scarecrow Press, 2006).

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1 of 1 people found the following review helpful.
This new, expanded edition provides a review of the commercial music business
By Midwest Book Review
Composers and students and collections catering to them will love Writing Music for Television and Radio Commercials (And More), a detailed manual appearing in its second edition to describe the process of composing and arranging commercials for two different media, TV and radio. This new, expanded edition provides a review of the commercial music business and surveys composition, arranging, and instruction for composing for the commercial market.

0 of 1 people found the following review helpful.
No CD or audio content
By Fair Reviews
You don't get the CD of musical examples. If they have web content instead I'll re-evaluate. It's not obvious where to go to listen to examples assuming they are available.

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Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms.

The A to Z of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.

• Sales Rank: #1050965 in Books
• Published on: 2010-04-01
• Original language: English
• Number of items: 1
• Dimensions: 8.61" h x .78" w x 5.60" l, 1.10 pounds
• Binding: Paperback
• 310 pages

About the Author
Nichola Dobson is an independent scholar based in Edinburgh, Scotland. She is currently researching in the areas of animation studies and television genre.

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# Download PDF Historical Dictionary of American Theater: Beginnings (Historical Dictionaries of Literature and the Arts), by James Fisher

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Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others.

The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.

• Sales Rank: #2753763 in Books
• Published on: 2015-04-16
• Original language: English
• Number of items: 1
• Dimensions: 9.31" h x 1.79" w x 6.28" l, .0 pounds
• Binding: Hardcover
• 570 pages

Review
Fisher adds to this series with beneficial information on the American theater from its inception until 1880. The dictionary opens with a chronology spanning from 1538 to 1880, providing a framework for this period. Including brief biographical background along with some plot synopses, more than 1,000 short entries offer profiles of actors (Sarah Bernhardt in her debut, Edwin Booth, and Ira Aldridge), plays (Hazel Kirke, Uncle Tom’s Cabin, Our American Cousin, and Fashion: Or Life In New York), and theaters (Walnut Street Theater, Ford’s Theater, the McVicker’s Theater, and the African Grove Theater, created for African Americans). Showman P.T. Barnum, producer David Belasco, and actor/playwright Steele MacKaye make appearances, as do historical events such as the Astor Place Opera House Riots and Abraham Lincoln’s assassination. Minstrel shows and the use of blackface are a part of theater history during this time, and discussions on both are included here. Cross-references appear in bold. Some entries, such as the description of the five acts of Dion Boucicault’s The Poor of New York go into more depth. An extensive bibliography is subdivided into sections on, for example, women, Native Americans, and cultural and regional studies, which is helpful for additional reading and research. VERDICT Offering a wealth of hard-to-find information in a single volume, this guide will enhance theater history collections. Students and theater buffs will relish this introduction to how theater developed in America. (Library Journal)

Featuring colorful descriptions of the people, plays, and places of American theater from 1538 to 1880, this volume completes a series of historical dictionaries initiated at Scarecrow that covers modernism from 1880–1930 and contemporary American theater from 1930–2010. In those works, as in this one, Fisher strikes the right mix of scholarship and vivacious tone in his characterization of significant plays, writers, actors, and theater personnel of the early era. Brief summaries describe each play's premise and place the work in social, political, and historical context, filling in details that would have been known to audiences at the time and summarizing popular and critical reactions. Also described are important venues for performances, well-known haunts for actors and personnel, significant periodicals and anthologies documenting the scene, and topics such as barnstormers, accidents, child performers, medicine shows—even the popular genres of dog and equestrian dramas—all fleshed out in anecdote-rich entries. The work is rounded out by a detailed chronology, a bibliography balancing current academic sources with selected primary historical sources, and an engaging introductory essay. Cross-referencing enables readers to identify related entries in the series. Enthusiastically recommended to all American theater aficionados. Summing Up: Highly recommended. Lower-level undergraduates through faculty/researchers; general readers; professionals/practitioners. (CHOICE)

The latest entry in Rowman & Littlefield's Historical Dictionaries of Literature and the Arts series completes a trilogy of titles about the American stage: Fisher was also the coauthor of Historical Dictionary of American Theater: Modernism (2008) and author of Historical Dictionary of American Theater: Contemporary (2011). This volume concentrates on the period from 1538 to 1880. Following the series format, it begins with a chronology, followed by an introductory essay that sets the stage for the alphabetically arrange and thoroughly cross-referenced entries that form the bulk of the book. A comprehensive bibliography completes this rich resource for the serious theater student and devotee. (Booklist)

About the Author
James Fisher is professor of theatre at the University of North Carolina at Greensboro, where he served head of the Theatre Department for seven years. He has published a dozen books and directed and/or acted in 150 theatre productions. He is the 2007 recipient of the Betty Jean Jones Award for Excellence in the Teaching of American Theatre from the American Theatre and Drama Society and in 2010 he was elected to membership in the National Theatre Conference.

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* Ebook Revival and Reconciliation: Sacred Music in the Making of European Modernity (Europea: Ethnomusicologies and Modernities), by Philip V. Bo

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Sacred music has long contributed fundamentally to the making of Europe. The passage from origin myths to history, the sacred journeys that have mobilized pilgrims, crusaders, and colonizers, the politics and power sounded by the vox populi—all have joined in counterpoint to shape Europe’s historical longue durée. Drawing upon three decades of research in European sacred music, Philip V. Bohlman calls for a reexamination of European modernity in the twenty-first century, a modernity shaped no less by canonic religious and musical practices than by the proliferation of belief systems that today more than ever respond to the diverse belief systems that engender the New Europe. In contrast to most studies of sacred musical practice in European history, with their emphasis on the musical repertories and ecclesiastical practices at the center of society, Bohlman turns our attention to individual and marginalized communities and to the collectives of believers to whose lives meaning accrues upon sounding the sacred together.

In the historical chapters that open Revival and Reconciliation, Bohlman examines the genesis of modern history in the convergence and conflict that lie at the heart of the Abrahamic faiths—Judaism, Christianity, and Islam. Critical to the meaning of these religions to Europe, Bohlman argues, has been their capacity to mobilize both sacred journey and social action, which enter the everyday lives of Europeans through folk religion, pilgrimage, and politics, the subjects of the second half of his study. The closing sections then cross the threshold from history into modernity, above all that of the New Europe, with its return to religion through revival and reconciliation. Based on an extensive ethnographic engagement with the sacred landscapes and sites of conflict in twenty-first-century Europe, Bohlman calls in his final chapters for new ways of hearing the silenced voices and the full chorus of sacred music in our contemporary world.

Ethnomusicologists from different traditions as well as scholars of religious studies and the history of modern Europe will find Revival and Reconciliation a fascinating exploration of the connections between sacred music and the role it plays in the formations of the modern self.

• Sales Rank: #4624967 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2013-06-07
• Original language: English
• Number of items: 1
• Dimensions: 9.19" h x 1.12" w x 6.72" l, 1.35 pounds
• Binding: Hardcover
• 322 pages

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• Used Book in Good Condition

About the Author
Philip V. Bohlman is Mary Werkman Distinguished Service Professor of Music and the Humanities at the University of Chicago, and Honorarprofessor at the Hochschule für Musik, Theater und Medien Hannover, Germany. An ethnomusicologist and pianist, he is also the Artistic Director of the New Budapest Orpheum Society, a Jewish cabaret ensemble.

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