Selasa, 10 Maret 2015

^ Free Ebook Campbell's Scoop: Reflections on Young Adult Literature (Studies in Young Adult Literature), by Patty Campbell

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Campbell's Scoop: Reflections on Young Adult Literature (Studies in Young Adult Literature), by Patty Campbell

At the request of her many fans, Patty Campbell, editor of the Scarecrow Studies in Young Adult Literature series, has selected some of her best essays, articles, columns, and speeches in Campbell's Scoop. These pieces define the boundaries between children's and adult literature and review the trends, censorship, problems, and glories of the genre. Other essays reflect on some concerns and interests of young adult literature as it has matured: the verse novel, ambivalent endings, violence, the sometimes dubious value of awards and honor lists, the graphic novel, and the difficulties of the genre's recent overwhelming success. A section titled "Inside ALA" looks at the author's many years of service to that organization with, among other pieces, a firsthand look at the Best Books committee at work and a report of her attempt to unite booksellers and librarians in common cause.

Many of these selections show the idiosyncratic wit and passion that have made Campbell's column a favorite with Horn Book readers: an exploration of the meaning of the glut of YA novels with death as a theme or character; an indignant denunciation of the fictional abuse of animals; a snarky analysis of "chick lit;" and a technical review from the belly-dancing critic of a YA novel featuring that ancient art. On a more serious note, Campbell pleads for what she calls "Godsearch" in books for teens and pays tribute to her late friend Robert Cormier. Without question, the essays in Campbell's Scoop provide readers with the unique insights of an advocate who is passionate about young adult literature and its future.

  • Sales Rank: #4246602 in Books
  • Published on: 2010-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.95" h x .86" w x 5.89" l, 1.00 pounds
  • Binding: Hardcover
  • 262 pages

From School Library Journal
One of the foremost authorities in the field has compiled her essays, articles, and major speeches into one convenient and comprehensive work. Campbell was on the forefront during the “coming of age” of young-adult literature and young adult services. Her essays encompass a variety of subjects, including the history of the literature, her experiences as editor of the Twayne series, and her work with ALA and ALAN. Campbell's writings provide a glimpse into the inner circle of publishing for teens, library organizations, and many prominent literary publications dedicated to the literature. Her perspective after 40 years in the field is fascinating, funny, and enlightening. The text is organized effectively with multiple indexes including author, title, and subject. This is an enjoyable read for long-time librarians and an eye-opener for those newer to the profession.–Jessica Breslin, Cuyahoga County Public Library, Parma, OH. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
One of the foremost authorities in the field has compiled her essays, articles, and major speeches into one convenient and comprehensive work. Campbell was on the forefront during the 'coming of age' of young-adult literature and young adult services. Her essays encompass a variety of subjects, including the history of the literature, her experiences as editor of the Twayne series, and her work with ALA and ALAN. Campbell's writings provide a glimpse into the inner circle of publishing for teens, library organizations, and many prominent literary publications dedicated to the literature. Her perspective after 40 years in the field is fascinating, funny, and enlightening. The text is organized effectively with multiple indexes including author, title, and subject. This is an enjoyable read for long-time librarians and an eye-opener for those newer to the profession. (School Library Journal)

This resource represents the accumulated wisdom of a veteran librarian, author, speakers, critic, and young pioneer of young adult services. Campbell's Scoop is a solidly useful professional title that weighs in on a diversity of topics. [It] is timeless….the information will not become dated and breadth of the articles makes the collection relevant to a wide audience. Readers…will be rewarded with a fascinating glimpse into the thoughts and observations of a veteran. (VOYA)

About the Author
Patty Campbell is editor of the Scarecrow Studies in Young Adult Literature series. She is the author of several books, including Robert Cormier: Daring to Disturb the Universe (2006) and War Is: A Hard Look at Warfare by Soldiers, Survivors, and Storytellers (2008).

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Senin, 09 Maret 2015

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What does living green mean? For some, it means making a commitment to reduce, reuse, and recycle every day. For others, it also means respecting and conserving our natural resources, so they will be available in the future. In Living Green: The Ultimate Teen Guide, readers learn why protecting the environment is such a crucial undertaking and why and how young adults should take up this important cause.

Living Green demonstrates how reckless indifference to our planet’s needs jeopardizes not only plants and animals but the existence of mankind. This volume addresses such concerns as leaving a low carbon footprint, protecting wildlife, saving natural resources, conserving trees and gardens, and fighting for environmental justice. Most importantly, Living Green explores the many ways that teens can make a difference—in their homes, communities, and in the world at large.

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  • Sales Rank: #4357673 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2012-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.45" h x .78" w x 7.29" l, 1.49 pounds
  • Binding: Hardcover
  • 240 pages
Features
  • Used Book in Good Condition

About the Author
Kathlyn Gay has written more than 120 books and articles. She is the author of several titles in the "It Happened to Me" series for Scarecrow, including Cultural Diversity (2003), Volunteering (2004), The Military and Teens (2008), and Body Image and Appearance (2009).

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Sabtu, 07 Maret 2015

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When the earliest filmgoers watched The Great Train Robbery in 1903, many of them shrieked in terror at the very last clip when one of the outlaws turns directly toward the camera and fires a gun, seemingly, directly at the audience. The puff of smoke was sudden and it was hand colored so that it looked real. Today, we can look back at that primitive movie and see all the elements of what would evolve into the Western genre. Perhaps it is the Western's early origins―The Great Train Robbery was the first narrative, commercial movie―or its formulaic yet entertaining structure that has made the Western so popular. Whatever the case may be, with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing.

The story of the western is told in The A to Z of Westerns in Cinema through a chronology, a bibliography, and an introductory essay. However, it is the hundreds of cross-referenced dictionary entries on cinematographers; composers; producers; films like Butch Cassidy and the Sundance Kid, Dances With Wolves, The Good, The Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; such actors as Gene Autry, Kirk Douglas, Clint Eastwood, Henry Fonda, James Stewart, and John Wayne; and directors like John Ford and Sergio Leone that will have you reaching for this book again and again.

  • Sales Rank: #6300786 in Books
  • Published on: 2009-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.56" h x .68" w x 5.62" l, .90 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Paul Varner is professor of English at Abilene Christian University in Abilene, Texas.

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Rabu, 04 Maret 2015

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The most important bilateral relationship in Asia since the end of World War II is assuredly between the United States and Japan. Despite the geographical and cultural differences between these two nations, as well as the bitterness leftover from the war, an amicable and prosperous relationship has developed between the two countries boasting the world's largest economies. As the 21st century progresses, the continuing goodwill between the U.S. and Japan is of the utmost importance, as the peace and stability of the Asia-Pacific depends on their cooperation and efforts to contain destabilizing factors in the area. The A to Z of United States-Japan Relations traces this 150 year relationship through a chronology, an introduction, appendixes, a bibliography, and cross-referenced dictionary entries on key persons, places, events, institutions, and organizations. Covering everything from Walt Whitman's poem, "A Broadway Pageant," commemorating the visit of the Shogun's Embassy to the U.S. in 1860, to zaibatsu, this ready reference is an excellent starting point for the study of Japan's dealings with the U.S.

  • Sales Rank: #5886828 in Books
  • Published on: 2010-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.65" h x .84" w x 5.59" l, 1.00 pounds
  • Binding: Paperback
  • 350 pages

About the Author
John E. Van Sant is associate professor of history at the University of Alabama-Birmingham. Peter Mauch is lecturer of international history at Ritsumeikan University, Kyoto, Japan.Yoneyuki Sugita is associate professor of American history at Osaka University of Foreign Studies and author of Pitfall or Panacea: The Irony of U.S. Power in Occupied Japan.

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Selasa, 03 Maret 2015

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Historical Dictionary of Middle Eastern Cinema (Historical Dictionaries of Literature and the Arts), by Terri Ginsberg, Chris Lippard

The Historical Dictionary of Middle Eastern Cinema covers the production and exhibition of cinema in the Middle East and in communities whose heritage is from the region and whose films commonly reflect this background. It covers the cinemas of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabia, and Yemen. In addition, it includes the non-Arab states of Turkey and Iran, as well as the Jewish state of Israel.

To a substantial degree, cinema has served to define the character of the peoples and nations of the Middle East. With that in mind, the content and arrangement of entries in this volume works to introduce and emphasize both the national and transnational character of Middle Eastern cinema, which includes not only its indigenous but its colonial aspects as well, both external and internal to the geographical regions themselves. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on individual films, filmmakers, and actors. It also covers the range of cinematic modes, from documentary to fiction, representational to animation, generic to experimental, mainstream to avant-garde, and entertainment to propaganda.

  • Sales Rank: #5101705 in Books
  • Published on: 2010-03-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.92" h x 1.60" w x 5.87" l, 2.00 pounds
  • Binding: Hardcover
  • 592 pages

From Booklist
For students or aficionados of specialized topics, the various Historical Dictionary series can mean the difference between starting the research process or finding nothing at all. Historical Dictionary of Middle Eastern Cinema, part of the Historical Dictionaries of Literature and the Arts series, is a prime example. The authors are both specialists in the field, with substantial publication credentials. The volume starts with a chronology that begins in 1896 (the first Lumiere screenings in Egypt) and concludes in 2009 (the use of YouTube for political purposes in Iran; the first Palestinian American feature film). The lengthy introductory essay that follows concludes with an explanation of what countries are not included and why. The 500 or so A–Z entries cover people (including actors, directors, critics, composers, writers, and important historic figures), specific films, styles of film, concepts, and more. Entries on individual countries are several pages long and outline the place of the country within the region, its contribution to the history of the film, and important films and individuals. Entries about concepts such as Gender and sexuality and Nationalism focus on how these have been treated in film. The entries on the films themselves, which include information on the director, actors, plot, and significance, may be the most consulted entries in the volume. An alphabetically arranged filmography is cross-referenced to the dictionary entries. The bibliography that follows is divided by subject. This book is essential for all academic libraries where film study is important and should be given consideration by larger public libraries in areas with a large Middle Eastern population. --Danise Hoover

Review
Ginsberg (Holocaust Film) and Lippard (By Angels Driven), along with eight distinguished field scholars, provide the foremost subject dictionary, intended to support deeper inquiry into Middle Eastern filmmakers' representation of culture, history, and self. Entries cover films, figures, production companies, cinematic concepts, and key terms relevant to the various nations positioned between Morocco and the United Arab Emirates. However, among the 500 alphabetized entries are also productions made by exiled or otherwise politically dispersed Middle Easterners. While acknowledging North American and European filmic depictions, the authors devote less time to these outsider interpretations. Instead, the multiparagraph, fully cross-referenced entries offer specifics on whether profiled films were intended for domestic or international audiences, and consideration is given to how these particulars impact characterization and self-depiction. The entries are bookended by a chronology, dating the inception of Middle Eastern cinema to 1896 Lumière screenings in Egypt, and a 51-page film list, organized by country. A 31-page further reading list rounds out the work. BOTTOM LINE While it extends well beyond the chronological boundaries of Lina Khatib's Filming the Modern Middle East, this is still a fitting complement. Recommended for collections serving Middle Eastern-focused studies and film studies. (Library Journal)

This work by Ginsberg (International Council for Middle East Studies) and Lippard (Univ. of Utah) will be a necessary purchase for most academic and large public libraries because it is the first English-language dictionary published on Middle Eastern cinema as a whole....This new historical dictionary opens with a valuable chronology, covering 1896-2009, and dealing with outstanding cinematic events in the region. Key sociopolitical events are also mentioned, to provide context. Following a brief but helpful introduction, the body of the dictionary provides A-Z entries on significant films, filmmakers, stars, and topics of concern. These topics include but are not limited to film schools, festivals, centers, organizations, movements, genres and types of film (e.g., Beur cinema), themes (e.g., women, Islam), and historical summaries of national cinemas under the nation's name. This volume offers pioneering coverage of Saudi Arabia and the United Arab Emirates, and provides references for their nascent cinematic developments. It is blessed with a substantial and valuable filmography and bibliography, the latter classified into general works and then into works by nation; it covers both journal articles and books....This is an excellent buy and should see heavy use in libraries. Essential. (CHOICE)

For students or aficionados of specialized topics, the various Historical Dictionary series can mean the difference between starting the research process or finding nothing at all. Historical Dictionary of Middle Eastern Cinema, part of the Historical Dictionaries of Literature and the Arts series, is a prime example. The authors are both specialists in the field, with substantial publication credentials. The volume starts with a chronology that begins in 1896 (the first Lumiere screenings in Egypt) and concludes in 2009 (the use of YouTube for political purposes in Iran; the first Palestinian American feature film). The lengthy introductory essay that follows concludes with an explanation of what countries are not included and why. The 500 or so A–Z entries cover people (including actors, directors, critics, composers, writers, and important historic figures), specific films, styles of film, concepts, and more. Entries on individual countries are several pages long and outline the place of the country within the region, its contribution to the history of the film, and important films and individuals. Entries about concepts such as Gender and sexuality and Nationalism focus on how these have been treated in film. The entries on the films themselves, which include information on the director, actors, plot, and significance, may be the most consulted entries in the volume. An alphabetically arranged filmography is cross-referenced to the dictionary entries. The bibliography that follows is divided by subject. This book is essential for all academic libraries where film study is important and should be given consideration by larger public libraries in areas with a large Middle Eastern population. (Booklist)

This dictionary is recommended for all academic libraries, and for larger public libraries. It would also be a useful reference for anyone involved in the film industry. (American Reference Books Annual)

As a preface, [the Historical Dictionary of Middle Eastern Cinema asks] about the future of these types of cinema which flourish in the Middle East. It is difficult to predict what will come of low-distribution films which are prey to the giants of Hollywood and Bollywood. Whatever may happen, we can only be thankful for this dictionary, the main aim of which is to make the gems of Middle Eastern cinema accessible to a large audience. They regretfully tend to stay inaccessible to an audience that does not speak the language of the film or, in some cases, the film's limited budget means that it cannot see international distribution. Most of these films have been resounding successes in their own country and there is a cinematic treasure trove to discover in Europe, for example. They are the torch of a generation and a nation that builds itself through imagination and the aesthetics of film and it is our duty as researchers to make sure that as living memory such films do not fall into oblivion. (British Journal of Middle Eastern Studies)

About the Author
Terri Ginsberg is a director at the International Council for Middle East Studies in Washington, D.C. She is the editor of a special issue on media and film of the International Journal of Contemporary Iraqi Studies, and the author of Holocaust Film: The Political Aesthetics of Ideology.

Chris Lippard is assistant professor of Film Studies and director of Graduate Studies in Film at the University of Utah. He has published work on Abbas Kiarostami, Derek Jarman, Dennis Potter, F. W. Murnau, and Jorge Sanjines.

With contributions from:
Farshad Aminian (Florida Gulf Coast University)
Savas Arslan (Bahçesehir University)
Sandra Carter (Penn State University)
Anne Ciecko (University of Massachusetts-Amherst)
Gayatri Devi (Lock Haven University of Pennsylvania)
Iman Hamam (American University in Cairo)
Helga Tawil-Souri (New York University)
Mark Westmoreland (American University in Cairo)

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Reviews in Library Journal and ARBA
By pal cine
"Ginsberg (Holocaust Film) and Lippard (By Angels Driven), along with eight distinguished field scholars, provide the foremost subject dictionary, intended to support deeper inquiry into Middle Eastern filmmakers' representation of culture, history, and self. Entries cover films, figures, production companies, cinematic concepts, and key terms relevant to the various nations positioned between Morocco and the United Arab Emirates. However, among the 500 alphabetized entries are also productions made by exiled or otherwise politically dispersed Middle Easterners. While acknowledging North American and European filmic depictions, the authors devote less time to these outsider interpretations. Instead, the multiparagraph, fully cross-referenced entries offer specifics on whether profiled films were intended for domestic or international audiences, and consideration is given to how these particulars impact characterization and self-depiction. The entries are bookended by a chronology, dating the inception of Middle Eastern cinema to 1896 Lumière screenings in Egypt, and a 51-page film list, organized by country. A 31-page further reading list rounds out the work. BOTTOM LINE While it extends well beyond the chronological boundaries of Lina Khatib's Filming the Modern Middle East, this is still a fitting complement. Recommended for collections serving Middle Eastern-focused studies and film studies."--June 2010, Library Journal

"This dictionary is recommended for all academic libraries, and for larger public libraries. It would also be a useful reference for anyone involved in the film industry."--May 2010, ARBA

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Senin, 02 Maret 2015

@ Ebook The A to Z of Medieval Russia (The A to Z Guide Series), by Lawrence N. Langer

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History is full of surprises, but rarely has there been a turnaround as unexpected, and momentous as what occurred to a formative Russia during the medieval period. Attacked and invaded from all sides, it hardly looked as if the small Slavic principalities would survive. But they did and were eventually absorbed into Kiev Rus' and then Muscovy, which gradually expanded and laid the foundation for a huge empire. The author uncovers this extraordinary period, from the founding of the Kievan state to the accession of Peter the Great in 1682, describing both the times of danger and defeat and those of expansion and revitalization.

  • Sales Rank: #6712362 in Books
  • Published on: 2010-04-01
  • Released on: 2010-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.67" h x .73" w x 5.59" l, 1.10 pounds
  • Binding: Paperback
  • 328 pages

About the Author
Lawrence Langer is associate professor of Russian History at the University of Connecticut. He is a member of the American Association for the Advancement of Slavic Studies and the Early Slavic Studies Association.

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Minggu, 01 Maret 2015

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Historical Dictionary of Librarianship (Historical Dictionaries of Professions and Industries), by Mary Ellen Quinn

Although the history of librarianship as an organized profession dates only as far back as the mid-nineteenth century, the history of libraries is much older, and people have been engaged in pursuits that we recognize as librarianship for many thousands of years. This book traces librarianship from its origins in ancient times through its development in response to the need to control the flood of information in the modern world to the profound transformations brought about by the new technologies of the late twentieth and early twenty-first centuries.

The Historical Dictionary of Librarianship focuses on librarianship as a modern, organized profession, emphasizing the period beginning in the mid-nineteenth century. Author Mary Ellen Quinn relates the history of this profession through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, libraries around the world, and notable organizations and associations. This book is an excellent access point for students, researchers, and anyone wanting to know more about librarianship.

  • Sales Rank: #2279604 in Books
  • Published on: 2014-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x 1.22" w x 6.36" l, .0 pounds
  • Binding: Hardcover
  • 364 pages

Review
Librarianship is a young profession, but libraries have been part of human civilization for centuries. Quinn fills a gap in the library literature with this historical dictionary. Included are an excellent introduction on world libraries and librarianship covering ancient, medieval, and modern times; a chronology of major events from 2700 BCE to the present; and a list of abbreviations and acronyms. This dictionary of library history includes entries on major events related to libraries and librarianship; biographies of well-known leaders in the field from many countries; and information on library associations and organizations worldwide. The emphasis is on the modern era of librarianship from the mid 19th century to the present in Anglo-American countries. Featuring 300-plus entries, with cross-references, this dictionary also includes an excellent selective bibliography organized by reference resources, historical resources, and subject headings ranging from ‘Academic Libraries’ to ‘Young Adult Librarianship.’ Appendixes include a list of all US and Canadian library schools from 1925 forward, and information on librarians, libraries, and library schools in other countries of the world, as of 2007. Overall, this is an excellent reference tool and research guide for librarians, library educators, students, and scholars. Summing Up: Highly recommended. All library schools and libraries; graduate students through professionals. (CHOICE)

This . . . inexpensive addition to the historical dictionary series arrives at a perfect time; with the nature of libraries and librarianship in the midst of what many consider transformative change, it is more important than ever to be able to put our profession in an appropriate context. Quinn's fine book makes that possible. (Booklist)

Quinn’s Historical Dictionary of Librarianship is a well-rounded work, containing an appropriate and carefully researched selection of entries on the history of the profession. . . . [I]t is attractively priced and should be a purchase for all libraries serving institutions educating library professionals, as well as larger libraries looking for a single-volume summary guide to library history. (Reference Reviews)

The commissioning of Mary Ellen Quinn’s Historical Dictionary of Librarianship is welcome recognition of the importance of libraries and librarians at a time when the increasingly digital nature of information renders library services decreasingly visible. (Library & Information History)

Overall, the real value of the book lies in its historical content and comprehensive listing of library-related information. (American Reference Books Annual)

The Historical Dictionary of Librarianship focuses on librarianship as a modern, organized profession, emphasizing the period beginning in the mid-19th century. Author Mary Ellen Quinn relates the history of this profession through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, libraries around the world, and notable organizations and associations. This book is an excellent access point for students, researchers, and anyone wanting to know more about librarianship.

About the Author
Mary Ellen Quinn worked as a librarian for most of her career. From 1997–2011, she worked at the American Library Association as the editor of the Reference Books Bulletin section of Booklist, the association’s review journal. She was also the managing editor of Booklist Online from 2006–11. She has published numerous articles related to library collection development and reference publishing, including Reference Books Bulletin’s annual encyclopedia update. She wrote the “Librarian’s Library” column in American Libraries from 2007–11. In 2001, she received the Louis Shores Award for excellence in book reviewing for libraries.

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