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The A to Z of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 C.E. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.

• Sales Rank: #3585054 in Books
• Published on: 2010-04-07
• Released on: 2010-04-07
• Original language: English
• Number of items: 1
• Dimensions: 8.65" h x 1.11" w x 5.63" l, 1.50 pounds
• Binding: Paperback
• 494 pages

About the Author
Kumkum Roy is professor at the Jawaharlal Nehru University in India.

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Much has been written about the songs gathered in North America in the first half of the 20th century. However, there is scant information on those individuals responsible for gathering these songs. The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity fills this gap, documenting the efforts of those who transcribed and recorded North American folk songs.

Both biographical and topical, this book chronicles not only the most influential of these “song catchers” but also examines the main schools of thought on the collection process, the leading proponents of those schools, and the projects that they shaped. Contributors also consider the role of technology—especially the phonograph—in the collection efforts.

Chapters organized by region cover such areas as Appalachia, the West, and Canada, while others devoted to specialized topics from the cowboy tune and occupational song to the commercialization of folk music through song collections and anthologies. Ballad Collectors investigates the larger role of the ballad in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival of the 1950s and 1960s. Finally, this collection assesses the changing role of songs and song texts in the academic fields of folklore, anthropology, musicology, and ethnomusicology.

Scholars and students of American cultural and social history, as well as fans of North American folk and popular music, will find The Ballad Collectors of North America a fascinating story of how the American folk tradition gained greater visibility, fueling the revolutions that would follow in the writing and performance of American music.

• Sales Rank: #3462606 in Books
• Published on: 2011-12-16
• Original language: English
• Number of items: 1
• Dimensions: 9.43" h x .82" w x 6.39" l, 1.15 pounds
• Binding: Hardcover
• 246 pages

Review
Part of the American Folk Music and Musicians series, the subtitle of this latest release indicates the tilt taken toward the serious scholarly study of traditional music. With chapter contributions by musicologists, ethnologists, and professors of folklore and anthropology, the book focuses on both the individuals who gathered folk songs as well as the regions and cultures from which the music originated. Chronologically, the time period covered is the first half of the twentieth century. Topically, musical traditions such as cowboy and other occupational songs are presented, but most of the classification is by region—the Ozarks, the Midwest, and Eastern Canada, among others. A number of chapters focus on individual song collectors, such as the well-known anthropologist Franz Boas and the father-son folklorist team of John and Alan Lomax. The opening chapter of the volume provides context by discussing what motivated collectors to begin accumulating folk songs and other traditional forms of music and what impact these individuals and their collections had and continue to have on the scholarly study of this music. Each chapter is about 20 pages in length and written in an accessible style that does not require any prior familiarity with the subject area. This volume is heavily referenced, with around 50 endnotes per chapter. This scholarly approach is of great value to the user who wishes to pursue further study, but, it should also be noted, is atypical of traditional reference sources....Ballad Collectors is not a “quick and dirty” resource but, rather, one that requires some investment of time on the part of the user. But the depth and breadth of coverage, coupled with its scholarly yet accessible approach, make this a great addition to both academic and public libraries. (Booklist)

The Ballad Collectors of North America is a unique book that focuses on the lives and works of America's most important folk song collectors, something that past scholarship has largely ignored. Editor Scott B. Spencer corrects this deficiency with The Ballad Collectors, a series of essays that presents the song collectors' personal stories, their motivations, the social and technological currents in which they operated and the impact of their efforts....The Ballad Collectors is an outstanding resource for learning about the detailed lives of America's most important folk song collectors. It should be in the library of every serious American ethnomusicologist, folklorist and popular music fan. (American Music Teacher)

About the Author
Scott Spencer has published widely on the intersections of oral cultures, new technologies, and expression of cultural identity. He received a doctorate in ethnomusicology from New York University for his project on aspects of traditional Irish music in today's media age.

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Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer.

Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.

• Sales Rank: #5541336 in Books
• Published on: 2011-02-07
• Original language: English
• Number of items: 1
• Dimensions: 11.60" h x .97" w x 8.97" l, 2.46 pounds
• Binding: Hardcover
• 356 pages

Review
[The author], who has advanced degrees in music theory and composition, is a librarian with clearly excellent organizational skills. A good deal of information is packed in this volume. (Music Reference Services Quarterly)

About the Author
James Michael Floyd is the Public Services Coordinator for the Crouch Fine Arts Library at Baylor University. He is co-editor with Avery T. Sharpe of Church and Worship Music: An Annotated Bibliography of Contemporary Scholarship (2005) and Choral Music: A Research and Information Guide (2002).

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First published in 1937, Of Mice and Men has been a staple of American literature ever since. Divided by decade, The Essential Criticism of John Steinbeck's Of Mice and Men provides an overview of criticism over the 70 years the book has been in print. Michael J. Meyer has assembled significant articles and book excerpts from critics and reviewers, citing the early book reviews and highlighting some of the most significant essays.

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• Sales Rank: #2993497 in Books
• Published on: 2009-04-23
• Original language: English
• Number of items: 1
• Dimensions: 9.64" h x .99" w x 6.52" l, 1.55 pounds
• Binding: Hardcover
• 364 pages

About the Author
Michael J. Meyer, now retired, was an adjunct professor of English at DePaul University and Northeastern Illinois University. He is the coeditor of A John Steinbeck Encyclopedia (2006) and author of The John Steinbeck Bibliography, 1996-2006 (Scarecrow, 2008).

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Pete Seeger is one of the most recorded artists in American history, and his recording catalog tells us not just the story of his career but the story of our culture and its political and social history. A Pete Seeger Discography: Seventy Years of Recordings is a comprehensive listing of the 45s, 78s, LPs, and CDs recorded by Seeger in his various incarnations: with the Almanac Singers, with the Weavers, as a solo artist, and with other musicians and contributors. David King Dunaway provides information, with easy to use cross-references, on rare recordings and archival collections.

The discography offers details on Seeger's recording history, including the album title, song(s), other artists on the recording, the publisher and number, and the year or exact recording date if known, as well as the original release date and the re-releases of each recording. Structured to make locating details easy for readers, the recordings are organized chronologically and categorized by albums, singles, private pressings, and foreign releases. Readers can easily cross-reference through album and song title indexes and a contributing artist index. An appendix listing the unreleased archival holdings of the Smithsonian Folkways collection under Moe Asch completes the volume, and a photospread with more than 30 of Seeger's album covers convey a pictorial recording history of this well-loved artist.

The authors gratefully acknowledge Furthermore: a program of the J.M. Kaplan Fund, for their funding assistance in preparing this discography.

• Sales Rank: #3930337 in Books
• Published on: 2010-11-12
• Original language: English
• Number of items: 1
• Dimensions: 9.46" h x 1.03" w x 6.36" l, 1.30 pounds
• Binding: Hardcover
• 316 pages

Review
This one-stop guide to all of Seeger's recorded oeuvre will prove highly valuable to American folk music scholars. Dunaway (Singing Out) divides Seeger's abundant releases into four major segments, grouping them as whole albums; singles; foreign recordings; and a very brief three-page "private pressings" list, which includes recordings never formally issued. Each segment is organized alphabetically by release title and details recording date, label, serial number, collaborator names, and complete track lists....Excellent. (Library Journal)

Through this work, the listener is empowered to evaluate and, if he or she sees fit, profit from Seeger’s remarkable and widely influential recorded legacy. (Music Reference Services Quarterly)

About the Author
David King Dunaway is professor of English at the University of New Mexico and professor of radio at San Francisco State University. He is the author of Singing Out: An Oral History of America's Folk Music Revivals (2010) and How Can I Keep From Singing: The Ballad of Pete Seeger (2008).

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~~ Ebook Free Writing Music for Television and Radio Commercials (and more): A Manual for Composers and Students, by Michael Zager

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Writing Music for Television and Radio Commercials (and more): A Manual for Composers and Students succinctly describes the process of composing and arranging commercials for these two very different media. Expanded from the first edition, this new volume provides a comprehensive overview of the commercial music business, while addressing the tools of composition and arranging and giving helpful instruction for jingle writing and composing for commercials. Michael Zager offers concise methods for analyzing commercials from a musical point of view, properly arranging instruments to get the desired sound, and correctly scoring for each instrument. He often uses interviews with professionals in the field to corroborate his information, and the chapters conclude with assignments for practice.

This second edition has been rewritten and reformatted to increase readability and use in the classroom, and it includes new chapters on theatrical trailers, video games, Internet commercials, Web site music, and made-for-the-Internet video. An included audio CD contains examples referenced in the book. This text is a necessary tool for the music student interested in the commercial and advertising business. It is also useful for composers studying film scoring, as well as advertising writers, art directors, and music producers.

• Sales Rank: #1529980 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2008-07-17
• Original language: English
• Number of items: 1
• Dimensions: 10.06" h x .66" w x 7.26" l, 1.30 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Review
Those interested in pursuing careers in this area of the music business will do well to review the final few chapters that traverse the areas of composing for radio, corporate videos, and the general business of advertising. (Film Score Monthly)

Composers and students and collections catering to them will love Writing Music for Television and Radio Commercials (And More), a detailed manual appearing in its second edition to describe the process of composing and arranging commercials for two different media, TV and radio. (Midwest Book Review)

A welcome guide for anyone wishing to make their career in the competitive world of commercial composing. It covers pretty much everything that you need to know―from the expectations of advertising agencies to the compositional techniques employed...a must for anyone angling for that new cream cheese contract. (Muso)

About the Author
Michael Zager is the Dorothy F. Schmidt Eminent Scholar in Performing Arts and professor of music and director of commercial music at Florida Atlantic University. He is the author of Music Production: A Manual for Producers, Composers, Arrangers, and Students (Scarecrow Press, 2006).

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1 of 1 people found the following review helpful.
This new, expanded edition provides a review of the commercial music business
By Midwest Book Review
Composers and students and collections catering to them will love Writing Music for Television and Radio Commercials (And More), a detailed manual appearing in its second edition to describe the process of composing and arranging commercials for two different media, TV and radio. This new, expanded edition provides a review of the commercial music business and surveys composition, arranging, and instruction for composing for the commercial market.

0 of 1 people found the following review helpful.
No CD or audio content
By Fair Reviews
You don't get the CD of musical examples. If they have web content instead I'll re-evaluate. It's not obvious where to go to listen to examples assuming they are available.

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## Free PDF The A to Z of Animation and Cartoons (The A to Z Guide Series), by Nichola Dobson

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Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms.

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• Sales Rank: #1050965 in Books
• Published on: 2010-04-01
• Original language: English
• Number of items: 1
• Dimensions: 8.61" h x .78" w x 5.60" l, 1.10 pounds
• Binding: Paperback
• 310 pages

About the Author
Nichola Dobson is an independent scholar based in Edinburgh, Scotland. She is currently researching in the areas of animation studies and television genre.

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