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Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith.

In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place.

In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.

• Sales Rank: #3168530 in Books
• Published on: 2011-11-10
• Original language: English
• Number of items: 1
• Dimensions: 9.44" h x .97" w x 6.35" l, 1.05 pounds
• Binding: Hardcover
• 228 pages

Review
Price has edited a collection of essays on a very important but neglected topic: the generational divide between black churches and the hip-hop culture of young people. The cultural clash was vividly illustrated in 1994 when Calvin Butts, pastor of Harlem's famed Abysinnian Baptist Church, had a bulldozer crush a pile of gangsta rap CDs in a public ceremony, decrying their misogynistic attitudes and the romanticism of gang violence. Most of the essays call for reconciliation between these cultures because hip-hop represents the two populations missing in most black churches--men and young people--as Josef Sorett points out in his essay. The book is divided into three parts: "From Civil Rights to Hip Hop"; "Hip Hop Culture and the Black Church in Dialogue"; and "Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix." The collection represents a diversity of viewpoints and styles, with content ranging from essays to sermons....This volume represents an important first step in research. Summing Up: Recommended. (CHOICE)

This is a timely and fascinating look at the various directions and disconnect that the Black Church and hip-hop culture have had in the past century in they way they have coped with and expressed their concern with racial equality and economic self-sufficiency. The Black Church played a strong role in the civil rights era and beyond in helping to deal with these key issues. The hip-hop culture grew from the disenfranchised youth looking for both support and guidance. Both groups were seeking the same thing but had very different means of achieving their goals. This volume provides essays written by black leaders, preachers, and scholars on their responsibilities to society and to one another. It is broken down into three sections, each with about eight to ten essays: "From Civil Right to Hip Hop," "Hip Hop Culture and the Black Church in Dialogue," and "Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix." The essays address such issues as the transition of one generation to the next, the various expressions of faith, and similarities and differences among the two cultures. The book provides timely commentary, analysis and strategies toward reconciling and perhaps even merging the efforts of these two groups. It will be a useful supplement to many black studies courses as well as of interest to those involved in black ministry. (American Reference Books Annual)

I am truly impressed with the [The Black Church and Hip Hop Culture]’s subject matter and content and view it as successfully targeting two of the most important “institutions” in American society and life involving people of Africana descent today and that these institutions represent best the generational divide. I agree that the Black Church and its reaction to and connection with Hip Hop Culture must be problematized and interrogated. This [volume] delivers on its purpose and mission of doing just that. (Angela Nelson, Bowling Green State University)

In both aesthetic and political terms, the Black Church and Hip Hop have demonstrated voracious muses as they've influenced and internalized the outside social world. Emmett Price's vibrant new collection engages from myriad angles some of the internal discussions—the "kitchen talk"—of these contiguous communities. What they've shared, how they've differed, and where they might go from here is theorized and imagined in intellectual terms in this book but with all the soulfulness of a church mother's moan or a digital loop. Let the church say: 'and you don't stop!' (Guthrie P. Ramsey Jr., University of Pennsylvania; author of Race Music: Black Cultures from Bebop to Hip Hop)

From the Back Cover
Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith.

In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place.

In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.

About the Author
Emmett G. Price III is chair of the Department of African American Studies and associate professor of Music and African American Studies at Northeastern University. He is the coeditor of Encyclopedia of African American Music (2011).

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0 of 0 people found the following review helpful.
A very timely coverage of the clash of generational values ...
By John Ashworth
A very timely coverage of the clash of generational values in the faith community, and needs and expectations of each generation.

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^ PDF Ebook Core Collection for Children and Young Adults, by Rachel E. Schwedt, Janice DeLong

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With thousands of new volumes lining the shelves of bookstores, abundant advertisements, and innumerable online reviews, it is becoming increasingly difficulty for the concerned adult to recommend literature that is of quality, yet speaks to young audiences. Core Collection for Children and Young Adults presents the best in contemporary and classic literature for children and young adults.

Every book listed in this reference has a concisely worded annotation, which is followed by headings designating awards the book has won, related subjects, and character themes. With more than 350 titles reviewed, this resource will prove invaluable for teachers, librarians, parents, collectors of children's books, and college students with an interest in juvenile literature, education, or child growth and development.

• Sales Rank: #2994594 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2008-09-11
• Original language: English
• Number of items: 1
• Dimensions: 9.39" h x .80" w x 6.35" l, 1.00 pounds
• Binding: Hardcover
• 218 pages

Features

• Used Book in Good Condition

From Booklist
Youth-serving librarians seek guidance in collection development, and this slim volume provides hundreds of award-winning books that may easily be considered library staples. The authors relied on awards, personal experience, and peer reviews for their selection. The list is divided into eight chapters that offer separate genres, such as classic books, contemporary fiction, and picture books. Each chapter begins with an evaluative introduction. Entries are arranged alphabetically by author. Each entry includes full citation, grade levels, summary, awards, related subjects, and character themes. There are indexes for title/author/illustrator/translator, book awards, character themes, and related subjects. Grade levels are not separated out, which would have been a useful feature. Though not inclusive, this is a useful list for youth collections. --Lesley Farmer

Review
This slim volume provides hundreds of award-winning books that may easily be considered library staples....This is a useful list for youth collections. (Booklist, February 2009)

Readers should be warned: the book annotations found in Core Collections for Children and Young Adults will make you want to read each and every title that the authors included. The authors provide some excellent descriptive information about each title. Overall, the book is very well organized and easy to read. It provides a solid list of current award-winning titles that are interesting, entertaining, and frequently inspirational. (Mark Shelton, Harvard University College & Research Libraries)

The scope of books reviewed is impressive....The organization of the book is straightforward....Core Collections for Children and Young Adults will be a valuable resource for...anyone interested in children's and young adult literature. (American Reference Books Annual, August 2008)

About the Author
Rachel E. Schwedt is Librarian for Curriculum Library and Cataloger at Liberty University.

Janice Delong is Associate Professor of English in the Department of English and Modern Languages, School of Communications at Liberty University.

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^ Ebook Free Butterfly McQueen Remembered, by Stephen Bourne

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Butterfly McQueen will always be remembered for her first screen role―as Scarlett O'Hara's hysterical servant girl, Prissy, in Gone With the Wind (1939)―and for her most famous line in the Civil War epic: "I don't know nuthin' 'bout birthin' babies!" Though many criticized her for playing an offensive caricature of black womanhood, film scholar Donald Bogle claims her performance is "a unique combination of the comic and the pathetic." Tired of playing what she called "stupid maids," however, Butterfly turned her back on Hollywood in the 1940s and spent the next fifty years in obscurity. On several occasions she tried to revive her theatrical career, but her identification with Prissy made it difficult for her to be taken seriously by producers and casting agents. Mostly she supported herself by taking menial jobs.

In the 1970s she was active in social work projects in Harlem, and was awarded a degree by the City College of New York. In 1989, as one of the last surviving members of the cast of Gone With the Wind, Butterfly happily participated in the film's 50th anniversary celebrations. At the time of the celebrations she said: "Now I am happy I did Gone With the Wind. I wasn't when I was 28, but it's part of black history. You have no idea how hard it is for black actors, but things change, things blossom in time."

In Butterfly McQueen Remembered, author Stephen Bourne, who corresponded with Butterfly for many years, draws upon two decades of research to document her life and career. From her memorable role in one of Hollywood's greatest films to her last big screen appearance opposite Harrison Ford in The Mosquito Coast, the details of McQueen's life are captured in this intimate portrait. Bourne chronicles the ups and downs of this talented and generous woman's life, both in front of the camera and far from its glaring spotlight.

• Sales Rank: #1892634 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2007-10-09
• Original language: English
• Number of items: 1
• Dimensions: 8.96" h x .46" w x 6.04" l, .65 pounds
• Binding: Paperback
• 176 pages

Features

• Used Book in Good Condition

Review
An intimate portrait of McQueen's life and career. (Library Journal, 11/1/2007)

Stephen Bourne's memoir of this great performer is well researched and beautifully written - as one would expect from this biographer. It's also a chilling tale of how Hollywood destroys its own and one that deserves to be read by actors and fans of McQueen alike. (Patrick Newley, The Stage, 2008)

Bourne pulls all into perspective and reveals a talented but unfulfilled actor who was frustrated and denied by larger systems and institutions; an altruistic survivor who later became an anti-poverty activist. All Black actors working in Hollywood should read Bourne's biographies on McQueen and Ethel Waters (2007). Film historians and anti-racist educators should place these works as staples on Black History booklists. It is a solidly crafted work on an enigmatic Black woman. (Black and Asian Studies Association Newsletter, July 2009)

Bourne's Butterfly McQueen Remembered is a much-needed entry in the history of American and black American culture and artistic production . . . The chronicle of McQueen's journey as a performing artist will be valuable in stimulating new scholarship in the history of black theater and is a rich resource for those looking at the history of black creativity in Hollywood. It is likely to inspire further inquiry into the early twentieth-century work of lesser known black theater artists and into the complex climate endured by black actors in Hollywood. (Black Camera, Winter 2009)

Stephen Bourne's portrait of this remarkable woman is not just a study of her life, work and beliefs. It is also a more general account of the plight of African American actors in the Hollywood studio system and a re-examination of the nature and meaning of their performances. (Film & History: An Interdisciplinary Journal, October 2008)

About the Author
Stephen Bourne is a regular contributor to Black Filmmaker magazine and has been interviewed in several documentaries, including Black Divas (1996) and Paul Robeson: Here I Stand (1999). He is the author of Black in the British Frame: The Black Experience in British Film and Television (2001), Elisabeth Welch: Soft Lights and Sweet Music (Scarecrow, 2005), and Ethel Waters: Stormy Weather (Scarecrow, 2007).

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11 of 11 people found the following review helpful.
ELUSIVE BUTTERFLY
By Tee
Butterfly McQueen must sure rank with the most famous supporting players in film history thanks to her landmark work as the deliriously (and deliciously) dizzy Prissy in the classic GONE WITH THE WIND. The great irony in this was at the time she was almost completely overshadowed by Hattie McDaniel's historic performance in the same film as well as the other players with much larger roles. Author Stephen Bourne notes just how little was written on Butterfly before the 1970's in his research with many books and articles on the film completey ignoring her, others showing her picture but not crediting the actress!

Bourne is a British writer who has been a major fan of GWTW and in particular McQueen since he first saw the film as a young teenager in the early 1970's. Bourne eventually became pen friends with Miss McQueen and author of several articles on her. Miss McQueen's is the latest in Bourne's series of biographies on pioneering female African-American entertainers.

This is a slender 142 page book but then it can't have been easy to write a book on someone who appeared in less than a dozen films and always in supporting roles. Indeed, one of the chapters is about her more famous costar Hattie McDaniel and the ten illustrations in the book feature one shot without Butterfly of the main three GWTW female cast members. Yet Bourne has done a very good job of telling the life tale of this elusive actress from her courageous walk away from films determined to get away from maid parts even when this meant a great personal financial loss to her work as a "beautifier" for Harlem and other black communities. Butterfly never married, there were apparently no major romantic involvements, she seemed despite her warm personality exceptionally reserved and distant, truly intimate friends appear to be rare. She did confide without elaboration to one friend "I've been hurt" and certainly her life does suggest someone who may have been traumatized on some level. She was however a very giving woman and it is quite touching to learn at the time of her tragic death in a home fire there were yet unmailed checks to charities in her home.

The dizzy character of Prissy won Butterfly much affection from moviegoers but also contempt from some black audiences who felt she was playing a belittling character. These may have included Lena Horne whom Butterfly claimed called her "a dog" to her face although Bourne quotes some Horne partisans questioning it In any case, in the 1970's Horne publicly praised McQueen for her work on behalf of the black community in one magazine article. This was in the 1970's when Butterfly was happily getting new respect for the fine comic layers of her performance and even reviving her career, putting together a rather successful nightclub act and accepting an occasional acting gig including one children's television show that earned her an Emmy for her performance.

I was especially pleased to see Bourne including Butterfly's "essays" in this book. I've long heard of these pamplets/mimeographs on a variety of subjects Butterfly wrote in later years and apparently gave out at her appearances or through the mail. Some are less than a page, others quite longer but all offer fascinating insights into her opinions ranging to costars to race. It's as close to an autobiography as we will ever get from her and I am happy they have been preserved in book form now. BUTTERFLY MCQUEEN REMEMBERED is a nice and often moving tribute to a lady who did they very best she could give the limitations of the era.

3 of 3 people found the following review helpful.
Butterfly McQueen Remembered by Stephen Bourne
By J Worrell
Butterfly McQueen's biographer Stephen Bourne may not "know nuthin' `bout birthin' babies" but delivers a damned good biography on the neglected Afro-American actor who is finally receiving the critical attention for her unique contribution to American cinema.

Solidly written with meticulously researched information, rare stills and personal correspondences, Bourne maps Thelma, alias "Butterfly" McQueen's life from her humble beginnings in the pre-Civil Rights South, to a brief Hollywood career in the 1940s, historical neglect, and her tragic death in 1995.

Bourne pulls all into perspective and reveals a talented but unfulfilled actor who was frustrated and denied by larger systems and institutions, an altruistic survivor who later became anti-poverty activist.

McQueen admits that in her early years she knew little about slavery or Black militancy. Like many other Black actors of the period, she was compliant with the Hollywood system, not militant, or always critically conscious of Hollywood's filmmaking practices. Thus, like many other Black actors, she became complicit and "trapped" within the white hegemonic constructs of Hollywood filmmaking. She could not see, of course, the long-term ideological effects her performances would have on future actors and Black female representation.

Bourne openly discusses Hollywood racism and white privilege that limited McQueen's Hollywood chances and those of contemporaries Theresa Harris and Jeni Le Gon.

Bourne discusses in substantial length Gone with the Wind's troubled production history, the behind-the-scenes of Black resistance, and the critical reception of "Prissy", McQueen's controversial character. Bourne uses this chapter to make poignant statements about Black - Jewish race relations in America.

All Black actors working in Hollywood should read Bourne's biographies on McQueen and Ethel Waters (2007). Film historians and anti-racist educators should place these works as staples on Black History booklists.

It is a solidly crafted work on an enigmatic Black woman.

J. Worrell
Canada

9 of 11 people found the following review helpful.
An objection to Graceann McCleod's "review"!
By Mr P
I am the author of Butterfly McQueen Remembered and naturally I do not agree with Gracean McCleod's dismissive and hurtful comments. Her 'review' misrepresents my work. I am not going to attempt to defend my book in the face of such damning and hurtful comments. Anyone who is interested in Butterfly McQueen should ignore this review. Please go and read the book (you can access it from your local library if you don't want to pay for it), and make up your own minds. For the record, I appreciate constructive criticism from intelligent readers, but not insensitive and lazy comments such as these. Thank you. Stephen Bourne

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Organized labor is about the collective efforts of employees to improve their economic, social, and political position. It can be studied from many different points of view—historical, economic, sociological, or legal—but it is fundamentally about the struggle for human rights and social justice. As a rule, organized labor has tried to make the world a fairer place. Even though it has only ever covered a minority of employees in most countries, its effects on their political, economic, and social systems have been generally positive. History shows that when organized labor is repressed, the whole society suffers and is made less just.

The Historical Dictionary of Organized Labor looks at the history of organized labor to see where it came from and where it has been. This is done through a chronology, an introductory essay, appendixes, a glossary of terms, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on most countries, international as well as national labor organizations, major labor unions, leaders, and other aspects of organized labor such as changes in the composition of its membership. This book is an excellent access point for students, researchers, and anyone wanting to know more about organized labor.

• Sales Rank: #3452091 in Books
• Published on: 2012-06-14
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.42" w x 6.27" l, 1.94 pounds
• Binding: Hardcover
• 496 pages

From Booklist
This updated edition covers the general history of the world-wide organized labor movement, from key people to events and major unions. The scope is decidedly international, making this a specialized resource that will serve as a good starting point for research on unions and the labor movement. The authors are academics who have also been active union members. The detailed chronology starts all the way back in 1152 BCE, with Egyptian tomb makers refusing to work until they were paid, and ends in 2011, with various international strikes, including those over the collective-bargaining bill in Wisconsin. Over 400 entries cover mainly 20th-century history and the present, focusing on national and international organizations, major unions, major figures, and events. Examples include Australian Council of Trade Unions, Iconography, International Metalworkers Federation, Race and ethnicity, White-collar unionism, and Working hours. Interestingly, the authors note that they specifically kept references to ideas and political parties to a minimum, because they are addressed in Historical Dictionary of Socialism (2006). Appendixes (including statistics and a list of past and present international labor leaders), a glossary of terms, and an extensive bibliography round out the work. The new material in this edition makes it a worthwhile purchase for libraries owning the older editions. Recommended for larger academic and public libraries. --Rebecca Vnuk

Review
Docherty and van der Velden are not only researchers but also former active members of unions. Consequently, they are able to provide broad, authentic, and credible views of labor movements. Their aims here are to make the subject of organized labor as accessible as possible, to show the variety of labor studies available, and to encourage a greater international outlook on the topic. Designed as a starting point for anyone who wants to learn more about labor, the work examines the history of organized labor through a chronology, an introductory essay, appendixes, a glossary of terms, an extensive bibliography with relevant websites, and almost 500 cross-referenced entries on countries, national and international organizations, major unions, leaders, and other aspects of the movement, such as changes in membership composition. The entries, which emphasize 20th-century and current information, are well written and informative, while the appendixes and bibliography are comprehensive and lengthy. VERDICT This is a useful first resource for researchers and general readers, and one that is especially strong on topics of historical significance and international interest. Enough new material has been added to this incarnation to make it a worthwhile purchase for owners of the older editions. (Library Journal)

This updated edition covers the general history of the world-wide organized labor movement, from key people to events and major unions. The scope is decidedly international, making this a specialized resource that will serve as a good starting point for research on unions and the labor movement. The authors are academics who have also been active union members. The detailed chronology starts all the way back in 1152 BCE, with Egyptian tomb makers refusing to work until they were paid, and ends in 2011, with various international strikes, including those over the collective-bargaining bill in Wisconsin. Over 400 entries cover mainly 20th-century history and the present, focusing on national and international organizations, major unions, major figures, and events. Examples include Australian Council of Trade Unions, Iconography, International Metalworkers Federation, Race and ethnicity, White-collar unionism, and Working hours. Interestingly, the authors note that they specifically kept references to ideas and political parties to a minimum, because they are addressed in Historical Dictionary of Socialism (2006). Appendixes (including statistics and a list of past and present international labor leaders), a glossary of terms, and an extensive bibliography round out the work. The new material in this edition makes it a worthwhile purchase for libraries owning the older editions. Recommended for larger academic and public libraries. (Booklist)

This dictionary is designed to be a research tool of first resort....There are appendixes with lists of leaders of international labor organizations, a glossary of terms, and union membership statistics. The lengthy bibliography, after a seven-page discussion of relevant literature, is divided up into: research guides, sources, and journals; international studies; national studies; features of labor unions; labor and society; labor and the economy; and organized labor and the future. There is a guide to selected Internet sites. It is a good starting point for the study of organized labor. Its worldwide scope, including both higher and lower income countries, is useful. (American Reference Books Annual)

This title by independent scholars Docherty and van der Velden is international in scope and covers the span of organized labor from a work stoppage by pharaonic tomb builders (1152 BCE) to protests in Ohio and Wisconsin against anti-collective bargaining legislation (2011). Over 40 pages of introduction and chronology will benefit novice researchers. The bulk of the book comprises nearly 500 entries that cover countries, national and international labor organizations, and labor issues. The entries vary from a few lines to six pages, often pulling together information difficult to find elsewhere. Most entries have cross-references in boldface, and some have see also references. An 81-page bibliography includes entries as recent as 2011. The appendixes feature a glossary, membership data, and a list of labor federations. The third edition has 95 more entries, along with updated statistics and facts; its larger pages, new typeface, and layout make it easier to read....Summing Up: Recommended. (CHOICE)

This excellent, well-written book undertakes the formidable task of bringing together in a single volume a wealth of information concerning organized labor. It is a challenge the authors meet with considerable skill and sophistication. The Historical Dictionary of Organized Labor contains a very usable chronology, a concise introduction, a vital glossary of terms, appendices with essential statistical data and an extensive bibliography. ... The point to be stressed is that the Historical Dictionary of Organized Labor covers an amazing variety of topics and explains them in a clear, concise manner. This is a valuable reference work that deserves to be on the shelves of all serious libraries. It is highly recommended. (Labor Studies Journal)

About the Author
James C. Docherty was an Australian federal government employee in various departments and a union member for over 20 years. He was an Honorary Research Associate with the National Centre for Australian Studies at Monash University from 1990 to 1996.

Sjaak van der Velden worked with the Historical Sample of the Netherlands from 2000 to 2007. Since then he has been working with the Socialist Party. His publications include 10 books in Dutch and numerous articles in Dutch and English.

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0 of 0 people found the following review helpful.
Not complete, at least the printing quality is great!
By michael wood
Given the list price of a new copy of this book, I expected more. However, since I bought a used copy through Amazon, I was still happy with the purchase. Had I bought a new copy at list--even with discounts--I would have been very disappointed. I did not find this dictionary to include much of the history that I expected.

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• Sales Rank: #4383946 in Books
• Published on: 2011-09-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .78" w x 6.60" l, .80 pounds
• Binding: Paperback
• 250 pages

Review
... Brimming with ideas and differing perspectives on its very broad topic. ... The editors of Digital Media say that it is suitable for use as a graduate textbook. That seems fair; ... individual chapters will certainly be of interest to many readers, particularly students starting to explore these concepts in library and information science courses. (Library Resources & Technical Services)

This volume brings together nine chapters authored by nine practitioners, scholars, and students, focusing on the changes digital media are impacting in library and archival works. Organized into four parts, the work addresses preserving digital media, describing documents, the personal nature of digital media, and the interactions between technology and culture. These papers are edited versions of presentations made at an invitation-only workshop on digital media held at the School of Information at the University of Texas at Austin in 2009. This content is good for students and practitioners working with archives, digital media, taxonomy, and human-computer interactions. The introductory chapter helps the reader to locate desired information, and provides a comprehensive overview of the book as a whole. This is a valuable addition to anyone considering how digital media is impacting today’s information-rich world and the preserving of such materials. (American Reference Books Annual)

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About the Author
Megan A. Winget is assistant professor, School of Information, at the University of Texas at Austin.

William Aspray is professor of Information Technologies at the University of Texas at Austin. He is the co-editor of many books, including The Internet and American Business (2008), Everyday Information (2011), and Privacy in America (Scarecrow, 2011).

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Motion pictures were first introduced to China in 1896 and today China has become a major player in the film industry. However, the story of how Chinese cinema became what it is today is an exceptionally turbulent one. It encompasses incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution.

The Historical Dictionary of Chinese Cinema covers the history of Chinese cinema from its very beginning in 1896 to the present. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section contains several hundred cross-referenced dictionary entries on films, directors, and historical figures. This book is an excellent access point for anyone interested in Chinese cinema and for scholars interested in investigating ideas for future research.

• Sales Rank: #4641297 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2012-10-04
• Original language: English
• Number of items: 1
• Dimensions: 9.23" h x 1.13" w x 6.23" l, 1.36 pounds
• Binding: Hardcover
• 322 pages

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• Used Book in Good Condition

From Booklist
Chinese cinema has a long and often turbulent history that reflects the history of the country itself. That history is well served in the chronology, bibliography, and hundreds of cross-referenced entries about actors, directors, and films in this informative work. A glossary of personal names and a list of film titles in English and Chinese are also provided. Coauthor Tan Ye is the coeditor (with Lin Jin) of Theory and Practice of Screenwriting in China and America (2008) and author of Historical Dictionary of Chinese Theater (2009). Film scholars and students of modern Chinese culture will savor this rich resource. --Carolyn Mulac

Review
Chinese cinema has an illustrious history. This historical dictionary of Chinese cinema strives to give the reader a grasp of that history. This valuable reference work opens with a chronology beginning in 1895 with the country's first public screening and concluding with the opening of a new complex in Tianjin that serves as a co-production site with U.S. filmmakers....A superb, well-written, interesting book. The scholar as well as the casual reader will certainly learn a great deal about one of the foundations of eastern culture. (American Reference Books Annual)

Like its siblings in the “Scarecrow Press HD” series, this economical tome presents a neat summary of major events and catalytic forces in shaping the title subject, here being Chinese movie-making. Via a chronology, cross-referenced entries, appendixes, and a sizable bibliography, films, actors, and directors are explained in the context of China’s political backdrop since the cinema industry’s inception in 1896. A helpful Chinese-English translation of film titles is provided. Anyone interested in cinema from this part of the world will find this a fascinating browse and creditable reference source. VERDICT Appropriate for academic libraries supporting liberal arts curricula, and public libraries serving a Chinese-American population. (Library Journal)

Chinese cinema has a long and often turbulent history that reflects the history of the country itself. That history is well served in the chronology, bibliography, and hundreds of cross-referenced entries about actors, directors, and films in this informative work. A glossary of personal names and a list of film titles in English and Chinese are also provided. Coauthor Tan Ye is the coeditor (with Lin Jin) of Theory and Practice of Screenwriting in China and America (2008) and author of Historical Dictionary of Chinese Theater (2009). Film scholars and students of modern Chinese culture will savor this rich resource. (Booklist)

The nearest counterpart to this volume by professor Ye and PhD candidate Zhu (both, Univ. of South Carolina) is Yinjin Zhang's more substantial Encyclopedia of Chinese Film (CH, Nov'99, 37-1277), which it updates and extends. Both works are necessary for adequate reference coverage of Chinese film. Whereas historical essays in the encyclopedia are geographically oriented, with entries on Chinese film in China, Hong Kong, Taiwan, and other places, the broad historical essay that introduces Chinese cinema in this historical dictionary is chronologically based. It describes five phases--from a classic "origins" period to the current, post-Tiananmen Square one. Accompanying the entries is a thorough chronology, which lists developments from 1895 to 2012. The introduction suggests a third scheme of classification of Chinese cinema, based less on place or historical period and more on filmmakers; six generations of filmmakers are differentiated. Most of the entries that make up the body of this dictionary focus on people connected with the Chinese movie industry. However, entries are also included for selected specific films; "topical" terms, such as awards ("Golden Rooster Awards"), film education ("Beijing Film Academy"), types of films ("Mainstream Melody Film," "Martial Arts Film"); and other terms ("Left-Wing Cinema Movement," "Women"). A glossary is included. Summing Up: Recommended. Lower-division undergraduates and above; general readers. (CHOICE)

About the Author
Tan Ye is professor of Comparative Theater in the Department of Languages, Literatures, and Cultures, the Director of the Confucius Institute, and Director of the Chinese Program at the University of South Carolina. He is the author of Common Dramatic Codes in Yuan and Elizabethan Theaters (1997), Theory and Practice of Screenwriting in China and America (co-editedwith Li Jin, 2008), and Historical Dictionary of Chinese Theater (2009).

Yun Zhu is a Ph.D. candidate in Comparative Literature at the University of South Carolina, with a focus on Chinese literature from the late Qing to the contemporary period and Chinese-language film.

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@ PDF Download Historical Dictionary of Baseball (Historical Dictionaries of Sports), by Lyle Spatz

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Dating back to 1869 as an organized professional sport, the game of baseball is not only the oldest professional sport in North America, but also symbolizes much more. Walt Whitman described it as “our game, the American game,” and George Will compared calling baseball “just a game” to the Grand Canyon being “just a hole.” Countless others have called baseball “the most elegant game,” and to those who have played it, it’s life.

The Historical Dictionary of Baseball is primarily devoted to the major leagues it also includes entries on the minor leagues, the Negro Leagues, women’s baseball, baseball in various other countries, and other non-major league related topics. It traces baseball, in general, and these topics individually, from their beginnings up to the present. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on the roles of the players on the field—batters, pitchers, fielders—as well as non-playing personnel—general managers, managers, coaches, and umpires. There are also entries for individual teams and leagues, stadiums and ballparks, the role of the draft and reserve clause, and baseball’s rules, and statistical categories. This book is an excellent access point for students, researchers, and anyone wanting to know more about the sport of baseball.

• Sales Rank: #3655254 in Books
• Published on: 2012-12-21
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x 1.61" w x 6.37" l, 1.75 pounds
• Binding: Hardcover
• 504 pages

From Booklist
This general history of baseball opens with a chronology from the eighteenth century to the 2012 season, and then moves to an introductory essay for an in-depth overview. The dictionary portion features more than 900 cross-referenced entries covering people (players, managers, coaches, umpires); teams (the author notes that any team that has ever had major-league status is included as well as prominent teams from the Negro Leagues); and places (stadiums and ballparks). Twelve appendixes cover various statistics, and an extensive bibliography rounds out the work. This is a good (albeit plain) book for anyone wanting to know more about baseball and is recommended for circulating collections as well. --Ester Burke

Review
This general history of baseball opens with a chronology from the eighteenth century to the 2012 season, and then moves to an introductory essay for an in-depth overview. The dictionary portion features more than 900 cross-referenced entries covering people (players, managers, coaches, umpires); teams (the author notes that any team that has ever had major-league status is included as well as prominent teams from the Negro Leagues); and places (stadiums and ballparks). Twelve appendixes cover various statistics, and an extensive bibliography rounds out the work. This is a good (albeit plain) book for anyone wanting to know more about baseball and is recommended for circulating collections as well. (Booklist)

For the past three decades, Spatz (chairman, Soc. for American Baseball Research Records Committee) has written prolifically on a variety of baseball topics. In this volume of 900 cross-referenced entries, he emphasizes the American major leagues but also includes several citations to the minor leagues, Negro Leagues, women’s baseball, college baseball, baseball in other countries, and other non-major-league-related topics. He covers the subjects he feels are most important, such as Hall of Fame members, others not in the Hall who had a significant impact on the game, teams, stadiums, rules, awards, fielding positions, and major statistical categories. Entries range in length from a few sentences to more than a page. Other features are an explanatory listing of acronyms and abbreviations, a chronology, an introductory essay, and 12 appendixes of statistical lists. The book concludes with an extensive (46-page) bibliography. Although the work differs in approach and scope from other well-regarded publications on the sport, such as The Dickson Baseball Dictionary, Encyclopedia of Baseball Statistics, and The Baseball Encyclopedia, it contains an abundance of information on a broad range of topics and deftly fills the need for a single-volume general overview of the nation’s pastime and its history. VERDICT An informative resource for students, beginning researchers, and anyone wanting a basic introduction to baseball in the United States and elsewhere. (Library Journal)

This excellent reference work by independent scholar Spatz is focused on, though not limited to, Major League baseball. It covers players, off-the-field personnel, ballparks, leagues, teams, organizations, terminology, rules, awards, and baseball-playing countries. Biographical entries, the largest category, are limited to members of the National Baseball Hall of Fame, plus a few probable Hall of Famers and other significant contributors to the game. Also included are a brief introductory essay, a chronology (1791-2012), and an extensive bibliography. Twelve short appendixes list the results of the World Series (1903-2012), College World Series winners (1947-2012), and career leaders in selected statistical categories (e.g., batting average, runs scored, and games pitched). Other more specialized resources offer broader coverage of baseball topics, e.g., Paul Dickson's The Dickson Baseball Dictionary, edited by Skip McAfee, on terminology; Donald Dewey and Nicholas Acocella's The Biographical History of Baseball for biographical information; and Baseball-reference.com for regularly updated statistics. Nevertheless, Spatz's detailed dictionary provides easy access to a wealth of information, and will be of value to anyone interested in baseball's rich history. Summing Up: Highly recommended. Lower-division undergraduates and above; general readers. (CHOICE)

To the casual fan names such as Babe Ruth and terms like no-hitter are part of the language of baseball. For those more interested and experienced, this 11th volume in Scarecrow's new historical sports dictionaries is a welcome addition to reference literature. Arranged in alphabetic order, more than 900 names, places, terms, organizations, leagues and conferences, teams and schools, and events chronicle the history of the game. Included are players, teams, and the game's rules and statistical categories. Both players and nonplayers (e.g., general managers, coaches, umpires) are given biographical entries. An interesting chronology and introduction precede the well-written entries and 12 appendixes trace professional and college baseball, World Series results, and statistical information (e.g., career leaders in games played, batting average, home runs, games pitched). Cross-references in bold lead the user to other relevant entries. Nearly 40 pages of bibliography conclude this useful ready-reference book. (American Reference Books Annual)

Historical Dictionary of Baseball is a comprehensive reference work of all things baseball and includes noteworthy players, teams, rules, owners, leagues, and more. A volume in the ongoing Historical Dictionaries of Sports series, the work is designed as 'the perfect starting point for anyone doing research'. The book aptly fits the definition. The work comprises an editor’s foreword, brief preface, four pages of acronyms and abbreviations, a 22 page chronology, a lengthy introduction, an A to Z dictionary, 12 appendices, and an extensive bibliography. The heart of the 500 plus pages is the 24 chapters representing each letter of the alphabet, except X and Z. Historical Dictionary of Baseball is a commendable and well-done work of interest to school, public, and other libraries serving a clientele interested in athletes and sports. ... Historical Dictionary of Baseball is a very solid reference work. (Reference Reviews)

About the Author
Lyle Spatz is the chairman of SABR's Baseball Records Committee. He is the author of three books of baseball history, co-author of another, and has contributed chapters to several more. His articles have appeared in The Washington Post, The New York Times, other newspapers, and numerous baseball magazines. He has taught baseball history to Elderhostel groups and also presented papers at the Babe Ruth Conference at Hofstra University and at the Jackie Robinson Conference at Long Island University.

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