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This is the fourth volume sponsored by the United States Board on Books for Young People, following Children's Books from Other Countries (1998), The World Through Children's Books (2002), and Crossing Boundaries (2006). This latest volume, edited by Linda M. Pavonetti, includes books published between 2005 and 2009.

This annotated bibliography, organized geographically by world region and country, with descriptions of nearly 700 books representing more than 70 countries, is a valuable resource for librarians, teachers, and anyone else seeking to promote international understanding through children's literature. Like its predecessors, it will be an important tool for providing stories that will help children understand our differences while simultaneously demonstrating our common humanity.

• Sales Rank: #2973271 in Books
• Published on: 2011-08-18
• Original language: English
• Number of items: 1
• Dimensions: 9.11" h x 1.48" w x 6.16" l, 1.77 pounds
• Binding: Paperback
• 534 pages

Review
This delightful publication represents a commitment by the author to enlarge the cultural experiences of children through exposure to children’s books. It is sponsored by the United States Board on Books for Young People (USBBY), and the author quotes the founder of the international organisation (IBBY) that peaceful coexistence can begin with international literary and artistic exposure of literature to children of the world....There are only a few folk tales in the collection, since it was felt that this was an easily accessible list. All the bibliographic entries follow the same format: author/editor, translator where appropriate, title, illustrator where appropriate, publisher and date of publication. Alternative titles are listed if appropriate, as well as ISBNs, pagination, approximate reading level, cultural relevance and genre. For each there is a scholarly, critical commentary, ending with any major awards received. There are notes about the author/illustrator’s country of origin or current residency. Naturally there could be debate about the titles selected or not selected for inclusion, and obviously editorial decisions are part of the quality of the book. Considering the thorough approach, the book’s international coverage is staggering. Publications from over 90 countries are included, and there is a chapter on multinational books. There are 46 Australian titles and five NZ titles. There are web addresses for online exploration as well as details of print resources. A further chapter discusses the major international children’s literary awards and the major US awards within the 2005-2010 time frame. The book concludes with an author/translator/illustrator index and a title index. (Australian Library Journal)

About the Author
Linda M. Pavonetti is associate professor of Reading and Language Arts at Oakland University.

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1 of 2 people found the following review helpful.
kindle edition doesn't include all the pages in the book!
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Especially the table of contents! Very disappointing... I hope someone sees this and addresses this issue in a timely manner.

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Since the latter part of the 19th century, the Broadway musical has remained one of the most popular genres in entertainment and its history is related in detail in The A to Z of the Broadway Musical. Through a chronology, an introductory essay, a bibliography, and 900 dictionary entries on Broadway shows, playwrights, directors, producers, designers, and actors, this handy desk reference offers quick information on the many aspects of the Broadway musical.

• Sales Rank: #4513044 in Books
• Published on: 2009-09-17
• Original language: English
• Number of items: 1
• Dimensions: 8.62" h x 1.16" w x 5.64" l, 1.41 pounds
• Binding: Paperback
• 460 pages

About the Author
William A. Everett is associate professor and coordinator of musicology at the University of Missouri-Kansas City Conservatory of Music and Dance, where he also serves as chair of the Division of Composition, Music Theory, and Musicology.

Paul R. Laird is professor of musicology and director of the Musicology Division at the University of Kansas, where he teaches undergraduate and graduate courses in music history and directs the Instrumental Collegium Musicum.

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Three Stars
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missed some of the shows that played on broadway that I had seen

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Australians have become increasingly visible outside of the country as speakers and actors in radio and television, their media moguls have frequently bought up foreign companies, and people around the world have been able to enjoy such Australian productions as The Flying Doctors, Neighbours, and Kath and Kim. The origins, early development, and later adaptations of radio and television show how Australia has gone from being a minor and rather parochial player to being a significant part of the international scene. The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry. This is accomplished through the use of a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations.

• Sales Rank: #5953957 in Books
• Published on: 2009-08-04
• Released on: 2009-08-04
• Original language: English
• Number of items: 1
• Dimensions: 8.59" h x 1.27" w x 5.73" l, 1.65 pounds
• Binding: Paperback
• 548 pages

About the Author
Albert Moran is professor in the School of Arts, Media, and Culture at Griffith University in Brisbane. His publications include more than 20 books, with chapters in 35 volumes and articles in almost a dozen different refereed journals. Chris Keating is coeditor of the publication T.V. Eye, and he is also the station manager at the Melbourne community radio station Plenty F.M. where he is also an on-air announcer.

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~ PDF Ebook Historical Dictionary of Crime Films (Historical Dictionaries of Literature and the Arts), by Geoff Mayer

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The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential.

The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.

• Sales Rank: #4823341 in Books
• Published on: 2012-09-13
• Original language: English
• Number of items: 1
• Dimensions: 9.31" h x 1.70" w x 6.22" l, 2.00 pounds
• Binding: Hardcover
• 514 pages

From Booklist
Crime films have a long, sustained history. Differentiated from thrillers, crime films focus more on crime and the law rather than violence itself. This book’s historical look at crime examines genres including detective, gangster, caper, and film noir. Mayer, an Australian film historian and academician, brings an international focus to the work. Crime films in different countries have unique perspectives about crime films that are addressed in this volume, particularly in the lengthy introduction. A 30-page chronology of international crime films covers 1900 to 2010. The main section of the book provides an alphabetical treatment of films; people (e.g., authors, directors, writers); and concepts involved in this genre. Entries vary from a paragraph to 4 pages, with the majority covering people, whose entries include vital dates and chronological histories of their contributions. The list of films is very selective; for instance, Double Indemnity did not make the list, although it is cited in the entry on Fred MacMurray. Cross-references are indicated by boldface terms. The overall tone is objective, with analysis strongest in entries that address films in different countries. An extensive 40-page bibliography is organized topically and then by geography. There is no index, which would have been useful. The book’s layout is text-heavy, with a few black-and-white photographs dotting the pages. More photographs would have been a welcome addition. Providing basic reference information for crime films, this book covers relevant contributions to the genre and is recommended for public and academic collections. --Lesley Farmer

Review
Crime films have a long, sustained history. Differentiated from thrillers, crime films focus more on crime and the law rather than violence itself. This book’s historical look at crime examines genres including detective, gangster, caper, and film noir. Mayer, an Australian film historian and academician, brings an international focus to the work. Crime films in different countries have unique perspectives about crime films, which are addressed in this volume, particularly the lengthy introduction. A 30-page chronology of international crime films covers 1900 to 2010. The main section of the book provides an alphabetical treatment of films; people (e.g., authors, directors, writers); and concepts involved in this genre. Entries vary from a paragraph to 4 pages, with the majority of covering people, whose entries include vital dates and chronological histories of their contributions....Cross-references are indicated by boldface terms. The overall tone is objective, with analysis strongest in entries that address films in different countries. An extensive 40-page bibliography is organized topically and then by geography....Providing basic reference information for crime films, this book covers relevant contributions to the genre and is recommended for public and academic collections. (Booklist)

The terminology contained within this book focuses on films, directors, performers, and studios. Brief histories and biographies are given as well as discussion on social and political effects related to the films. Relatively few terms discuss the categories of crime films that encompass the film genre but these are covered elsewhere in the text. The book leads with a chronology of the crime film and an introduction that describes crime film categories as well as a global history of crime films. The emphasis is not solely on American films and such a study would be poorly lacking as the Asian and European film industries are key in presenting crime film treatments. The book is somewhat of an academic treasure, featuring an extensive bibliography with an introductory annotation about the research. (American Reference Books Annual)

A dictionary of this sort is selective by definition. In his introduction, Mayer (La Trobe Univ., Australia) explains his definition of crime fiction and divides his discussion into the categories of detective, gangster, caper, and suspense thrillers, explaining cultural origins, generic qualities, and significant films and people associated with each. He also discusses the cinema of countries other than the US, primarily those in Europe, but also Hong Kong and Japan. Each receives fuller treatment in the body of the work. Entries average one page but range from a few lines to more than five pages. They cover films (e.g., Maltese Falcon, Get Carter, The Godfather), actors (e.g., Bogart, Bogarde, Lake), writers (e.g., Cain, Gardner, Highsmith), directors (e.g., Hitchcock, Scorsese, Tarantino), and topics related to the genre (e.g., blacklist, hit man, yakuza, prison movies, The Saint, Sherlock Holmes). Entries all explain the subject's role within the film genre. As one would expect, classics and famous films are included, but so are the more obscure (or at least lesser known), e.g., New Zealand noir, Shallow Grave, and many foreign-language films.

Dates covered by the entries stretch from the pre-cinema literary origins of crime fiction to roughly 2009. A film chronology begins in 1900 and ends in 2010. The 300-plus entries include cross-references. Individual entries do not have bibliographies, but the book as a whole does, listing works on several of the countries and subgenres, along with features such as gender, visual style, and music. Information in many of the entries may be found elsewhere, but Mayer's bibliography, and the introduction--in which he discusses the origins and distinctive traits of several subgenres--will be valuable to students and researchers (though perhaps not worth the steep price tag). Summing Up: Recommended. Lower-division undergraduates through researchers/faculty; general readers. (CHOICE)

Encyclopedia of Film Noir) overview of crime films from around the globe includes numerous subgenres such as detective films, gangster films and film noir, suspense thrillers, and capers. Entries focus on the films themselves (e.g., Animal Kingdom, The French Connection, Serpico), writers (e.g., Agatha Christie, Raymond Chandler, Dashiell Hammett), and actors (e.g., Humphrey Bogart, James Cagney, Gloria Grahame). Characters (e.g., Sherlock Holmes, Hercule Poirot, Jane Marple), directors (e.g., Alfred Hitchcock, Martin Scorsese, Ida Lupino), and other, specific genres (e.g., police procedurals) are also examined. A useful chronology covering from 1900 to 2010 gives historical context. Items with their own entry are highlighted in bold throughout, when mentioned in other entries. Terms such as “hard-boiled films” and “femme fatale” are discussed. Entries titled “French Crime Films” and “German Crime Films” further divide the genre by geographic origin. Entries titled “Blacklist,” “Censorship,” and “Informers” illustrate the many facets of these films. “Hong Kong Crime Films,” “New Zealand Noir,” and “Indian Crime Films” offer a less Hollywood-centric approach. While noting that it is impossible to cover every aspect of the genre, Mayer here provides a good introduction. An extensive bibliography is separated into subject areas, such as directors, actors, and so forth. VERDICT A reliable place to start reading about this subject, as is usual for this series; cinephiles will enjoy. (Library Journal)

About the Author
Geoff Mayer is reader and associate professor at La Trobe University (Australia) where he is Head of the School of Communication, Arts and Critical Enquiry. He was a consultant and on-camera film historian on the 2011 documentary Stunt Love, directed by Matthew Bate.

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The Removal of the Five Tribes from what is now the Southeastern part of the United States to the area that would become the state of Oklahoma is a topic widely researched and studied. In this annotated bibliography, Herman A. Peterson has gathered together studies in history, ethnohistory, ethnography, anthropology, sociology, rhetoric, and archaeology that pertain to the Removal. The focus of this bibliography is on published, peer-reviewed, scholarly secondary source material and published primary source documents that are easily available.

The period under closest scrutiny extends from the passage of the Indian Removal Act in 1830 to the end of the Third Seminole War in 1842. However, works directly relevant to the events leading up to the Removal, as well as those concerned with the direct aftermath of Removal in Indian Territory, are also included.

This bibliography is divided into six sections, one for each of the tribes, as well as a general section for works that encompass more than one tribe or address Indian Removal as a policy. Each section is further divided by topic, and within each section the works are listed chronologically, showing the development of the literature on that topic over time. The Trail of Tears: An Annotated Bibliography of Southeastern Indian Removal is a valuable resource for anyone researching this subject.

• Sales Rank: #4451258 in Books
• Published on: 2010-10-11
• Original language: English
• Number of items: 1
• Dimensions: 8.89" h x .64" w x 6.04" l, .80 pounds
• Binding: Hardcover
• 164 pages

About the Author
Herman A. Peterson is librarian and associate professor at Southern Illinois University Carbondale.

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** Download The A to Z of the Chinese Cultural Revolution (The A to Z Guide Series), by Guo Jian, Yongyi Song, Yuan Zhou

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The Cultural Revolution in the People's Republic of China started in 1966 and lasted about a decade. This revolutionary upsurge of Chinese students and workers, led by Mao Zedong, wreaked havoc in the world's most populous country, often turning things upside down and undermining the party, government, and army while simultaneously weakening the economy, society, and culture. Tens of millions of people were killed, injured, or imprisoned during this period and relatively few benefited, aside from Mao Zedong and the Gang of Four, the group that would eventually receive the blame for the events of the Cultural Revolution.

Given the turbulence and confusion, it is hard to know just what happened. The A to Z of the Chinese Cultural Revolution tackles this task. First, in an extensive chronology, which traces the events from year to year and month to month, then in an introduction puts these events in context and helps to explain them. But most importantly, the bulk of the information is provided in a dictionary section with numerous cross-referenced entries on important persons, places, institutions, and movements. A bibliography points to further sources of information and a glossary will help those researching in Chinese.

• Sales Rank: #762926 in Books
• Published on: 2009-09-17
• Original language: English
• Number of items: 1
• Dimensions: 8.61" h x 1.15" w x 5.63" l, 1.55 pounds
• Binding: Paperback
• 504 pages

About the Author
Guo Jian is professor of English and Chinese at the University of Wisconsin-Whitewater.

Yongyi Song is on the library faculty at California State University, Los Angeles.

Yuan Zhou is the curator of the East Asian Library of the University of Chicago.

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0 of 0 people found the following review helpful.
Interesting
By Claudius
Many important aspects missing. But it makes some contribution to the understanding of the period. Is biased and prejudiced though.

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Ancient Mesoamerica drew world interest in the 19th century when photographs, drawings, and descriptions of discoveries of ruined cities in exotic locations in Mexico and Central America were published. These accounts from early explorers, archaeologists, and travelers made the cultures and archaeological sites of ancient Mesoamerica including the Olmec, Maya, Aztec, Mixtec, Tarascan, Toltec, Zapotec, and other civilizations a major focus of intensive research, public and private funding, and lay interest.

The A to Z of Ancient Mesoamerica covers some of the major discoveries throughout ancient Mesoamerica from the last 100 years. The results of previous and continuing research and explorations, plus recent interpretations of ancient cultures and new work at archaeological sites in Mesoamerica are summarized here. Included in this volume are information and insights on archaeological sites, material culture, social and economic organization, religion and belief systems, and the social history of ancient Mesoamerica. The entries contain geographical, chronological, historical, and interpretive data that serve as a condensed and accessible resource of reference material. Also presented here are select historical personages of ancient times and some brief notes on their lives and accomplishments taken from hieroglyphic texts, painted books or codices, and written documents and oral histories from the colonial period. With a bibliography and chronology, this text will be the perfect starting point for high school or undergraduate research, and a helpful ready-reference for more experienced scholars.

• Sales Rank: #3016854 in Books
• Published on: 2010-04-01
• Released on: 2010-04-01
• Original language: English
• Number of items: 1
• Dimensions: 8.71" h x .53" w x 5.63" l, .70 pounds
• Binding: Paperback
• 236 pages

About the Author
Joel W. Palka is assistant professor of Anthropology and Latin American Studies at the University of Illinois-Chicago. He is presently the director of the Lacandon Archaeology Project in Guatemala.

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