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Experiencing Jazz: A Listener's Companion, by Michael Stephans
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In Experiencing Jazz: A Listener’s Companion, writer, teacher, and prominent jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music together—an experience unique in the world of music.
Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal level and takes readers on a whirlwind tour of the genre, instrument by instrument—offering not only brief portraits of key musicians like Joe Lovano and John Scofield, but also their own commentaries on how best to experience their music. Throughout, jazz takes center stage as a personal transaction that enriches the lives of the musician and the listener. Written for anyone curious about the musical genre, this book encourages further reading, listening, and viewing, helping potential listeners cultivate an understanding and appreciation of the jazz art and how it can help—in drummer Art Blakey’s words—“wash away the dust of everyday life.”
- Sales Rank: #1833286 in Books
- Published on: 2013-10-17
- Original language: English
- Number of items: 1
- Dimensions: 9.32" h x 1.63" w x 6.26" l, 1.92 pounds
- Binding: Hardcover
- 502 pages
From Booklist
This guide to jazz by jazz drummer and educator Stephans is for the interested but uninformed reader. One would need to be extremely interested, because the book is quite long, comprehensive, and occasionally dense, but readers who persevere will emerge more informed listeners, better able to enjoy and appreciate America’s great music. Still, there are problems. The author’s introductory assertion that he departs from chronological sequence in favor of an instrument-by-instrument discussion is only partially true, and the doubly focused narrative results in considerable repetition. There is more on the musicians than the music, and much of the text devolves to mere lists of names, on which many standout performers and groups not fitting the author’s framework are only fleetingly mentioned (Roland Kirk, Chucho Valdes, and Regina Carter or any other violinist), and others (particularly his friends, fellow educators, and bandmates) are overemphasized. Its perspective is very New York, overlooking the fertile West Coast and Chicago music scenes (the Art Ensemble of Chicago and the AACM are only touched upon). He provides useful chapter-by-chapter bibliographies and, in lieu of a discography, a guide to websites, an inevitable twenty-first-century departure from the previous norm in books of this kind. Recommended as a supplementary source for jazz collections. --Mark Levine
Review
Award-winning writer, teacher, and renowned jazz drummer Michael Stephans invites the reader on a guided tour of the jazz world in this essential survey of the genre’s history. This groundbreaking book reframes ever-evolving, distinctly human, art of jazz and invites readers to relearn how to listen. Yes, listening, really listening to music is the lost art that Stephans works to preserve. He forgoes chronological order, instead approaching the subject from the standpoint of instruments and musical innovators while offering a comprehensive social, cultural, and musical history of jazz, from its birth to its present day. This survey of jazz is particular among jazz appreciation texts because it is written by a jazz musician who is currently active on the global jazz scene. With a forward by esteemed jazz writer Doug Ramsey, and preface by jazz master Dave Liebman, this text is a culmination of many prominent voices of the jazz world. At the heart of the book, readers are invited onto the bandstand to listen to personal accounts and legendary jazz stories. In an art form that enriches the lives of the listener and the musician, 'the more we listen, the more we hear.' (Publishers Weekly)
Stephans, a prominent jazz musician, has written widely on jazz music and has written promotional material for many fine musicians. His style is straightforward and easygoing, and will help long-time listeners of jazz and those new to the genre cultivate an understanding and appreciation of jazz music. He gives readers explanations of both technical and scholarly aspects but also important points of what we should be listening for. He provides a survey in the art of listening to jazz and provides an insider's perspective to its ever-changing culture. Along the way he provides readers chapters with important historical and musical insights into the history and styles of jazz during the 1940s and 1950s, discusses the functions and forms of jazz on and off the bandstand, gives details on small groups and big bands, and discusses the key instrument and their significant roles in music (e.g., trombone, saxophone, piano, clarinet). An index makes it easy to find specific topics, persons, places, or musical pieces. As good as this book is—and it is wonderful—it cannot bear scrutiny as a reference tool. Rather, it is a monograph on the history, styles, and movements of jazz music. (American Reference Books Annual)
He provides useful chapter-by-chapter bibliographies and, in lieu of a discography, a guide to websites, an inevitable twenty-first-century departure from the previous norm in books of this kind. Recommended as a supplementary source for jazz collections. (Booklist)
Experiencing Jazz is unlike any other listener's guide. An experienced jazz performer himself, Stephans describes this book as a 'guided tour to the world of jazz.' Rather than offering an alphabetical compendium of artists with brief annotations about his favorite recordings (and to whom one should listen), the author digs deeper to help the reader better understand what to listen for and how to listen. He engages the reader with descriptions of venues, the life of a working musician, record labels, and the business of music. At the heart of the book are some dozen chapters devoted to the principle instruments in jazz, and conversations with a master of that particular instrument. . . .A solid resource for an appreciation class, Experiencing Jazz takes up many substantive topics. This volume will lead to a more meaningful appreciation of jazz and its practitioners. Summing Up: Recommended. Lower- and upper-division undergraduates; professionals; general readers. (CHOICE)
As a very successful attempt to draw interested parties into the world of jazz, Experiencing Jazz is highly recommended. (Musoscribe)
The book is written so that the student or interested reader can sample chapters of interest and still benefit. Of course, reading all the way through, as I did, allows one to appreciate the subject in its entirety. There is liberal use of photographs, many of which come from William Gottlieb’s collection, now owned by the Library of Congress, and by extension, we the American public. Another interesting aspect of the book, Stephans lists the official websites of the principal performers and suggests collateral reading. As mentioned already, he gives some illustrative jazz anecdotes which personalize for the reader the jazz experience. Mr. Stephans, besides being an active jazz drummer, is a poet, author and professor. At Bloomsburg University, part of the U of PA system, he teaches a writing course for science and technology majors. Who would benefit from this book? Jazz enthusiasts, especially students and those wishing to develop a broader appreciation for the art. (Jazz Society of Pensacola)
About the Author
Michael Stephans, Ph.D., teaches writing at Bloomsburg University of Pennsylvania. An award-winning poet, writer, and jazz journalist, he has written liner notes and promotional material for luminaries such as Bennie Maupin, Bob Brookmeyer, and David Liebman. Stephans is also a prominent jazz musician and has performed and recorded with a wide array of jazz artists.
Most helpful customer reviews
5 of 5 people found the following review helpful.
PERSONAL INVITATION TO EXPERIENCE JAZZ
By KTD
This book is a refreshing change from other jazz books I've seen, which tend to be focused on history and analysis of the music. What makes Stephans' book unique is that it was written by a professional jazz musician, rather than a critic or an academic. While the book offers a good historical and cultural foundation for the new or inexperienced listener, it also takes us on a tour of most of the major musical instruments used in jazz, and introduces us to important stylists on each instrument. I really enjoyed Stephans' personal touch throughout the book - his recollections and stories about meeting and playing with quite a few of these greats.
Another thing that I found quite useful and interesting is that Stephans interviews over a dozen of today's greatest jazz musicians, allowing them to speak directly to us about where to start when listening to their music.
One more unique quality of this book is it's extensive reference section: Stephans lists musicians' websites, biographies, videos, and other books, magazines, and websites about jazz. He even includes a glossary of "hip jazz lingo!"
All in all I would highly recommend this book to anyone who has an interest in jazz but doesn't quite know where to begin to listen. More seasoned fans will undoubtedly enjoy it as well.
3 of 3 people found the following review helpful.
An amazing book, to say the least!
By Vickie S.
Michael Stephans has written an immediately captivating book about learning to experience jazz. It's a dictionary, it's an encyclopedia, it's a treasury of references, it's personal tales and humorous stories and so much more! What a terrific way to learn all about jazz in a non-text book fashion. Mr. Stephans' style is so easy to read and understand, is very conversational and such a pleasure from which to learn! The book is beautifully organized and I can truly say I felt the author's love of jazz shine through on every single page. A classic treasure for sure!
1 of 1 people found the following review helpful.
A PHENOMENOLOGY OF JAZZ
By Steven M. Sanders
Experiencing Jazz: A Listener's Companion is an uncommonly clear and engaging discussion of the history, personalities, techniques, and existential availability of this remarkable musical form.
The author, Michael Stephans, is uniquely suited to the task of providing this listener's companion. Readers will benefit from the insights derived from his lifetime in the jazz world as a deeply engaged and polished jazz performance and recording artist in both New York and Los Angeles as well as in South American and European venues. They will learn some of the idioms and vocabulary of jazz (from "bebop" to "wail"). They will savor the book's many first-rate photo illustrations They will learn from the interviews with jazz greats. Mainly they will appreciate the non-technical way the author makes the case for the art of listening to and appreciating jazz while moving through a discussion of each of the main instruments to be found in the evolution of jazz music (trumpet, trombone, saxophone, bass, drums, etc.).
As a writer, poet, jazz journalist and educator, Stephans, is fully-informed, clever, subtle, and amusing. His tale of two encounters with the great jazz drummer Buddy Rich is but one example of the incident and anecdote that enliven the book and attest to its author's love of the music and its players.
Ultimately, what Michael Stephans has provided is a phenomenology of jazz -- an insider's account of the experience of jazz and its most rewarding aspects.
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