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German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures.
Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
- Sales Rank: #3549783 in Books
- Published on: 2010-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.69" h x 1.15" w x 5.60" l, 1.10 pounds
- Binding: Paperback
- 507 pages
About the Author
Robert C. Reimer is chair of the department of languages and culture studies and professor of German at the University of North Carolina Charlotte.
Carol J. Reimer is gift coordinator and collection development associate in the J. Murrey Atkins Library at the University of North Carolina Charlotte.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Another wonderful book by Robert C. Reimer
By filmfranzl
This volume should be in every research library and on the shelf of everyone seriously interested in German cinema. The entries on major directors, producers, actors, as well as major films and some movements are solidly researched. In addition, the book contains a short chronology and history of German cinema. The bibliography is extensive and useful for further study. WARNING: the hardback Historical Dictionary of German Cinema (Historical Dictionaries of Literature and the Arts) and paperback The A to Z of German Cinema (A to Z Guide Series) are the same identical book, even though the books' descriptions list the former as having 520 pages and the latter as having 524 pages. Why did Scarecrow Press release the same book under two different titles? Apparently a marketing strategy to confuse buyers and to get them to purchase two different copies of the same book.
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