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Long Ago and Far Away: Hollywood and the Second World War, by Robert Fyne
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The Second World War was the greatest social, political, and economic upheaval of the 20th century. As a popular Hollywood subject, WWII still enthralls viewers six decades after Allied commanders affixed their signatures on the victory document in Tokyo Bay. Recreating flag-waving charges, frontal beachhead assaults, commando raids, and even home front heroics, these motion pictures―for better or worse―provide the primary learning experience for postwar generations.
After scrutinizing hundreds of screenplays, Robert Fyne has written an in-depth study of World War II films, analyzing the different storylines, points-of-view, and contemporary events found in each. In Long Ago and Far Away: Hollywood and the Second World War, Fyne examines WWII films from 1941 to the present, explaining how the content and mood in these productions paralleled national mores and politics. Some titles are laudatory, even chauvinistic, while others are frivolous or sophomoric. Biographical screenplays both glorify and damn various leaders. Some films bombard viewers with horrific experiences, while others, such as goofy science fiction titles with their wraiths and flying saucers, seem inappropriate. Love stories are examined, as well as films revealing Japanese prisoner of war deprivations and Nazi concentration camp atrocities.
From Above and Beyond to Zone Troopers and The Best Years of Our Lives to Flags of Our Fathers, this is a compelling look at how filmmakers have dramatized this pivotal period in history. For historians, movie watchers, or social commentators, Long Ago and Far Away, complete with an elaborate filmography, offers new information about Hollywood's diverse interpretations of the Good War.
- Sales Rank: #2608699 in Books
- Brand: Brand: Scarecrow Press
- Published on: 2008-05-20
- Original language: English
- Number of items: 1
- Dimensions: 9.28" h x .97" w x 6.35" l, 1.42 pounds
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
Review
The book includes an extensive filmography, a useful bibliography, and some stills. Recommended. (CHOICE, December 2008)
Fyne's writing is extraordinarily fluid, creating a pleasurable narrative that entrances readers with its story-line and then, using a venerable tactic of the true raconteur, faces them with serious, even troubling, issues they cannot evade. (Film & History: An Interdisciplinary Journal, October 2008)
The Second World War continues to fascinate both viewers and filmmakers. Here Robert Fyne revisits and extends the subject of his earlier Hollywood Propaganda of World War II, bringing his analysis right up to the present and deftly positioning the films of each period in their social and cinematic contexts. More than merely a history or a critical study, the narrative seamlessly blends the work of an accomplished scholar with the art of a first-class raconteur. (Robert Matson, Professor of History at the University of Pittsburgh (Johnstown) and the author of Neutrality and Navicerts: Britain, the United)
About the Author
Robert Fyne is professor of English at Kean University. He currently serves as the book review editor for Film & History and is the author of The Hollywood Propaganda of World War II (Scarecrow, 1994).
Most helpful customer reviews
0 of 0 people found the following review helpful.
A good read
By Rozmova
A wealth of information combined with the clear voice of the author.
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Five Stars
By william stewart
very good read.
2 of 2 people found the following review helpful.
An excellent overview of Hollywood's take on WWII
By J. Carroll
From the most jingoistic shorts to the most thoughtful examinations of war and its repercussions, Fyne captures them all in this overview of WW II films. Grouping the films in time periods, Fyne effectively creates an encapsulated portrait of how the films mirror America's national demeanor and emotional state. Starting with the 1941-1945 "We've Never Been Licked," each chapter brings the reader a better understanding of how Hollywood's interpretations of WW II were reflections of the national mood. The sheer number of films mentioned is amazing from the most obscure works, like "Warkill" and "Beach Red" to classics like "Casablanca" and "Schindler's List" nothing is ignored. When movies like "Flesh Feast" with its "guarding Hitler's corpse" plot are included you'll be hard-pressed to find a more complete collection of films.
Most films are mentioned with a brief synopsis, but the book really comes to life when Fyne does a more thorough examination of a film. When films like "The Best Years of Our Lives" and "From Here to Eternity" are examined by in this manner, the result is enthralling and filled with insight. It really makes you wish that this was done more often, but considering the scope of the book that would have been impossible. Any fans of film history should do themselves a favor and read this work.
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