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The Craft of Piano Playing: A New Approach to Piano Technique, by Alan Fraser
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In The Craft of Piano Playing, master pianist Alan Fraser offers readers an original and comprehensive approach to piano technique, offering over 100 illustrations and a series of unique exercises to guide the reader.
- Sales Rank: #526825 in Books
- Brand: Brand: Scarecrow Press
- Published on: 2011-08-29
- Released on: 2011-08-29
- Original language: English
- Number of items: 1
- Dimensions: 9.05" h x 1.16" w x 6.06" l, 1.80 pounds
- Binding: Paperback
- 510 pages
- Used Book in Good Condition
Review
Fraser supplements this second edition of his book (1st ed., CH, Dec'03, 41-2081) with a companion DVD (which must be purchased separately, from Maple Grove Music Productions). Not simply a minor expansion, this work shows Fraser's continued progress in perfecting and illustrating the physical skills necessary to play the piano with ease and comfort. The basic layout of the volume is the same: 3 large parts, 15 sections, 72 chapters, plus various appendixes--all to be used as a whole or in part. The author expands the book by including more illustrations, by providing the musical examples that are demonstrated on the DVD, and by adding some additional subchapters. It is obvious that Fraser is continually exploring the mysteries of piano performance, applying the new realizations to his own playing and teaching, and sharing these refinements with his readers. The DVD (produced in 2006) is made up of small illustrative chapters of each idea, with Fraser demonstrating and talking to the viewer as if he or she is in a lesson with him. The DVD is necessary to understand the written instructions and must be viewed as the reader progresses through each part. Inclusive music collections supporting study of the piano will want this book. Summing Up: Recommended. All readers. (CHOICE)
About the Author
After studying piano with Phil Cohen and Tom Plaunt in Montreal, Canadian pianist Alan Fraser completed his professional training in the Feldenkrais Method before moving to Yugoslavia in 1990 to collaborate with Kemal Gekic in the development of a new approach to piano technique. Author of several books and a DVD on the subject, Fraser maintains an active Feldenkrais practice and piano teaching position in Novi Sad, Serbia, as well as continuing to concertize and lead workshops worldwide.
Most helpful customer reviews
39 of 42 people found the following review helpful.
Unique and valuable
By Jim Curry
Many people just love music, and I do, too. While I have practiced pretty diligently since childhood, I've always been a very poor pianist. Last year, it was so bad that two guests at my house asked me very strenuously to play (seeing the pianos in the room). My playing was so abominable that they had to ask me to stop only a few measures in (I warned them). So, loving music isn't enough. My hands and arms have not been habituated to movement in the sensitive and economical way that is capable of producing acceptable tone. Although I have usually lived in a remote site, I have had a couple of good teachers (for short periods of time). They helped me only a little. I have had some extremely nasty and impatient teachers (very harsh people). They didn't help. This book gives clear and accessible instructions of how to use the hands and arms appropriately to produce tones at the piano that I had not known it could produce. It gives good clues of how an actual legato can be obtained on the piano. For those of us who are totally out of the game of music, this represents real hope that we might eventually enjoy making real music, too, and not simply torturing ourselves and our listeners with endless incompetent and ugly "practice." I know of no other book anywhere that gives sufficiently clear and anatomically oriented instructions that an anti-musician like myself might benefit, too. If the author had the goal of allowing those of us in the cheapest seats to enjoy making music, too, it's the best effort I've seen. Thanks so much. Well done. I needed it, and so did the poor unfortunates who ask me to play once too often!
9 of 10 people found the following review helpful.
Excellent
By P. Adduci
An excellent primer on the connection between Feldenkreis and paino technique. Many exercises are included, and you have to sit at the piano while reading the book.
16 of 17 people found the following review helpful.
Piano technique perfectly and patiently explained by Alan Fraser
By Zuhair Bakdoud
I have read several books on piano technique written by extremely well-known authors in the field. However, compared with the book by Alan Fraser, these mentioned books are practically of no value. They tell you what you should do, but they do not explain (1) the mechanisms of these actions and (2) how you apply these mechanisms.
Our body consists of fingers, hands, arms, torso, etc., but one has to know how to apply these components of our body, in order play the piano. And that is what Alan Fraser accomplishes in his book: He gives you scientifically correct physical excercises to enable you to do what needs to be done. And these excercises work!!!
I am infinitely grateful to Mr. Fraser for taking the trouble to write this magnificent book. His incredibly keen, analytical, mind breaks down piano playing into its physical components.
However, I would love to see added to the book clear, simple, line drawings of the LUMBRICAL muscles, the INTEROSSEUS muscles, the thenar and hypothenar muscles, in order to enable the non-anatomically trained reader to understand how the fingers are moved.
Zuhair Bakdoud, M.D.
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