Sabtu, 29 Agustus 2015

# Download Recent American Art Song: A Guide, by Keith E. Clifton

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Recent American Art Song: A Guide, by Keith E. Clifton

Recent American Art Song: A Guide is a reference source devoted to songs with English texts by American composers, written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are discussed in print for the first time. Keith E. Clifton has examined approximately 1000 songs by nearly 200 composers. Many songs employ musical idioms well beyond traditional classical styles, including references to jazz, musical theater, rap, and rock & roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty.

  • Sales Rank: #2868037 in Books
  • Published on: 2008-09-05
  • Released on: 2008-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.09" h x .93" w x 6.12" l, 1.10 pounds
  • Binding: Paperback
  • 330 pages

Review
Much needed to call attention to what has been written and how to find it. This volume will be useful in all colleges and universities where voice is taught and art song encouraged....Recommended. Two-star review. (CHOICE, March 2009)

Recent American Art Song fills a void in repertoire resources. Every university library should own this volume, and teachers who wish to explore new repertoire will find this a useful and reasonably priced addition to their studios. (Journal of Singing, March/April 2009)

Everything represented here was composed in the last quarter-century, and it is high time this segment of the repertoire receive its official due. Most useful for choosing new pieces are the indices of songs by voice type and by difficulty. One can only hope that future editions will follow Clifton's lead. (Notes: Quarterly Journal of the Music Library Association, June 2009)

Recent American Art Song: A Guide is a well-researched directory of U.S. songwriters and their music since 1980....The author is a world authority on the topic. (American Reference Books Annual, August 2008)

About the Author
Keith E. Clifton is associate professor of musicology at Central Michigan University.

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Jumat, 28 Agustus 2015

!! Get Free Ebook A Guide to Library Research in Music, by Pauline Shaw Bayne

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A Guide to Library Research in Music, by Pauline Shaw Bayne

A Guide to Library Research in Music introduces the process and techniques for researching and writing about music. This informative textbook provides concrete examples of different types of writing, offering a thorough introduction to music literature. It clearly describes various information-searching techniques and library-based organizational systems and introduces the array of music resources available.

Pauline Shaw Bayne has cleanly organized the material in three succinct parts, allowing for three independent tracks of study. Part I treats essentials of the research process. It explains starting point resources like library catalogs, dictionaries, and bibliographies; addresses scholarly documentation, the use of style manuals, and basics of copyright; and provides samples of common written research products. Part 2 develops skills and strategies for library and Internet-based research, describing database structures and library catalogs, subject searching in catalogs and journal indexes, keyword searching techniques, related-record searching and citation databases, and the use of experts, the Internet, and thematic catalogs. In Part 3, Bayne describes music uniform titles and select resources that follow the organization of a music library, such as score collections, books and journals in music literature, and music teaching publications.

Each chapter concludes with learning exercises to aid the students' concept application and skill development. Appendixes provide short cuts to specific topics in library organizational systems, including Library of Congress Subject Headings and Classification. The concluding bibliography provides a quick overview of music literature and resources, emphasizing electronic and print publications since 2000, but including standard references that all music researchers should know.

  • Sales Rank: #4786786 in Books
  • Published on: 2008-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.38" h x .92" w x 7.38" l, 1.75 pounds
  • Binding: Hardcover
  • 290 pages

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1 of 1 people found the following review helpful.
Excellent book
By Amazon Customer
The book is excellent, well written and comprehensive. Great guide to library research. One of the chapters refers to library of congress catalog system.

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Becky
By rdrichards
As a new music librarian, without a degree in FA, I have found this book to be an invaluable resource! It has sections that cover everything from sources for music theory to LOC subject headings with call number ranges. I highly advise this book if you are a music librarian!

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thanks!
By Michael Jaycox
Very fast, and in great shape! I look forward to using this in my course toward earning my masters degree!

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Selasa, 25 Agustus 2015

>> Ebook Download The Francis Ford Coppola Encyclopedia, by James M. Welsh, Gene D. Phillips, Rodney F. Hill

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The Francis Ford Coppola Encyclopedia, by James M. Welsh, Gene D. Phillips, Rodney F. Hill

Francis Ford Coppola's career has spanned five decades, from low budget films he produced in the early 1960s to more personal films of recent years. Because of the tremendous popular success of The Godfather and the tremendous critical success of its sequel, Coppola is considered to be one of the best directors of all time.

The entries in this encyclopedia focus on all aspects of Coppola's work—from his early days with producer Roger Corman to his films as the director of the 1970s. This extensive reference contains material on all of the films Coppola has played a role in, from screenwriter to producer to director, including such classics as Patton, The Godfather, The Conversation, The Godfather Part II, and Apocalypse Now. Each entry is followed by a bibliography of published sources, both in print and online, making The Francis Ford Coppola Encyclopedia the most comprehensive reference on this director's body of work.

  • Sales Rank: #1726308 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2010-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.39" h x 1.05" w x 7.36" l, 1.98 pounds
  • Binding: Hardcover
  • 346 pages
Features
  • Used Book in Good Condition

From Booklist
This encyclopedia focuses on the entire career of Francis Ford Coppola, whether a screenwriter, producer, director, or even vintner. Entries are arranged alphabetically, and those for films (including Coppola’s early low-budget thrillers and the films directed by his daughter, Sofia) contain boxes listing production details and credits. Though the majority of the entries cover individuals (actors, writers, cinematographers, and more) and films, others cover influences, nonfilm projects, and a variety of additional topics, among them American Zoetrope (Coppola’s studio), Cannes International Film Festival, and The Old Guard (the U.S. Army ceremonial unit honored in the film Gardens of Stone). Also here are entries such as Coppola, criticism, and controversy and Coppola on adaptation. Most entries conclude with a list of references. Illustrations consist of some black-and-white stills. Combining ready-reference information with the kind of commentary that would be useful for film students and serious fans, this volume is recommended for large public libraries or academic libraries that support cinema classes. --Patricia Hogan

Review
Welsh (coauthor, Literature into Film) and Gene D. Phillips and Rodney F. Hill (coauthors, The Encyclopedia of Stanley Kubrick) have compiled a definitive reference on the actors, characters, movies, programs, influences, and other significant elements impacting the work of Francis Ford Coppola. Figure profiles offer individual biographical details and an examination of professional trajectories. Movie-related entries provide fabulous, little-known backstories. Each entry is signed and followed by bibliographic references....Essential for Coppola enthusiasts and film studies collections. (Library Journal)

This encyclopedia focuses on the entire career of Francis Ford Coppola, whether a screenwriter, producer, director, or even vintner. Entries are arranged alphabetically, and those for films (including Coppola’s early low-budget thrillers and the films directed by his daughter, Sofia) contain boxes listing production details and credits. Though the majority of the entries cover individuals (actors, writers, cinematographers, and more) and films, others cover influences, nonfilm projects, and a variety of additional topics, among them American Zoetrope (Coppola’s studio), Cannes International Film Festival, and The Old Guard (the U.S. Army ceremonial unit honored in the film Gardens of Stone). Also here are entries such as Coppola, criticism, and controversy and Coppola on adaptation. Most entries conclude with a list of references. Illustrations consist of some black-and-white stills. Combining ready-reference information with the kind of commentary that would be useful for film students and serious fans, this volume is recommended for large public libraries or academic libraries that support cinema classes. (Booklist)

Welsh and Phillips (independent scholars) and Hill (Georgia Gwinett College) offer an exhaustive A-Z compendium of information about Francis Ford Coppola, a major figure in American cinema and director of The Godfather, The Conversation, Apocalypse Now, and many other films. The book describes Coppola as a "visionary auteur" and presents his career as one of extremes—from the fabulous successes of the 1970s to the bitter disappointments of the 1980s, as he struggled and compromised with the Hollywood system. Entries for each film include full credits, a plot summary, highlights of the production history and critical reception, and references for further reading. Additional entries are devoted to Coppola's professional associates, actors, those he mentored, and diverse influences in his life. This unique volume will be necessary reading for anyone studying Coppola's films and American filmmaking of the mid to late 20th century. Contributors are knowledgeable specialists—writers or teachers with credentials in film and media. Phillips previously wrote Godfather: The Intimate Francis Ford Coppola (CH, Sep'04, 42-0202), and he and Hill edited Francis Ford Coppola: Interviews (2004). An excellent selected bibliography, general index, and photographs of scenes from the films enhance the volume's value to students. Summing Up: Essential. Medium to large film collections in public and academic libraries; lower-level undergraduates and above, and general readers. (CHOICE)

Welsh and company do create not just a fresh look at Coppola, but a fresh approach to the encyclopedia as an information delivery system, for it does more than simply supply facts about the director…. Readers will find the book both enlightening and entertaining…. The entries in the encyclopedia look to capture both the 'larger-than-life filmmaker and entrepreneur' as well as the person 'who can be incredibly kind, forgiving and generous,' while simultaneously shedding light on Coppola's standing as an 'anti-establishment maverick' who serves as a central figure in Twentieth Century film. (Screening The Past 2011-06-01)

The volume is a celebration of the man, and the enthusiasm of the editors....Cineastes and any college or university library that supports film, or even oenologists, should consider this an essential purchase. (Reference Reviews)

To tell the story of Francis Ford Coppola’s career is to not only sketch out a broad history of American mainstream film production over the past half-century, but also the role of the director within it. The book performs admirably in this respect, with entries on individual films providing excellent detail on their often embattled and convoluted production processes, and the battles fought by Coppola to maintain a degree of personal control over his work. . . . The Francis Ford Coppola Encyclopedia has clearly been approached with passion and the result is a lively, informative tome which reveals much about not only Francis Ford Coppola himself, but the American film industry as a whole. (Journal of American Studies of Turkey)

About the Author
James M. Welsh is the cofounder of Literature/Film Quarterly and coeditor of The Literature/Film Reader (2007) and The Encyclopedia of Sports Films (2010), both published by Scarecrow Press.

Gene D. Phillips, S.J. is the author of David Lean: Beyond the Epic (2006) and Some Like It Wilder: The Life and Controversial Films of Billy Wilder (2010).

Rodney F. Hill teaches film in the Lawrence Herbert School of Communication at Hofstra University. He is coeditor of Francis Ford Coppola: Interviews (2004) and The Encyclopedia of Stanley Kubrick (2002).

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Minggu, 23 Agustus 2015

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The A to Z of Women in Sub-Saharan Africa includes over 660 entries on notable women in history, politics, religion, the arts, and other sectors; on events particularly associated with women; on women's organizations and publications; and on a range of topics that are important to women in general or that have a special importance for African women, including marriage, fertility, market women, goddesses, and much more.

  • Sales Rank: #3869543 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2010-02-23
  • Released on: 2010-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.67" h x 1.08" w x 5.63" l, 1.35 pounds
  • Binding: Paperback
  • 454 pages
Features
  • Used Book in Good Condition

About the Author
Kathleen Sheldon is an independent historian with a research affiliation at the University of California, Los Angeles, Center for the Study of Women. She has published books and articles on African history, with particular concentration on women's history and on Mozambique.

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0 of 0 people found the following review helpful.
An important resource on African women's history
By Wendy Laura Belcher
Kathie Sheldon is one of the leading scholars on African women's history and this book is an important source of quick information, based on years of research, useful for scholars and students.

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Sabtu, 22 Agustus 2015

!! PDF Ebook Bringing the Body to the Stage and Screen: Expressive Movement for Performers, by Annette Lust

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As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. And in order to bring authenticity and believability to a character, it has become increasingly vital for actors to be aware of movement and physical acting. Stage and screen artists must now call upon physical presence, movement on stage, non-verbal interactions, and gestures to fully convey themselves.

In Bringing the Body to the Stage and Screen, Annette Lust provides stage and screen artists with a program of physical and related expressive exercises that can empower their art with more creativity. In this book, Lust provides a general introduction to movement, including definitions and differences between movement on the stage and screen, how to conduct a class or learn on one's own, and choosing a movement style. Throughout the book and in the appendixes, Lust incorporates learning programs that cover the use of basic physical and expressive exercises for the entire body. In addition, she provides original solo and group pantomimes; improvisational exercises; examples of plays, fiction, poetry, and songs that may be interpreted with movement; a list of training centers in America and Europe; and an extensive bibliography and videography.

With 15 interviews and essays by prominent stage and screen actors, mimes, clowns, dancers, and puppeteers who describe the importance of movement in their art and illustrated with dozens of photos of renowned world companies and artists, Bringing the Body to the Stage and Screen will be a valuable resource for theater teachers and students, as well as anyone engaged in the performing arts.

  • Sales Rank: #1397319 in Books
  • Published on: 2011-12-30
  • Released on: 2011-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.11" h x .83" w x 7.14" l, 1.66 pounds
  • Binding: Paperback
  • 352 pages

Review
Author Annette Lust has created a volume that may come to be considered a bible of physical theater. The book could take its place in any library of the classics of theater instruction. Information is sorted carefully and folded neatly to fit into a compact tome of under 400 pages—and all of it is packed with gems....The author has laid out a valuable course in the physical theater art form. She presents a history of acting styles that are the precursors to the modern methodologies of the theater of the body....Yet Bringing the Body to the Stage and Screen: Expressive Movement for Performers is far from a purely academic or theoretical book of observations about a way of acting. The author provides the opportunity for a total immersion experience of the craft. There are warm-up routines and a wide range of exercises to engage the actors’ bodies and minds....Nothing about Bringing the Body to the Stage and Screen is hasty or superficial. Author Lust offers the essences of the work in every page. She shows herself to be a teacher in the best sense of the word, a scholar who has the ability to turn her research into practical advice, and a writer whose clear, concise descriptions add significantly to the overall value of her book. (New York Journal of Books)

A dense, fascinating and useful book on the key element in performance. This new book...is a trove of information and examples—including exercises, improvisation techniques, original pantomimes, nonverbal acting, mime and physical theater methods, as well as chapters and an appendix on teaching movement and creating a movement education program, plus appendices on resources (schools, festivals, publications, DVDs ...)....Bringing the Body to the Stage and Screen constitutes a generous contribution to the teaching, production and appreciation of the performing arts, both in live performance and those captured on tape and film. (Westside Observer (California))

Lust's extensive knowledge of mime, acting, and pantomime--as presented in her much-lauded From the Greek Mimes to Marcel Marceau and Beyond (CH, Dec'00, 38-2085)--serves as solid background for the present title. Here, Lust (emer., Dominican Univ. of California) expands on her thesis that physical movement is the basis for expressing feelings/emotions required in these arts and that varied movement is necessary for artistic expression in all modes of theater performance. She proposes a training program drawn from theater, mime, pantomime, improvisation, and stage and screen stylized movement--offering a treasure trove of exercises for beginning to intermediate students to introduce them to (or expand their repertoire of) movement skills. The goal is to provide experiences that elicit expressive movement to creatively build on in the future. In part 3 Lust offers essays by and interviews with internationally renowned artists from varied theater forms. These discuss how expressive movement is valued and employed in art practices. In his essay, Dan Kamin explains how Charlie Chaplin mesmerized film audiences with his movement technique; others describe the use of movement in puppetry, mime, acting, film, and clown performance. Appendixes give a wealth of resources (training centers, publications, festivals, DVDs). Summing Up: Highly recommended. (CHOICE)

About the Author
Annette Lust is the author of From the Greek Mimes to Marcel Marceau and Beyond (Scarecrow, 2002), which was awarded the Choice Outstanding Academic Book in 2000 and was a finalist for the George Freedly Memorial Award in 2001. She is professor emerita at Dominican University of California in San Rafael, California, where she has taught beginning mime, theatre production, and French language and literature.

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3 of 3 people found the following review helpful.
A Comprehensive Manual for the Theatre Artist
By Gaetana C. Smith
Annette Lust's latest book, "BRINGING the BODY to the STAGE and SCREEN" is a perfect companion to her "FROM the GREEK MIMES to MARCEL MARCEAU and BEYOND," published in 2000. "Bringing the Body" should be in the library of everyone in theatre, whether performer, teacher, director, writer, or in production. It should be constantly referenced as its material is easily accessed and rich in detail. Starting with the definitions of various movement techniques provided in Chapter One and proceeding chapter by chapter from there, following the steps and diagrams on both movement and breathing, one could possibly teach oneself how to bring one's body to stage and or screen. In Chapters 6 and 7, Dr. Lust describes creating pantomimes and physicalizing the written word from fables, short stories, plays, and more. There are also sections on puppetry, puppeteers, and clowning. One of the many highlights of "Bringing the Body" is her inclusion of interviews with and essays by many movement artists such as Bill Irwin, Geoff Hoyle (both originally from Larry Pisoni's Pickle Family Circus), Dan Kamin on Charlie Chaplin, John Goode of the John Goode Performance Group; Liebe Wetzel on puppetry; and Robert Fleshman on Etienne Decroux, the father of contemporary, corporeal mime. The appendices contain a wealth of information from setting up a training program to references to schools and training centers. You will find "BRINGING the BODY to the STAGE and SCREEN" an invaluable resource.

2 of 2 people found the following review helpful.
Enlightening
By Louis Parnell
Annette Lust's book on BRINGING THE BODY TO THE STAGE AND SCREEN was excellent.
It was enlightening for anyone who is in the entertainment field (especially stage work). I highly recommend it if you are a serious actor for either casual reading or in the event you wished to apply her knowledge to your craft.

1 of 1 people found the following review helpful.
A Treasure Trove for Actors, Teachers and Students of Theatre
By Flora Lynn Isaacson
Dr. Annette Lust's new book Bringing the Body to the Stage and Screen: Expressive Movement for Performers is a valuable companion to her earlier book, From the Greek Mimes to Marcel Marceau and Beyond. Here Dr. Lust provides another extraordinary guide to further develop and refine our perception of the importance of movement. In addition, she offers a varied and wide choice of training methods to help future actors become more physically adept, expressive and complete in their artistic performances. Bringing the Body to Stage and Screen: Expressive Movement for Performers is an invaluable reference book to have on hand.

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Rabu, 19 Agustus 2015

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Knowledge is power, but this is especially true for teams carrying out a project. As in other arenas, the effective use of knowledge is possible only if it is readily accessible, well organized, properly analyzed, and competently disseminated to meet the project needs. Knowledge gained from project failures or successes is vital for the long term sustainability of organizations to compete in the business environment. This book focuses on the proper access and delivery methods for explicit knowledge in projects and also concentrates on tacit knowledge unknown and unavailable to most people in project environments.

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  • Sales Rank: #4601129 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2010-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.40" h x 1.06" w x 7.37" l, 2.00 pounds
  • Binding: Hardcover
  • 360 pages
Features
  • Used Book in Good Condition

About the Author
T. Kanti Srikantaiah is professor at Dominican University, where he is the Director of the Center for Knowledge Management.

Michael E. D. Koenig is professor and former and founding dean of the College of Information and Computer Science at Long Island University.

Suliman Hawamdeh is professor and program coordinator of the Master of Science in Knowledge Management at the University of Oklahoma.

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Physicians, health researchers, and nurses make extensive use of focus groups. Thus, researchers and readers need access to the realm of applications of focus group methodology in the wide variety of medical and health sciences. In this second installment of a two-volume examination of ten recent years (1998-2007) of focus group studies and research literature, author Graham R. Walden turns his attention from the arts, humanities, and non-medical sciences to the medical and health sciences, concentrating on a broad range of studies in books, book chapters, and journal articles that are available in English.

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  • Sales Rank: #11039769 in Books
  • Published on: 2009-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.07" h x 1.30" w x 6.17" l, 1.45 pounds
  • Binding: Paperback
  • 442 pages

Review
Highly recommended.... For the period covered, this volume represents a comprehensive overview of the ways focus groups have been used to gather data and investigate research problems within the medical and health sciences. It will be valuable for students, researchers, and practitioners and for qualitative methodologists interested in the application of focus group methods within medical fields of study.
(R.V. Labaree CHOICE, June 2010)

About the Author
Graham R. Walden is a librarian and professor at Ohio State University.

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Historical Dictionary of Islam (Historical Dictionaries of Religions, Philosophies, and Movements Series), by Ludwig W. Adamec

There is both unity and variety in the Islamic world. Muslims are not a homogeneous people who can be explained solely by their normative texts: the Koran and the Sunnah. Muslims differ vastly in their interpretation of Islam: modernists want to reinterpret Islam to adapt to the requirements of modern times while traditionalists tend to look to the classical and medieval periods of Islam as their model of the Islamic state.

The second edition of the Historical Dictionary of Islam presents a concise overview of Islamic history, religion, philosophy, and Islamic political movements. This is done through a list of abbreviations and acronyms, a chronology, an introductory essay, a bibliography, and cross-referenced dictionary entries, which include the biographies and thoughts of medieval thinkers, as well as those of modern members of the religious and political establishments. Articles describe the major sects, schools of theology, and jurisprudence, as well as aspects of Islamic culture. Together, this book represents a brief introduction to the field of Islamic studies.

  • Sales Rank: #4667386 in Books
  • Published on: 2009-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.97" h x 1.39" w x 5.88" l, 1.85 pounds
  • Binding: Hardcover
  • 520 pages

From Library Journal
Adamec (Middle Eastern studies, Univ. of Arizona), director of the Near Eastern Center for a decade, is a widely known authority on Afghanistan who has published many books and articles. The volumes in this Scarecrow series have varied in quality, but this dictionary fares well. Its clear, concise entries give basic facts, organized under headings in English, when available, rather than in Arabic. The book includes a chronology, an accessible historical introduction, and a considerable bibliography arranged by broad categories. Unfortunately, the book has a few drawbacks: some topics are missing (e.g., "Qa'im," similar to Mahdi); the need to compress sometimes distorts a subject, as in the article on Bab; and there is only one map. While larger libraries should be sure that they also have larger reference works on Islam (e.g., Encyclopaedia of Islam, Brill Academic; Encyclopaedia Iranica, Mazda), this book is a good acquisition for most public libraries and a useful supplementary quick reference for academic libraries. William P. Collins, Library of Congress

Copyright 2001 Cahners Business Information, Inc.

From Booklist
From theological, political, and cultural corners, there is a growing demand from student and layperson alike for clear, well-informed, and up-to-date information on the topic of Islam. The latest addition to the Scarecrow Press Historical Dictionaries of Religions, Philosophies, and Movements series effectively fills this need. With the inclusion of copious entries from all over the Islamic historical spectrum, author Adamec presents Islam as the complex, diverse religion that it is and not as the monolithic, antiprogressive entity it is sometimes viewed as by many in the West. An update to the 2001 edition, this alphabetically arranged, cross-referenced volume touches on various topics and figures from Islamic history, philosophy, and religion as well as the position of Islam in the modern political world. Included among the generally concise, well-written, and engaging entries are numerous biographies for cultural, religious, legal, and political leaders. A succinct chronology and edifying introduction both provide the necessary background information and place entries within the proper historical context. Adamec has skillfully navigated the tricky issue of Arabic terminology by providing main entries in English (where possible) with their Arabic equivalent (for example, Pilgrimage. “Hajj”). A major highlight of the work is the extensive categorized bibliography consisting of books and articles from the field of Islamic studies. Overall, this volume serves as an excellent pathfinder for both scholars and those with no prior knowledge of the subject. Academic and larger public libraries should consider adding this title even if they already have works such as The Oxford Dictionary of Islam (2004) and The Penguin Dictionary of Islam (2008). --Brian Odom

Review
The dictionary entries are well cross-referenced and lean towards compactness. As a dictionary, this work covers the Muslim Heartlands and Fundamentalist Islam well. (American Reference Books Annual)

From theological, political, and cultural corners, there is a growing demand from student and layperson alike for clear, well-informed, and up-to-date information on the topic of Islam. The latest addition to the Scarecrow Press Historical Dictionaries of Religions, Philosophies, and Movements series effectively fills this need. With the inclusion of copious entries from all over the Islamic historical spectrum, author Adamec presents Islam as the complex, diverse religion that it is and not as the monolithic, antiprogressive entity it is sometimes viewed as by many in the West....Included among the generally concise, well-written, and engaging entries are numerous biographies for cultural, religious, legal, and political leaders....Overall, this volume serves as an excellent pathfinder for both scholars and those with no prior knowledge of the subject. Academic and larger public libraries should consider adding this title even if they already have works such as The Oxford Dictionary of Islam (2004) and The Penguin Dictionary of Islam (2008). (Booklist, November 2009)

Most helpful customer reviews

1 of 1 people found the following review helpful.
Islam encyclopedia Dictionary 2009
By William Garrison Jr.
"Historical Dictionary of Islam" by Ludwig Adamec (2nd ed. 2009), in English, 459 pgs. CAUTION!! Besides having different intro press-release info & ISBNs, this book is EXACTLY the same as the author's "The A to Z of Islam" (2nd ed. 2009)!!! "A-Z" ISBN is 978-0-8108-7160-1 (paperback), whereas "Dictionary" is 978-0-8108-6161-9 (cloth) - SAME # of pages, SAME text !!! Highly Recommended. What I really like about this (encyclopedia) book is its many pages (343 pages) of wide-breadth scope of Islamic-related topics. Sadly, only 75% of the pages are devoted to Islamic-encyclopedic use; with the remaining quarter being a `Bibliography' of books pertaining to many Islamic-related topics - nonetheless, this book would still be useful even if its Bibliography had been excluded. Sadly, many other `popular' Islamic-related encyclopedias are short (less than 200 pages). This book covers many (short) topics: ghazw, muhtasib, economics, wahy, Nizariyyah, 'Year of Deputations', politics: Mirza Sultan-Galiev, history, Wasil ibn Ata, legal, government, millat, individuals, mihna, 'the White Streak', Islamist groups, even `Londonistan'. Other likeable aspects include that whatever topic is discussed it will very frequently include the appropriate Arabic word. If I recall my youthful Sunday School teachings, Jews consider the Prophet Abraham (Ibrahim) as being Jewish; the author contends that Abraham was not (p. 10) - but that he was just a monotheist. Of relevance here is that the author does not state that Muslims consider Abraham to be a Muslim, and the entire Issac/Ishmael "oldest son" dispute is overlooked as to whether the Jews or Muslims are to have primary ownership of Israel-Palestine. The author sees `devshirme' of Christian boys as a `levy' rather than enslavement (p. 82). The author maintains that Muhammad married Jewish and Christian female captives for `political reasons' rather than lustful (p.330). Doesn't really `critique' Islamic beliefs. Still -- informative. [Also worthy: "Islamic Desk Reference" by van Donzel; "A Glossary of Islamic Terminology" by B.S. Abughosh.]

0 of 0 people found the following review helpful.
Islamic Dictionary 2009
By William Garrison Jr.
"Historical Dictionary of Islam" by Ludwig Adamec (2nd ed. 2009), in English, 459 pgs. CAUTION!! Besides having different intro press-release info & ISBNs, this book is EXACTLY the same as the author's "The A to Z of Islam" (2nd ed. 2009)!!! "A-Z" ISBN is 978-0-8108-7160-1 (paperback), whereas "Dictionary" is 978-0-8108-6161-9 (cloth) - SAME # of pages, SAME text !!! Highly Recommended. What I really like about this (encyclopedia) book is its many pages (343 pages) of wide-breadth scope of Islamic-related topics. Sadly, only 75% of the pages are devoted to Islamic-encyclopedic use; with the remaining quarter being a `Bibliography' of books pertaining to many Islamic-related topics - nonetheless, this book would still be useful even if its Bibliography had been excluded. Sadly, many other `popular' Islamic-related encyclopedias are short (less than 200 pages). This book covers many (short) topics: ghazw, muhtasib, economics, wahy, Nizariyyah, 'Year of Deputations', politics: Mirza Sultan-Galiev, history, Wasil ibn Ata, legal, government, millat, individuals, mihna, 'the White Streak', Islamist groups, even `Londonistan'. Other likeable aspects include that whatever topic is discussed it will very frequently include the appropriate Arabic word. If I recall my youthful Sunday School teachings, Jews consider the Prophet Abraham (Ibrahim) as being Jewish; the author contends that Abraham was not (p. 10) - but that he was just a monotheist. Of relevance here is that the author does not state that Muslims consider Abraham to be a Muslim, and the entire Issac/Ishmael "oldest son" dispute is overlooked as to whether the Jews or Muslims are to have primary ownership of Israel-Palestine. The author sees `devshirme' of Christian boys as a `levy' rather than enslavement (p. 82). The author maintains that Muhammad married Jewish and Christian female captives for `political reasons' rather than lustful (p.330). Doesn't really `critique' Islamic beliefs. Still -- informative. [Also worthy: "Islamic Desk Reference" by van Donzel; "A Glossary of Islamic Terminology" by B.S. Abughosh.]

See all 2 customer reviews...

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~ Download Historical Dictionary of South American Cinema (Historical Dictionaries of Literature and the Arts), by Peter H. Rist

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Historical Dictionary of South American Cinema (Historical Dictionaries of Literature and the Arts), by Peter H. Rist

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Historical Dictionary of South American Cinema (Historical Dictionaries of Literature and the Arts), by Peter H. Rist

The Historical Dictionary of South American Cinema covers the long history of cinema in Portuguese-speaking Brazil and the nine Spanish-speaking countries. These films include Los tres berretines, Prisioneros de la tierra, La balandra Isabel llegó esta tarde, La hora de los hornos, El chacal de Nahueltoro, La teta asustada, Abrir puertas y ventanas, El secreto de sus ojos, and NO.

This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on directors, producers, performers, films, film studios and genres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the South American Cinema.

  • Sales Rank: #3096891 in Books
  • Published on: 2014-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x 2.29" w x 6.58" l, 2.75 pounds
  • Binding: Hardcover
  • 760 pages

Review
This title fills a gap in the reference literature on South American cinema. Its scope is wider than Timothy Barnard and Peter Rist’s edited South American Cinema: A Critical Filmography, 1915-1994 (1996) or Luis Trelles Plazaola’s older but unrevised South American Cinema: Dictionary of Film Makers (1989), which focus on films and film directors, respectively. On the other hand, it is more narrowly focused than Scott Baugh’s Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends, which spans Latino cinema in the US and in South America. Rist covers South America only, but comprehensively, with material not only on films and directors, but also on performers, producers, film festivals, genres, and organizations. Included is an impressive chronology, arranged by year and then by country. Also featured is a valuable overview of South American cinema in the introduction and in the literature review preceding the thorough bibliography. The bibliography, geographically arranged after a 'General' section, covers books, articles, online articles, and websites, mainly in English, but also in French, Spanish, and Portuguese. A title index facilitates research on individual films. These enhancements, in addition to the wealth of information provided in the dictionary entries, should make this the go-to ready-reference title for its topic. Summing Up: Essential. Lower-level undergraduates and above. (CHOICE)

This new volume in the venerable Historical Dictionary of Literature and the Arts series seeks to promote the important contributions of South American films to the culture of world cinema. Peter H. Rist of Concordia University in Montreal brings years of research and film viewing to bear on over 300 entries discussing South American films, directors, producers, and performers. He discusses films from the 12 Spanish-speaking nations and Brazil (Portuguese) of the continent . . . [H]e includes only films produced in the region primarily for local audiences [and] he includes historical films (back to the late nineteenth century) intended for broader Spanish-speaking audiences. Each entry is cross-referenced and designed for efficiency. Entries for directors include biography, filmography, and critical commentary. A number of landmark films receive their own entry with a plot summary, notes on critical reception, and other contextual information. The volume includes a chronology, extensive bibliography (organized by nation), and index of titles. The text is quite readable and includes indigenous-language films as well as a short but helpful entry on the rise of women in the industry. Historical Dictionary of South American Cinema succeeds in encapsulating over 100 years of film production that is largely overlooked in general film histories. It covers a number of genres, including animation, art and popular film, documentaries, and regional favorites such as tango films. It can help round out a cinema and film criticism or history collection. (American Reference Books Annual)

The preface of this historical dictionary states that 'This book is an attempt to raise regard for SouthAmerican cinema to the level of that accorded the cinemas of the United States and countries in Europe', a worthy challenge and elegantly executed. Covering more than a dozen countries...and several languages, the work reaches back to the late 1890s for a truly historic and much-needed examination of the cinema of this region.....[T]he Historical Dictionary of South American Cinema is highly recommended for film studies, Latin American studies, international studies and general reference collections. (Reference Reviews)

The Historical Dictionary of South American Cinema covers the history of South American Cinema through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on directors, producers, performers, films, film studios and genres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the South American Cinema.

About the Author
Peter H. Rist is professor of film studies in the Mel Hoppenheim School of Cinema at Concordia University. He has served as chair of the school (formerly Department of Cinema) for eight years, and for most of the remaining time he has been administrating in some capacity. He co-edited South American Cinema: A Critical Filmography with Timothy Barnard and edited Canadian Cinema(s).

Most helpful customer reviews

1 of 1 people found the following review helpful.
Amazing wealth of information on South American cinema - this ...
By Lisa K. Miller
Amazing wealth of information on South American cinema - this book, all 700 pages of it- gives you a one-stop comprehensive history of the cinema of this region. Two thumbs up!

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