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While the United States has had some kind of intelligence capability throughout its history, its intelligence apparatus is young, dating only to the period immediately after World War II. Yet, in that short a time, it has undergone enormous changes—from the labor-intensive espionage and covert action establishment of the 1950s to a modern enterprise that relies heavily on electronic data, technology, satellites, airborne collection platforms, and unmanned aerial vehicles, to name a few.

This second edition covers the history of United States intelligence, and includes several key features:

• Chronology
• Introductory essay
• Appendixes
• Bibliography
• Over 600 cross-referenced entries on key events, issues, people, operations, laws, regulations

This book is an excellent access point for members of the intelligence community; students, scholars, and historians; legal experts; and general readers wanting to know more about the history of U.S. intelligence.

• Sales Rank: #3879421 in Books
• Published on: 2014-10-08
• Original language: English
• Number of items: 1
• Dimensions: 9.27" h x 1.30" w x 6.36" l, .0 pounds
• Binding: Hardcover
• 422 pages

From Booklist
This is the second title in the Historical Dictionaries of Intelligence and Counterintelligence series, following Historical Dictionary of British Intelligence (2005). It is intended as an introduction to the study of intelligence in the U.S.

The volume is easy to read and well organized, and topics are well defined given the complex nature of the subject matter. More than 500 concise entries range from two to four per page and cover people, places, operations, and organizations with just enough information to pique interest but not enough depth for serious students. Every U.S. president has an entry with comments on contributions to intelligence programs. Executive orders on the subject of intelligence are entered here--most with references to related topics. Key agencies, government departments, known operations, and intriguing people associated with clandestine activities are noted. Information on other countries and foreign nationals is presented in the context of their relationships to the U.S and its intelligence work.

Complementing the entries are a list of the myriad acronyms and abbreviations used in U.S. defense and intelligence, a 15-page historical chronology, and an introduction summarizing intelligence in the U.S. from 1776 to 2005. The appendixes list directors and deputy directors of the Central Intelligence Agency. The extensive bibliography will be extremely helpful for those interested in continuing research in this field of study.

This is another recommended title for academic institutions with studies in this field and public libraries and special libraries where there is interest. Terri Tomchyshyn
Copyright © American Library Association. All rights reserved

Review
Turner (political scientist and former Central Intelligence Agency analyst) explores the American intelligence world in this recent addition to the publisher's Historical Dictionaries of Intelligence and Counterintelligence series. While American agents have always engaged in intelligence gathering and counterintelligence work, the enterprise only became systematic following World War II. The volume offers a useful chronology, a list of acronyms and abbreviations, appendixes listing past US intelligence agency leaders, and a detailed, classified bibliography. Everything is covered in this volume, from people (e.g., Gerald Ford, John Brennan) to places, operations, and events—the Vietnam War's Operation Phoenix, long-term intelligence operations, the Foreign Intelligence Surveillance Act (FISA) of 1978, unmanned aerial vehicles (UAV), and so forth. Some of the 600-plus entries are just a few sentences, but many are a page or longer, and most are cross-referenced to other entries. This volume belongs in library collections holding similar works, e.g., Nigel West's Historical Dictionary of International Intelligence. Summing Up: Recommended. Lower-level undergraduates through researchers/faculty; general readers. (CHOICE)

This second edition of Historical Dictionary of United States Intelligence covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on key events, issues, people, operations, laws, regulations, and other items of interest pertaining both to the history and contemporary operations of United States intelligence. This book is an excellent access point for practitioners in the U.S. Intelligence Community, students, and scholars in the academic world, historians of American national security, and legal experts; and general readers wanting to know more about the history of U.S. Intelligence

About the Author
Michael A. Turner is a political scientist teaching intelligence and national security matters in San Diego, California. He is a fifteen-year veteran of the Central Intelligence Agency, where he worked in various analytical and staff positions. He also served rotational assignments on Capitol Hill and the Departments of State and Defense. Dr. Turner was twice the recipient of the CIA's prestigious Exceptional Performance Award. He is the author of Why Secret Intelligence Fails and numerous journal articles on intelligence matters, and serves on the editorial board of the International Journal of Intelligence and Counterintelligence.

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# Free Ebook Cinema Inferno: Celluloid Explosions from the Cultural MarginsFrom Scarecrow Press

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Cinema Inferno: Celluloid Explosions from the Cultural Margins addresses significant areas (and eras) of "transgressive" filmmaking, including many subgenres and styles that have not yet received much critical attention. This collection of essays covers both contemporary films and those produced in the last 50 years to provide a theoretical framework for looking at transgressive cinema and what that means.

This volume begins with a number of essays that examine the aesthetic of "realism," tracing it through the late Italian Neo-Realism of Pasolini, the early films of Melvin Van Peebles, and Canadian filmmaker Guy Maddin. Another section focuses on '70s Italian horror and thrillers, including a substantially different examination of filmmaker Dario Argento, as well as essays on critically underrepresented directors Lucio Fulci and Sergio Martino. A section on New York looks at both radical independents like Troma and Andy Milligan, as well as the social context from which a view of the metropolis-in-decay emerged. Sections also cover the experimental work of the Vienna Action Group and controversial filmmaker Michael Haneke, as well as films and genres too idiosyncratic and disturbing to fit anywhere else, including analyses of Nazi propaganda films, fundamentalist Christian "scare" movies, and postwar Japanese youth films. The final essays try to come to terms with a mainstream flirtation with "transgressive" film and Grindhouse aesthetics.

• Sales Rank: #4294411 in Books
• Published on: 2010-07-17
• Original language: English
• Number of items: 1
• Dimensions: 9.59" h x 1.08" w x 6.59" l, 1.70 pounds
• Binding: Hardcover
• 420 pages

Review
In fact, inclusivity is one of the hallmarks of both this collection and its companion volume

The solicitation of material from both inside and outside of established film scholarship allows the editors to select work from authors who are the most knowledgeable about their subjects, regardless of previous experience or recognition.

Weiner and Cline have set the bar for a thoughtful exploration of films all too easily written off or devalued by even the most ‘objective’ critics, and their work should be seen as the high point of transgressive scholarship. (Science Fiction Film and Television)

About the Author
Robert G. Weiner is associate humanities librarian at Texas Tech University where he is the librarian for film studies. He is the author of Marvel Graphic Novels: An Annotated Guide 1965-2005 and editor of Captain America and the Struggle of the Superhero: Critical Essays (2009).

John Cline is co-chair for the Transgressive/Exploitation film area for the Southwestern Popular Culture Association.

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1 of 1 people found the following review helpful.
Excellent Collection of Essays on Transgressive Films and Their Parental Figures.
By 4-Legged Defender
[CINEMA INFERNO (Celluloid Explosions from the Cultural Margins) - edited by Robert G. Weiner and John Cline - 2010 Scarecrow Press - 396 pages] An even superior effort to their previous volume, 'From the Arthouse to the Grindhouse' (read my review), this companion piece addresses different areas of transgressive cinema and its filmmakers by providing a collection of essays that explore genres of paracinema even a jaded warhorse like myself wasn't too familiar with, and that's why it's essential, and by incorporating authors outside the usual hyper-intellectualized academia, whose tone is typically bland and self-aggrandizing, invites a wider audience to what should be mandatory reading for all lovers of non-mainstream films. Don't let this one slip below your radar...

Where else could you possibly hope to find aesthetic examinations of the likes of Guy Maddin, Pier Passolini, Melvin Van Peebles, Andy Milligan, Troma films, Michael Haneke, Nazi propaganda films, Christian "scare" movies from the 70's, Dario Argento, Ruggero Deodato, Sergio Martino, Lucio Fulci, Peter Greenaway, Asian youth exploitation flicks from the early 70's, Joe D'Amato, Joel Schumacher's '8MM', Tarantino and Rodriguez's 'Grindhouse' all under one roof? Only in the perverted blender of your wicked dreams, friends, that is until now.

Unlike the first volume, which was a bit heady in the scholarly end of the analysis of the topics, this time authors who live and work outside of academic establishments were invited to participate, making for a significantly more entertaining though no less informative and well-researched reading of essays scouring subject matter rarely mentioned, let alone explored and examined by anyone worth listening to. I regularly read about such films on various websites and, sadly, seldom find anyone well-versed in the genres discussed, offering only opinion and sarcasm, and possibly a rating system that's comprised of how many naked babes are exposed (but I'm not too critical of such things, either - I hate cinema snobs, and there's no such thing as too much nudity in a psychotronic sunspot, now is there?), or praise wretched films solely because they get free promo copies from the distributers in exchange for a decent plug. So this is a breath of fresh air - you gain additional insight about genres you appreciate (even those you're possibly reluctant to tell your friends about), directors you personally revere that no one in your circle has ever heard of, get exposed to a few names and films you may be unfamiliar with, have a few opinions validated by someone likely smarter than yourself, and scream blindly at the pages when an author trashes or slanders a film or director you're enamored with. Ain't life grand?

All serious aficionados of arthouse, grindhouse, exploitation, gaillo, foreign film, Eurocult and Eurohorror, experimental and avant-garde films should have these two volumes in their libraries; but if a fairly hefty pricetag means you only grasp at one, make it 'Cinema Inferno' - it'll scorch your brain without leaving you burnt and charred. Five smoldering stars.

0 of 0 people found the following review helpful.
Its pretty good.
By zeke
This book was not exactly what I was expecting but It seems interesting and I look forward to finishing it.

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While there are many similarities between solo and choral singing, they are not the same discipline, and it is important to realize the different approaches necessary for each. In The Solo Singer in the Choral Setting: A Handbook for Achieving Vocal Health, Olson presents the unique perspective of choral singing from a soloist's viewpoint, providing a clear outline of several issues facing the solo singer in the choral setting. She discusses concepts as diverse as body position in rehearsal and acoustic sound production, and she offers practical ideas for solving these challenges. Teaching examples and case studies help illustrate the problems and offer potential solutions for handling the challenges of the choral environment.

After a general overview of vocal technique, the chapters address the physiological, psychological, pedagogical, acoustic, and interpretive issues facing the solo singer in the choral setting. Concepts, such as phonation; resonation and timbre; approaches to diction; voice classification; choral blend; interpreting emotion; relationships among choral conductor, singer, and teacher of singing; and the use of vibrato are examined in detail. Concluding with a conversation with two choral conductors, as well as a glossary, bibliography, and index, this volume is beneficial to singers, teachers, and conductors alike.

• Sales Rank: #2178710 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2010-11-04
• Original language: English
• Number of items: 1
• Dimensions: 9.06" h x .56" w x 6.11" l, .80 pounds
• Binding: Paperback
• 220 pages

Features

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Review
The Solo Singer in the Choral Setting: A Handbook of Practical Ideas for Achieving Vocal Health, by Margret Olson, is chock full of probative insights and singular advice for the voice teacher and choral conductor. Specifically, the message is the care and feeding of the solo singer in the voice studio and the choral rehearsal, taking into account myriad potential emotional, intellectual, and egocentric mine fields that must be skillfully navigated. It is refreshing to read a book about singing replete with new ideas. Each chapter will be of particular interest to the voice teacher, conductor, and nascent voice student. Olson, obviously a teacher, leads the reader through theoretical to practical solutions about singing, presenting a benign litany of issues /solutions/teaching examples format, concluding many chapters with appropriate and useful vocalizes. (Dr. Carroll Gonzo, Editor, Choral Journal)

The Solo Singer in the Choral Setting covers a wide range of issues, and it is characterized by a reasonable tone, both in the author's attitude toward choral singing, and the nature of the counsel offered to singers who must perform as both soloists and choristers…. With this volume, Olson has made a valuable contribution to the dialogue. (Journal of Singing)

About the Author
Margaret Olson, an independent scholar and writer, has held teaching positions at Morgan State University, Iowa Wesleyan College, and Georgetown University and with the Washington National Opera and the Wolf Trap Foundation for the Performing Arts. She has been published in the Journal of Singing and Choral Journal.

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1 of 1 people found the following review helpful.
Must-have for voice majors, voice teachers, choral directors and professional singers who sing in choral ensembles
By Doctor B.
A thorough impartial discussion of the many issues revolving around the common university practice of having voice performance majors--many of whom are opera singers--sing in choral ensembles. This text provides invaluable insight on issues that singers do not think about while in choir and that studio teachers do not always know they need to address, such as postural habits or tendencies to over sing in the ensemble. It also gives plenty of sound advice and pedagogical suggestions for dealing with specific issues such as vibrato, blend, length of time doing choral singing versus solo singing, and much more. In addition to discussing the benefits of being in a choral ensemble that undoubtedly contribute to the making of a more well-rounded vocal musician, it talks about the need for voice teachers and choral directors to attain a mutual understanding and respect of each others' needs so that the students and the school can thrive successfully together.

1 of 1 people found the following review helpful.
Awsome for all ages of wanna be solo, choral singers
By Cathy Johns
The one book all music majors should add to their libraries. It can be used as a valuable tool to enlighten the singer, as various environments for their instrument are required throughout their career. As a former voice major and choral director in a church setting this book would have been a great reference for me. .

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Some say that telling the story of the Holocaust is impossible, yet, artists have told the story thousands of time since the end of World War II in novels, dramas, paintings, music, sculpture, and film. Over the past seven decades, hundreds of documentaries, narrative shorts and features, and television miniseries have confronted the horrors of the past, creating an easily recognized iconography of persecution and genocide. While it can be argued that film and television have a tendency to trivialize, using the artifacts of popular culture – film and literature – artists keep the past alive, ensuring that victims are not forgotten and the tragedy of the Holocaust is not repeated.

The Historical Dictionary of Holocaust Cinema examines the history of how the Holocaust is presented in film, including documentaries, feature films, and television productions. It contains a chronology of events needed to give the films and their reception a historical context, an introductory essay, a bibliography, a filmography of more than 600 titles, and over 100 cross-referenced dictionary entries on films, directors, and historical figures. Foreign language films and experimental films are included, as well as canonical films. This book is a must for anyone interested in the scope of films on the Holocaust and also for scholars interested in investigating ideas for future research.

• Sales Rank: #3941891 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2012-04-12
• Original language: English
• Number of items: 1
• Dimensions: 9.41" h x .92" w x 6.35" l, 1.25 pounds
• Binding: Hardcover
• 272 pages

Features

• Used Book in Good Condition

Review
Robert C. Reimer and Carol J. Reimer (Univ. of North Carolina, Charlotte; Historical Dictionary of German Cinema) here cover “actual events of World War II and the Holocaust as well as the cinematic treatment of these events during the time since.” A chronology from 1933 to 2011 provides a framework for this subject. Entries give a historical context, and while they do not include detailed IMDB-type information such as cast, crew, or running time, they do list the film’s year of release and director. Places (Warsaw ghetto, Auschwitz), key figures (Adolf Hitler, Adolf Eichmann), and subjects (genocide) are also examined. Topics that have their own entry are in bold throughout. Profiles of mainstream films such as Schindler’s List and The Pianist are included along with documentaries The Sorrow and the Pity and Shoah. The 1978 television miniseries Holocaust: The Story of the Family Weiss is cited as a turning point in the depiction of the Holocaust in popular media. Other aspects of Holocaust cinema include Shanghai Ghetto, a 2002 documentary about “Jewish refugees who escape the Holocaust by immigrating to Shanghai,” and the use of comedy as in Life Is Beautiful and The Great Dictator. Holocaust films affecting the Roma (And the Violins Stopped Playing) and homosexuals (Bent) are discussed. VERDICT Selective, not exhaustive, this resource provides much information on Holocaust cinema and many opportunities for further research. Ideal for students and teachers looking for media resources as well as anyone invested in the subject. (Library Journal)

Though not a definitive resource on the history of cinema pertaining to the Holocaust, this volume is a solid starting point for research on the genre or a specific film. Entries include international filmmakers and Holocaust figures and films in various genres (feature films, documentaries, TV presentations) produced from 1940 to 2011. The book begins with a chronology from 1933 to 2011 that showcases events and films. A lengthy introduction explaining the cinematic history is divided by time period. The bulk of the work consists of the well-written, informational entries, arranged alphabetically. Most of the entries deal with specific films and include a plot summary and a paragraph of critical evaluation with some history and comparisons to other films. Other entries cover Holocaust-related terms and include examples of films that fit the topic. Entries on relevant people include a brief biography and related films. Entries range in length from a single paragraph to a page or more; boldface terms within the text refer to other entries, and see also references appear at the end. The book contains black-and-white stills from many of the featured films. A filmography lists all of the films covered in the dictionary, plus others. An extremely extensive bibliography completes the volume; although it is limited to works about cinema and primary works that served as source material for films, it provides researchers with a great deal of additional information. Any academic or large public libraries with a serious collection of Holocaust material will benefit from this volume, as will general film-studies collections. (Booklist)

A very welcome addition to the series and to cinema studies as well as Holocaust studies in general and broadens the argument to both cinema and Holocaust studies. (Filmwerk)

Not only is this title a useful addition to Holocaust-related reference collections, the authors deserve praise for producing a resource that virtually anyone attracted to film and the Holocaust will find interesting. The work begins with a chronology and introduction, both of which aim to place the evolution of Holocaust-related films in historical context. Its core is "The Dictionary," which selectively includes entries on films, filmmakers (e.g., Marcel Ophüls), and topics (e.g., Adolf Eichmann) that have inspired filmmakers. The range is commendable: documentaries, made-for-television films, and Hollywood blockbusters; both black-and-white and color films; rigorous international coverage; and presentations that range from poignantly personal treatments (e.g., The Pawnbroker) to broadly inclusionary presentations. Whereas the alphabetized "Filmography" (which follows the dictionary) is comprehensive, one might wonder why Robert Reimer and Carol Reimer (both, UNC Charlotte) chose to include dictionary entries for some films (e.g., Mephisto, an excellent film, is a debatable inclusion) while omitting others (e.g., Voyage of the Damned, which portrays the St. Louis voyage). Quibbles aside, however, this historical dictionary is an exceedingly useful reference source that belongs in any reference collection supporting film or Holocaust studies. Useful bibliography. Summing Up: Highly recommended. (CHOICE)

Recommended for large collections. (American Reference Books Annual)

This is one more excellent cinema work from the Historical Dictionary of Literature and The Arts series. The book contains a number of film stills and is well laid out with a good-sized clear font. It will be an excellent source book for students of the cinema and those involved in Jewish studies. Students studying the Second World War, the Nazis, propaganda and how such a complex and harrowing subject was dealt with through the media of cinema and television will also find it valuable.
(Reference Reviews)

About the Author
Robert C. Reimer, Ph.D., is chair of the Department of Languages and Culture Studies and professor of German at the University of North Carolina Charlotte.

Carol J. Reimer, M.L.S., is Gifts Coordinator and an associate in Collection Development and Electronic Resources in the J. Murrey Atkins Library at the University of North Carolina Charlotte.

Most helpful customer reviews

0 of 2 people found the following review helpful.
If they do such a mistake: Palestinian film in the list of films
By Amazon Customer
If they do such a mistake!!!!!!!

In the end of the book where they list films about the holocaust I found a film that is called "the Sons of Eilaboun" by Hisham Zreiq ( [...] ), this film is a Palestinian film about a massacre that the Israeli army committed in a Christian Palestinian village in 1948. So it is a the Palestinian holocaust, and have no place in this book.

So if they did do it deliberately, then they should be ashamed, and if this is a mistake, it shows that his guys are not professionals!!

In any case I would not recommend such a book

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> Ebook Download Historical Dictionary of Islamic Fundamentalism (Historical Dictionaries of Religions, Philosophies, and Movements Series), by Mathieu Gui

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The Historical Dictionary of Islamic Fundamentalism provides a comprehensive and detailed examination into Islam as a religion, Islam as a government, and Islam as a way of life. It is a thorough analysis of various groups, events, movements, key figures, and dogmas that have influenced contemporary Islamic Fundamentalism.

In this book, Dr. Guidère provides an in-depth look at Islamic Fundamentalism through a detailed chronology, an introductory essay, an Arabic-to-English glossary, and an extensive bibliography. The main portion of the book consists of the dictionary section, which has over 500 cross-referenced entries on groups, events, movements, key figures, dogmas, ideologies, and movements of the 20th and 21st centuries. This book is an excellent access point for high school students, college students, and anyone interested in a better understanding of the world of Islam.

• Sales Rank: #3259862 in Books
• Brand: Brand: Scarecrow Press
• Published on: 2012-07-20
• Original language: English
• Number of items: 1
• Dimensions: 9.31" h x 1.62" w x 6.24" l, 1.95 pounds
• Binding: Hardcover
• 504 pages

Features

• Used Book in Good Condition

Review
Guidère (Islamic & Middle Eastern studies, Univ. of Toulouse, France) hopes to clear up some of the misunderstanding and confusion regarding Islamic fundamentalism. His preface claims that the dictionary is “truly historical in that it starts at the beginnings and traces the religion’s long and complicated trajectory up to the present day.” In addition to entries on major events, people, and locations relating to Islamic fundamentalism, the dictionary also includes a map of the Islamic world, graphic organizers that chart the development of various splinter groups, a chronology, a glossary of terms translated into English, reader’s notes, and a list of acronyms and abbreviations. VERDICT With its clear, concise entries and extensive extra features, this resource stands out from other material on the topic and provides a useful starting point for researchers and those who need a brief definition of a particular term. (Library Journal)

The dictionary does an excellent job of presenting the diversity within Islamic fundamentalism, the complex relationship these groups have with each other, the larger Muslim world, and the non-Muslim world. The extensive bibliography is a valuable reference for those interested in more in-depth study....This dictionary is an ideal resource for advanced undergraduate courses or graduate survey courses focusing on Islamic fundamentalism. (American Reference Books Annual)

The subject of Islamic fundamentalism, especially for the West, is one that is shrouded in confusion, misunderstanding, and mystery. Over the last two decades, many have attempted to lift the veil, but few have been fully successful. With this dictionary, Guidère (Univ. of Toulouse, France) offers one of the best publications currently available. It provides a comprehensive and detailed examination of Islam as a religion, Islam as a government, and Islam as a way of life. The author thoroughly investigates and analyzes the various groups, events, movements, key figures, and dogmas that have influenced contemporary Islamic fundamentalism and Islamism in general. The dictionary focuses on explaining the reasons, purposes, and developments of various fundamentalist reinterpretations of Islam and the Qur'an. The main portion of the book consists of the dictionary section, with over 500 cross-referenced alphabetical entries. The work also features a detailed chronology, introductory essay, an Arabic-to-English glossary, and an extensive bibliography. This volume is extremely user-friendly, well organized, and up-to-date. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. (CHOICE)

[This] volume...is full of detailed information difficult to find in other reference books about a movement of crucial importance to world affairs, and thus it deserves a wide circulation. (Reference Reviews)

About the Author
Mathieu Guidère is professor of Islamic and Middle Eastern studies at the University of Toulouse, France. He is also a Senior Fellow at the Center for Advanced Defense Studies in Washington, D.C.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent!
By P. Clearwater
I purchased "The Historical Dictionary to Islamic Fundamentalism" to help me with my studies. It was such a wonderful reference! I used it for many essays and for studying. It is easy to use and it explains concepts clearly. Well cross-referenced and the extra features are great: an Arab/English dictionary and chart of all the Isloc groups!! Really indispensable. I highly recommend this book!

0 of 1 people found the following review helpful.
A probelmatic approach to the issue.
By A. Musa
The author's approach to "fundamentalism" is problematic and self-contradictory. In particular, the first word he uses to discribe his approach is "internal" (4), which suggests that he is seeking to look at how Muslims who seek "a return to the religion's basics" (1) see themselves. He then goes on to describe Muhammad 'Abdu as having a "nonfundamentalist approach to the religion" (13). However, 'Abdu definitely saw himself as calling for "a return to the religion's basics," which is a crucial aspect of the author's definition of "fundamentalism." So, while the author is claiming an "internal" approach, he is imposing his own external definition of who qualifies as a "fundamentalist."

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# Download Ebook Still the Greatest: The Essential Songs of The Beatles' Solo Careers, by Andrew Grant Jackson author 1965: The Most Revolutionary Year in

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As recommended by USA Today and excerpted on Rolling Stone.com!

More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits.

Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the post–Beatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles’ second act truly is.

Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the crème de la crème of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.

• Sales Rank: #1058743 in Books
• Published on: 2012-07-20
• Original language: English
• Number of items: 1
• Dimensions: 9.28" h x 1.18" w x 6.27" l, 1.45 pounds
• Binding: Hardcover
• 354 pages

From Booklist
In this creative history of the solo careers of John, Paul, George, and Ringo, Jackson reimagines the artists’ individual output into “fantasy albums” that could have been put out had the Fab Four remained an intact group—“The Beatles Albums That Should Have Been” (which would have made a fine subtitle). Nearly 200 songs have been cherry-picked, with extensive information offered, such as musicians, chart history, story behind the creation of the song, and the meaning of the lyrics. The chummy tone and the sheer subjectiveness make this unsuitable as a reference work but loads of fun for Beatles fans. --Rebecca Vnuk

Review
In this creative history of the solo careers of John, Paul, George, and Ringo, Jackson reimagines the artists’ individual output into “fantasy albums” that could have been put out had the Fab Four remained an intact group—“The Beatles Albums That Should Have Been” (which would have made a fine subtitle). Nearly 200 songs have been cherry-picked, with extensive information offered, such as musicians, chart history, story behind the creation of the song, and the meaning of the lyrics. The chummy tone and the sheer subjectiveness make this unsuitable as a reference work but loads of fun for Beatles fans. (Booklist)

The celebration of the Fab Four's 50th anniversary continues with Still the Greatest: The Essential Songs of the Beatles' Solo Careers. Author Andrew Grant Jackson, a music journalist and filmmaker, delves into the more than 70 albums and 900 songs collectively unveiled by John, Paul, George and Ringo since they disbanded 42 years ago. "There are a dozen brilliant Beatles albums to be carved out of their solo albums," Jackson has observed. Included, too, are collaborations with other icons such as Phil Spector, Eric Clapton, Elton John and Elvis Costello. (USA Today)

Analysis, commentary, and biography on the Beatles abound, but relatively little has been written about John, Paul, George, and Ringo’s post-Beatles recordings. Freelance music writer Jackson’s first book spotlights what he considers the best of the ex-Beatles’ oft-underrated post-1970 recordings as solo artists, and as members of Wings and the Plastic Ono Band. Jackson, an obvious Beatles fanatic, compiles his chosen cuts into 12 fictitious albums spread across the past 40 years. Jackson critiques and analyzes each song and puts it into biographical context, adding detailed studio session information, recording credits, and sales-chart peaks. The analyses are insightful and informed, with the author relying heavily on previous scholarship and interviews with the ex-Beatles and associates, and adding his own strong opinions. Jackson admirably digs beneath the obvious hits to uncover and discuss deep album tracks, commercial flops, and rare b-sides. Ringo fans will be delighted by Jackson’s insistence on finding room on each “album” for at least one of the funny Beatle’s tracks....VERDICT This creative, enlightening, and informative work by a welcomed entrant to Beatles scholarship is highly recommended to anyone interested in learning more about the Fab Four’s sporadically great post-breakup recordings. (Library Journal)

Overall, it's an interesting take on what might have been; an imaginary glimpse of what The Beatles may have released to the world as a group had they remained together....Going over each track with a fine-toothed comb, Jackson not only gives us details of where each Beatle was at that stage of their career but also what lead them there. On top of that he includes extensive production details for each song, including session musicians and where and when it was recorded. (Examiner)

Still the Greatest is a very interesting and creative look at The Beatles’ solo careers, and makes for a more enjoyable read than a typical reference volume. Still the Greatest is an excellent volume and definitely a worthwhile read for music scholars, music enthusiasts, or fans of The Beatles. (American Reference Books Annual)

If God is truly in the details, this exhaustive second-act gospel radiates holy ghostliness. (The Austin Chronicle)

[This book] skillfully manages to blend in the right amounts of reference material and imagination to make this one of the most enjoyable Beatles books in years … An inevitable yet delightful by-product of reading the book is the “I’d have chosen this song instead of that one” factor (witness the author’s presentation in front of a captive audience at the recent Fest for Beatles Fans in Chicago) … And while subjectivity naturally comes into play here, Jackson demonstrates not only a solid knowledge of post-Beatles history, but he astutely balances the biographical back story for each of the songs as well. Beyond the musicians’ credits, release dates, chart positions and such, he captures the songs’ essence eloquently … Aesthetically, Jackson demonstrates an uncanny ability to turn words (his, and the artists) into mini aural landscapes in his descriptions of the songs’ musicality. His take on “Uncle Albert / Admiral Halsey” paints a picture of the sound so vivid that if one had never heard the actual record, they could virtually imagine it quite precisely. Jackson demonstrates a deft command of pop/rock culture as well, connecting the dots beyond the Beatles’ world … Intellectually stimulating and at the same time lots of fun, this one should be on every Beatle fan’s bookshelf. (Beatlefan Magazine)

Great addition to any Beatles library. (Houston Press)

I love his book. Over the course of 300 or so pages, Jackson explores the high points from the solo careers of John, Paul, George and Ringo. More than simply presenting release dates, recording info and chart positions, Jackson delves into the inspiration for the lyrics and where the key players were at in those moments. It's a new take on a much-chronicled band. (Bobby Tanzilo, OnMilwaukee.com)

Andrew Grant Jackson gives us an indispensable book with the inside story of the second career of the Beatles. The most exciting aspect-the stories of each song and the unusual motives of the writers. The book is a winner! (Larry Kane, author of Ticket to Ride and Lennon Revealed)

I’m happy to be able to recommend a new book by a man with the interesting name of Andrew Grant Jackson and it’s called Still the Greatest: The Essential Songs of the Beatles’ Solo Careers. Many of us were traumatized by the breakup of the Beatles and you would not believe how often it keeps coming up in my class on the culture and politics of the seventies. The fellow is pretty smart and the book is wonderfully well researched … With the Beatles having been covered to death, this is really new territory, at least for me … It’s really both quite fun and impressive, though he does not hate the songs I hate and I find this a bit unnerving, given how on the ball he is otherwise. Do I really need to rethink My Love?” (Eric Alterman, The Nation)

Jackson (independent scholar) bases his chronological study of the Beatles' solo careers on the idea that solo tracks recorded after the Beatles' breakup can be grouped into theoretical Beatles albums. Each tune included in his list of essentials receives detailed and knowledgeable commentary covering session locations and dates, personnel, production credits, release information, and UK and US chart positions. Themes emerge, linking the solo outputs of the various Beatles to evolving trends in pop music. Jackson's treatment of each band member is evenhanded and appreciative, and his book succeeds in inspiring readers, both serious fans and novices, to return to the recordings. This volume does not aim to replace or supersede The Beatles Solo on Apple Records, compiled by Bruce Spizer (2005), but it ably supplements this key resource. Jackson's commentary situating the output of solo members of the Beatles within contemporary music is particularly enlightening. This one-of-a-kind study of a cultural phenomenon discusses 70-plus albums and some 900 songs. Excellent appendix; discographies. Summing Up: Recommended. Collections emphasizing contemporary pop music; general readers. (CHOICE)

"The Beatles was just the beginning--the four fabs had extensive solo careers. Here, a comparison." (Sunday Denver Post)

About the Author
Andrew Grant Jackson has written for Rolling Stone, Yahoo!, Slate’s “Blogging the Beatles,” Baseline Studio System, music magazines Burn Lounge, Mean Street, and Dispatch, and copyedited the Hollywood monthly magazine Ingenue. He directed and cowrote the feature film The Discontents starring Perry King and Amy Madigan and served as actor Jeff Bridges’s development associate at AsIs Productions.

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7 of 8 people found the following review helpful.
Magical Mystery Tour Through JPG&R's Solo Years!
By Mike O'Connor
There have been several books chronicling the solo musical efforts of the Fab Four, the latest being Andrew Jackson's STILL THE GREATEST. Jackson's book differs from other previous volumes in that, as the book's subtitle notes, he selects THE ESSENTIAL SONGS OF THE BEATLES' SOLO CAREERS and then arranges them into "Beatles Albums That Should Have Been, 1970-2011." Whether you buy the fantasy album concept ot not, Jackson's book is an entertaining trip through some marvelous songs and fascinating Beatles history.

STILL THE GREATEST highlights 182 songs including memorable chestnuts like 'Maybe I'm Amazed,' 'Cold Turkey,' 'It Don't Come Easy,' 'Apple Scruffs,' 'Monkberry Moon Delight,' 'Oh Yoko,' 'Live and Let Die,' 'Whatever Gets You Through the Night,' 'This Song,' 'Mull of Kintyre' and 'When We Was Fab' along with lesser-known songs like 'Mama's Litle Girl,' 'I Don't Want to Do It' and 'I Don't Believe You.' Jackson slots the songs chronologically into albums named 'Year One' (1970), 'It Don't Come Easy' (1971), 'Gimme Some Truth' (1972) and so on until 'Ever Present Past' (2011).

Jackson does a marvelous job exploring the various songs, especially those 'lesser hits' that may have passed under the buying public's radar. Along with who-what-where production details, he provides the back-story of each song and provides appealing summaries of each. Since the book also covers JPG&R's personal growth, readers do get a warts-and-all overview of affairs/marriages/divorces/feuds, drug and alcohol problems, etc. While it's not mean-spirited, STILL THE GREATEST hurls a fair amount of brickbats.

Personally I thought the fantasy album concept was flimsy. Having said that, I enjoyed STILL THE GREATEST immensely. While the personal details on JPG&R from 1970 to 2012 were informative, Jackson's insightful exploration of all those wonderful songs makes for delightful, evocative reading. STILL THE GREATEST is a treat for Beatles fans young and old. Recommended.

7 of 8 people found the following review helpful.
Still the greatest .. and you better believe it, BABY !
By Tom E. DeShovelle
While Andrew Grant Jackson's new book is a self-admitted exercise in "fantasy football for Beatles geeks", he skillfully manages to blend in the right amounts of reference material and imagination to make this one of the most enjoyable Beatles books in years, especially for aficionados of the individual Fabs' work of the past 40+ years, which the author clearly is.

Constructing a mirror-image catalog to the Group's collective recorded album output (and yes, one of them is a double-album set), Jackson colors in the reasons for his selections by placing them in the context of which they originally appeared. That said, a healthy dose of the material (six of the twelve compilations, including the aforementioned double disc set) emanates from the 1970-76 period immediately following the Group's demise, which frequently found John, Paul, George and Ringo living in each other's shadows. Of course, this was also the golden era for the members' chart successes, especially for John and Ringo. Not surprisingly, several of the author's picks from this era had appeared - in whole or in part - in embryonic form during the band's final years.

An inevitable yet delightful by-product of reading the book is the "I'd have chosen this song instead of that one" factor (witness the author's presentation in front of a captive audience at the recent Fest for Beatles Fans in Chicago). For those less familiar with the most recent of the subject material, the impetus to explore it will no doubt lead to an enhanced appreciation for many of these overlooked commodities. Everybody wins.

And while subjectivity naturally comes into play here, Jackson demonstrates not only a solid knowledge of post-Beatles history (the relatively few dating and other minor errors do not detract from the essence of the book, as they would in a pure "reference" tome), but he astutely balances the biographical backstory for each of the songs as well. Beyond the musicians' credits, release dates, chart positions and such, he captures the songs' essence eloquently, best exemplified by his assessment of "Too Many People", Paul's volley to John in the very wake of the Beatles songwriting team's divorce. Comparing its taunting message to Lennon's all-out assault of "How Do You Sleep", Jackson inspires the reader to subconsciously contrast the approaches that would come to define John & Paul's public personas that developed at that time, which to a great extent continue (right or wrong) to this day. In reading of Paul's subsequent peace offering "Dear Friend", we learn that Lennon responded in kind with a Christmas gift of the Decca audition bootleg to his estranged partner. How cool is that ?

Aesthetically, Jackson demonstrates an uncanny ability to turn words (his, and the artists) into mini aural landscapes in his descriptions of the songs' musicality. His take on "Uncle Albert / Admiral Halsey" paints a picture of the sound so vivid that if one had never heard the actual record, they could virtually imagine it quite precisely in their head.

Jackson goes on to demonstrate a deft command of pop/rock culture as well, connecting the dots beyond the Beatles' world. In commenting on Lennon's "Isolation", he notes that Pink Floyd's Roger Waters called it one of his all-time favorite songs, which makes sense as he went on to be the auteur of the epic of isolation, "The Wall".

The only unfortunate shortcoming here is that the suggested compilations, chronological as they are, drop off in Lennon and Harrison material in the later installments due to obvious circumstances; indeed, the final collection is comprised of only Paul & Ringo songs. If it was Jackson's intent to makes you miss John and George even more, it worked.

Intellectually stimulating and at the same time lots of fun, this one should be on every Beatle fan's bookshelf.

0 of 0 people found the following review helpful.
Interesting concept results in the usual head-scratching lists
By Paul Cool
Jackson's concept, assessing the Beatles' solo work, not simply on basis of the songs' own merits, but as likely tracks on post 1970 Beatles LPs (assuming they had patched up differences enough to continue recording together, or at least to continue contributing songs to group albums), is an intriguing one, and one that generally works. The selections themselves run the expected gamut from the obvious, to the author's idiosyncratic choices, to the WTH was he thinking? A different mix than any one reader would create, but with the same overall result of track listings not completely shared by anyone else on the planet. You'll find your own assessments both buttressed and challenged. Recommended for fans of The Beatles' music, whether you're familiar with the solo output or new to it.

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!! Ebook Free Ellingtonia: The Recorded Music of Duke Ellington and His Sidemen (Studies in Jazz), by W. E. Timner

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Edward Kennedy 'Duke' Ellington (1899-1974) is recognized as one of the great composers and orchestra leaders of the twentieth century and is credited for raising jazz to its highest plateau. He remained musically active through his entire life, creating a prolific musical output. Ellingtonia: The Recorded Music of Duke Ellington and His Sidemen compiles Ellington's entire musical catalog from the first recording session in July 1923 to the last concert in March 1974. More than a discography, the book comprises all the activities of these musicians, including studio recordings, movie soundtracks, concerts, dance dates, radio broadcasts, telecasts, and private and unissued recordings, as well as recordings made by Ellington's sidemen under their own names or with other bands. W. E. Timner provides the date, location and personnel for each session, the label of first issue, master and take numbers (if available), and song title, including alternate titles and derivatives. Containing a comprehensive guide for users and indexes of titles, musicians, cities, venues, and general subjects, this completely revised and updated 5th edition also contains a new section listing Ellington's radio broadcasts and telecasts. Complete with extensive footnotes, Ellingtonia remains an indispensable and easy to use reference source for Jazz collectors and scholars.

• Sales Rank: #1983649 in Books
• Published on: 2007-11-29
• Original language: English
• Number of items: 1
• Dimensions: 11.05" h x 1.65" w x 8.53" l, 4.13 pounds
• Binding: Paperback
• 688 pages

Review
...a significant wealth of information, all carefully documented and organized into a very easy-to-understand format...If you love Ellington, this book is a treasure! (Jazz Educators Journal)

This forthcoming book holds great promise. It is a meticulous compilation... (Ellingtonia)

...a monumental achievement which all serious collectors will find indispensable. (Blue Light: Journal Of The Duke Ellington Society)

...equally important as a scholarly tool....Recommended. (Choice)

About the Author
W. E. Timner collects all styles of jazz as well as classical and folk music. He is retired and lives in Toronto, Canada.

Most helpful customer reviews

8 of 8 people found the following review helpful.
The place to go with questions on Ellington recordings
By bukhtan
This book fills in the gaps left by dodgy or absent liner notes. The main body of the text is a chronological list of Ellington band performances (including the small ensembles under sidemen's names) which were known to have been recorded and released by somebody at sometime somewhere. The typical entry includes:

a)title of ensemble (e.g. D.E. and his Famous Orchestra, Johnny Hodges and his Orchestra etc.),

b)date,

c) nature of performance (live, studio, movie sound track),

d)musicians,

e)place, and

f) titles with original record label & identifying numbers. There are occasionally notes giving variant titles.

There is also an alphabetical list of titles indicating the various recording dates and several lists and indexes of "Ellingtonians", band personnel who were connected with the Ellington organization in any way, as well as lists of record labels and the various names under which Ellington recorded.

This is entirely oriented toward identifying recordings, not compositions, so there is no composer or publishing data given. There is no interpretive or evaluative commentary.

Keep in mind that there have been several editions, as new performances are occasionally unearthed, so this is a work in progress. For example, the fifth volume of the Duke Ellington Treasury Shows, released by Storyville in 2002, included a live performance from 1945 that I did not find in Timner.

4 of 5 people found the following review helpful.
Essential for any serious Ellington lover
By David N. Smith
This is a huge and initially intimidating book which lists every known recording of Duke Ellington including much that has never been released. Also included are recording of 'Ellingtonians', men from the band who now and then led their own groups. Heavily indexed and cross-referenced.
I've had the 4th edition ever since it came out and I find it indespensible. Grab one now before you have to buy one used at twice the price!
...

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